A radical reinterpretation of Willa Cather's oeuvre Deploying the concepts and techniques of Body Studies, Guy J. Reynolds remaps Cather's vast and diverse range of writing from the 1890s through to 1940. His study of embodiment and narrative focuses on the senses and reads Cather as a writer at the transition from late Victorian to Modernist modes of representation. The book presents suggestive new ways of understanding her depictions of disability, male bodies and Native American culture, not to mention her narratives of whiteness and of the black body.

Engineer Bartley Alexander appears to have a happy life in Boston with a successful career and a beautiful wife. He has been commissioned to design the Moorlock Bridge in Canada, the most important project of his career. With the onset of middle age, however, he grows increasingly restless and discontented, so much so that while in London he recklessly reignites a love affair with the sweetheart of his youth, the Irish actress Hilda Borgoyne. Although the tryst allows Alexander to recapture an element that has been missing from his pedestrian life, the relationship torments his sense of morality and eventually proves disastrous. "Alexander's Bridge" explores the demands of Gilded Age society on the individual, as well as the capacity of the individual to violate his own standards of integrity. This Willa Cather Scholarly Edition provides an illuminating new framework for Cather's debut novel. The novel is edited according to standards set by the Committee for Scholarly Editions of the Modern Language Association and presents the full range of biographical, historical, and textual information now available, complete with illustrations and maps.

Engineer Bartley Alexander appears to have a happy life in Boston with a successful career and a beautiful wife. He has been commissioned to design the Moorlock Bridge in Canada, the most important project of his career. With the onset of middle age, however, he grows increasingly restless and discontented, so much so that while in London he recklessly reignites a love affair with the sweetheart of his youth, the Irish actress Hilda Borgoyne. Although the tryst allows Alexander to recapture an element that has been missing from his pedestrian life, the relationship torments his sense of morality and eventually proves disastrous. Alexander's Bridge explores the demands of Gilded Age society on the individual, as well as the capacity of the individual to violate his own standards of integrity. This Willa Cather Scholarly Edition provides an illuminating new framework for Cather's debut novel. The novel is edited according to standards set by the Committee for Scholarly Editions of the Modern Language Association and presents the full range of biographical, historical, and textual information now available, complete with illustrations and maps.

Over the five decades of her writing career Willa Cather responded to, and entered into dialogue with, shifts in the terrain of American life. These cultural encounters informed her work as much as the historical past in which much of her writing is based. Cather was a multifaceted cultural critic, immersing herself in the arts, broadly defined: theater and opera, art, narrative, craft production. Willa Cather and the Arts shows that Cather repeatedly engaged with multiple forms of art, and that even when writing about the past she was often addressing contemporary questions. The essays in this volume are informed by new modes of contextualization, including the increasingly popular view of Cather as a pivotal or transitional figure working between and across very different cultural periods and by the recent publication of Cather's correspondence. The collection begins by exploring the ways Cather encountered and represented high and low cultures, including Cather's use of "racialized vernacular" in Sapphira and the Slave Girl. The next set of essays demonstrates how historical research, often focusing on local features in Cather's fiction, contributes to our understanding of American culture, from musicological sources to the cultural development of Pittsburgh. The final trio of essays highlights current Cather scholarship, including a food studies approach to O Pioneers! and an examination of Cather's use of ancient philosophy in The Professor's House. Together the essays reassess Cather's lifelong encounter with, and interpretation and reimagining of, the arts.

Engineer Bartley Alexander appears to have a happy life in Boston with a successful career and a beautiful wife. He has been commissioned to design the Moorlock Bridge in Canada, the most important project of his career. With the onset of middle age, however, he grows increasingly restless and discontented, so much so that while in London he recklessly reignites a love affair with the sweetheart of his youth, the Irish actress Hilda Borgoyne. Although the tryst allows Alexander to recapture an element that has been missing from his pedestrian life, the relationship torments his sense of morality and eventually proves disastrous. Alexander's Bridge explores the demands of Gilded Age society on the individual, as well as the capacity of the individual to violate his own standards of integrity. This Willa Cather Scholarly Edition provides an illuminating new framework for Cather's debut novel. The novel is edited according to standards set by the Committee for Scholarly Editions of the Modern Language Association and presents the full range of biographical, historical, and textual information now available, complete with illustrations and maps.

Linking Willa Cather to "the modern" or "modernism" still seems an eccentric proposition to some people. Born in 1873, Cather felt tied to the past when she witnessed the emergence of twentieth-century modern culture, and the clean, classical sentences in her fiction contrast starkly with the radically experimental prose of prominent modernists. Nevertheless, her representations of place in the modern world reveal Cather as a writer able to imagine a startling range of different cultures.
Divided into two sections, the essays in "Cather Studies," "Volume 9" examine Willa Cather as an author with an innovative receptivity to modern cultures and a powerful affinity with the visual and musical arts. From the interplay between modern and antimodern in her representations of native culture to the music and visual arts that animated her imagination, the essays are unified by an understanding of Cather as a writer of transition whose fiction meditates on the cultural movement from Victorianism into the twentieth century.