Art and Adaptability argues for a co-evolution of theory of mind and material/art culture. The book covers relevant areas from great ape intelligence, hominin evolution, Stone Age tools, Paleolithic culture and art forms, to neurobiology. We use material and art objects, whether painting or sculpture, to modify our own and other people's thoughts so as to affect behavior. We don't just make judgments about mental states; we create objects about which we make judgments in which mental states are inherent. Moreover, we make judgments about these objects to facilitate how we explore the minds and feelings of others. The argument is that it's not so much art because of theory of mind but art as theory of mind.

makes the case that through biological and, especially, cultural evolution the human diet can gravitate away from farmed meat and dairy products and to create a vegan economy. calls for legislative leaders, policy makers, and educators to shift away from animal farming and inform people about the advantages of a vegan culture argues that we have to start thinking collectively about smarter ways of growing and processing plant foods, not farming animals as food to generate good consequences for health, the environment, and, therefore, animals. essential reading for all interested in veganism, whether for ethical, environmental or health and nutrition reasons, and those studying the human diet from a range of disciplines, including cultural evolution, food ecology, animal ethics and evolutionary studies.

makes the case that through biological and, especially, cultural evolution the human diet can gravitate away from farmed meat and dairy products and to create a vegan economy. calls for legislative leaders, policy makers, and educators to shift away from animal farming and inform people about the advantages of a vegan culture argues that we have to start thinking collectively about smarter ways of growing and processing plant foods, not farming animals as food to generate good consequences for health, the environment, and, therefore, animals. essential reading for all interested in veganism, whether for ethical, environmental or health and nutrition reasons, and those studying the human diet from a range of disciplines, including cultural evolution, food ecology, animal ethics and evolutionary studies.

Gregory F. Tague's An Ape Ethic and the Question of Personhood argues that great apes are moral individuals because they engage in a land ethic as ecosystem engineers to generate ecologically sustainable biomes for themselves and other species. Tague shows that we need to recognize apes as eco-engineers in order to save them and their habitats, and that in so doing, we will ultimately save earth's biosphere. The book draws on extensive empirical research from the ecology and behavior of great apes and synthesizes past and current understanding of the similarities in cognition, social behavior, and culture found in apes. Importantly, this book proposes that differences between humans and apes provide the foundation for the call to recognize forest personhood in the great apes. While all ape species are alike in terms of cognition, intelligence, and behaviors, there is a vital contrast: unlike humans, great apes are efficient ecological engineers. Therefore, simian forest sovereignty is critical to conservation efforts in controlling global warming, and apes should be granted dominion over their tropical forests. Weaving together philosophy, biology, socioecology, and elements from eco-psychology, this book provides a glimmer of hope for future acknowledgment of the inherent ethic that ape species embody in their eco-centered existence on this planet.

Evolution and Human Culture argues that values, beliefs, and practices are expressions of individual and shared moral sentiments. Much of our cultural production stems from what in early hominins was a caring tendency, both the care to share and a self-care to challenge others. Topics cover prehistory, mind, biology, morality, comparative primatology, art, and aesthetics. The book is valuable to students and scholars in the arts, including moral philosophers, who would benefit from reading about scientific developments that impact their fields. For biologists and social scientists the book provides a window into how scientific research contributes to understanding the arts and humanities. The take-home point is that culture does not transcend nature; rather, culture is an evolved moral behavior.

From the Preface by Publisher FREDERICKA A. JACKS: "COMMON BOUNDARY includes many varieties of immigration stories. A culture is a country's language, its customs, and the collective thinking or attitude of the people . . . The shifting attitude . . . experienced over . . . English acquisition . . . represents a paradox: on the one hand, there is an attempt to accommodate someone from another country; on the other hand, the immigrant person is always perceived as something foreign. There's a common boundary - being part of and yet being apart from others." From the Foreword by JASON DUBOW: ." . . this book is really an anthology of anthologies: a collection of stories in which the old inextricably blends with the new, in which the tensions between what has been lost and what can be gained are grappled with (but, inevitably, not resolved), and in which the human capacity to imagine a future and make it real (more or less) is explored from a variety of different perspectives. Here's the essential question: now that I am no longer there but here, Who am I? The answers, the stories - various, contingent, authentic - have made me, in a Whitman-esque sense, 'larger, ' and they will you too. And so, when you're done reading, ask yourself: Who now am I?" COMMON BOUNDARY, list of Contributors: Patty Somlo; Cassandra Lewis; George Rabasa; Rivka Keren; Janice Eidus; Mitch Levenberg; Ruth Sabath Rosenthal; John Guzlowski; Dagmara J. Kurcz; Rewa Zeinati; Roy Jacobstein; Ruth Knafo Setton; Eva Konstantopoulos; Nahid Rachlin; M. Neelika Jayawardane; Omer Hadziselimovic; Muriel Nelson; Azarin A. Sadegh; Tim Nees.

"In this volume, you will notice those who have risked observing their living with the delicate venture into what is other. You will wander in the wilderness of the pain caused by misinformed choices. You will see those who turn hallucination into healing. You will enjoy the turning of death from empty religion into the raw gift of grief. You will pay attention to the packages offered in the stories that announce the timely gift of reconciliation and forgiveness; hope from the places of deep pain re-imagined and healed through the telling. Each describes what is beyond the ordinary, as well as what is deeper in the vicissitudes of a faith moving well beyond religion and into the heart songs which religion hopes to honor, but has become limited by its penchant to be above doubt and beyond mystery." From the Foreword by Rev. David Rommereim

There are many difficult questions posed in this book. Why do we kill certain creatures while nurturing others? When do we draw the line between protecting our property and letting other creatures live and thrive? What drives people to kill others to protect their land? Many of these stories explore the lines cast under the surface of creation, characters looking for a nibble of understanding to make better sense of their place in an evolving world. CONTRIBUTORS: Stephen Poleskie, Arthur Powers, Lisa M. Sita, Andrea Vojtko, Jeff Vande Zande, James K. Zimmerman, Anne Whitehouse, Janyce Stefan-Cole, Patty Somlo, Rivka Keren, Kelly Wantuch, Larry Eby FOREWORD: Ian S. Maloney, Ph.D. PREFACE: Gregory F. Tague & Fredericka A. Jacks EDITED BY Scholar, Pushcart Prize Nominee, and Professor, Gregory F. Tague, Ph.D. More Information: www.ebibliotekos.com

CONTRIBUTORS: Muhammad Ashfaq; Thom Brucie; John Gifford; John Guzlowski; Alamgir Hashmi; Margaret Kingsbury; Geoffrey A. Landis; Mitch Levenberg; Hunter Liguore; Mira Martin-Parker; Rebecca Newth; Norah Piehl; Nahid Rachlin; C.R. Resetarits; Nancy Riecken; Dawn Sandahl; Lisa L. Siedlarz; Lisa M. Sita; Patty Somlo; Marko Vesovic; Jenny D. Williams. FOREWORD by Wendy Galgan, Ph.D. EDITED BY Scholar, Professor, and Pushcart Prize nominee, Gregory F. Tague, Ph.D. Twenty-one authors - thirty-seven works (short stories and poems) from all over the world - writing about the physical and psychological ravages of war on individuals and families