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The Lure of the Social - Encounters with Contemporary Artists (Paperback)
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The Lure of the Social - Encounters with Contemporary Artists (Paperback)
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This new and original book is a creative practice ethnography,
which navigates a spectrum where at one end the author works
closely with socially engaged artists as part of her ethnographic
research, and at the other she tries to find a critical distance to
write about their art projects and the institutional structures
that support their work, such as art schools and conferences.
Artists increasingly find themselves working in participatory
settings where skills in social engagement are as essential as
their creative skills. The author was involved in the field of
social practices from its early stages and stayed engaged with the
primary movers in the field for nearly two decades as a witness,
participant and critical observer. Her writing evokes the people
and places she discusses, and her writing style is personal and
accessible. Over the course of the book, readers are introduced to
artists and their work, and to the key debates and issues facing
this fast-growing and emergent field. The author navigates the
contradictions and paradoxes of this field of practice through
description and analysis and, importantly, gives voice to the
artists who are working to make art relevant in times of social and
political uncertainty. The problems addressed by social practices,
as well as their contradictions, very much reflect our troubled
political global moment. This book is a significant contribution to
the field - few people have followed the development of social
practices for as long as Coombs, and her dual perspective as an art
critic and anthropologist make her ideally placed to describe and
evaluate the institutions and practices. While there are many books
already in this growing field, the experimental and intensely
personal nature of this book sets it apart. It could be a useful
teaching tool to generate debate around the tensions and paradoxes
inherent in the field of social practices and politically engaged
art. Students will appreciate the author's attempt to convey what
it was really like to be there at certain key events and insights
gained from direct conversations with the artists, curators and
writers shaping the field. Relevant to academics working in, and
students studying, art and social practice, community arts
programmes, contemporary anthropology, cultural historians and
those with an interest in the sociology of art, protest or
activism. Will appeal to artists, writers and students interested
in the history of how social practices developed as a field through
its practitioners, discourse and lived experience.
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