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Undesign brings together leading artists, designers and theorists
working at the intersection of art and design. The text focuses on
design practices, and conceptual approaches, which challenge the
traditional notion that design should emphasise its utility over
aesthetic or other non-functional considerations. This publication
brings to light emerging practices that consider the social,
political and aesthetic potential of "undesigning" our complex
designed world. In documenting these new developments, the book
highlights the overlaps with science, engineering, biotechnology
and hacktivism, which operate at the intersection of art and
design.
Undesign brings together leading artists, designers and theorists
working at the intersection of art and design. The text focuses on
design practices, and conceptual approaches, which challenge the
traditional notion that design should emphasise its utility over
aesthetic or other non-functional considerations. This publication
brings to light emerging practices that consider the social,
political and aesthetic potential of "undesigning" our complex
designed world. In documenting these new developments, the book
highlights the overlaps with science, engineering, biotechnology
and hacktivism, which operate at the intersection of art and
design.
What would it mean to substitute care for economics as the central
concern of politics? This anthology invites analysis, reflections
and speculations on how contemporary artists and creative
practitioners engage with, interpret, and enact care in practices
which might forge an alternative ethics in the age of
neoliberalism. Interdisciplinary and innovative, it brings together
contributions from artists, researchers and practitioners who
creatively consider how care can be practised in a range of
contexts, including environmental ethics, progressive pedagogies,
cultures of work, alternative economic models, death literacy
advocacy, parenting and mothering, deep listening, mental health,
disability and craftivism. Care Ethics and Art contributes new
modes of understanding these fields, together with practical
solutions and models of practice, while also offering new ways to
think about recent contemporary art and its social function. The
book will benefit scholars and postgraduate research students in
the fields of art, art history and theory, visual cultures,
philosophy and gender studies, as well as creative and arts
practitioners.
Creative Practice Ethnographies focuses on the intersection of
creative practice and ethnography and offers new ways to think
about the methods, practice, and promise of research in
contemporary interdisciplinary contexts. How does creative practice
inform new ways of doing ethnography and vice versa? What new forms
of expression and engagement are made possible as a result of these
creative synergies? By addressing these questions, the authors
highlight the important roles that ethnography and creative
practice play in socially impactful research. This book is aimed at
interdisciplinary researchers, scholars, and students of art,
design, sociology, anthropology, games, media, education, and
cultural studies.
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