New essays providing a comprehensive view of the pathbreaking dramatist and theorist Lessing. One of the most independent thinkers in German intellectual history, the Enlightenment author Gotthold Ephraim Lessing (1729-1781) contributed in decisive and lasting fashion to literature, philosophy, theology, criticism, and drama theory. Lessing invented the burgerliches Trauerspiel (bourgeois tragedy) and wrote one of the first successful German tragedies as well as one of the finest German comedies. In his final dramatic masterpiece, Nathander Weise, he writes of Christianity, Judaism, and Islam, of religious tolerance and intolerance and the clash of civilizations. Lessing's dramas are the oldest German theater pieces still regularly performed (both in Germanyand internationally), and both his plays and his drama theory have influenced such writers as Goethe, Schiller, Hebbel, Hauptmann, Ibsen, Strindberg, Schnitzler, and Brecht. Addressing an audience ranging from graduate students toseasoned scholars, this volume introduces Lessing's life and times and places him within the broader context of the European Enlightenment. It discusses his pathbreaking dramas, his equally revolutionary theoretical, critical, and aesthetic writings, his original fables, his innovative work in philosophy and theology, and his significant contributions to Jewish emancipation. The volume concludes by examining 20th-century reception of Lessing and his oeuvre. Contributors: Barbara Fischer, Thomas C. Fox, Steven D. Martinson, Klaus L. Berghahn, John Pizer, Beate Allert, H. B. Nisbet, Arno Schilson, Willi Goetschel, Peter Hoeyng, Karin A. Wurst, Ann Schmiesing, Reinhart Meyer, Hans-Joachim Kertscher, Hinrich C. Seeba, Dieter Fratzke, Helmut Berthold, Herbert Rowland. Barbara Fischer is Associate Professor of German and Thomas C. Fox is Professor of German, both at the University of Alabama.

The emergence of a new theory of literature in the German Romantic period constituted a decisive turning point in the history of criticism. Prepared by new trends in critical thought during the latter half of the eighteenth century, a view of the literary work and the artistic process developed which diverged sharply from the dominant classicist understanding of aesthetics and poetics. It recognised the infinite changeability of genres, their constant mingling, and the frequent emergence of new literary forms, and asserted the rights of genius and creative imagination. It was also characterised by its intimate connection with the prevailing philosophy of its time, transcendental idealism. Professor Behler provides a new account of this crucial movement, illustrating each theoretical topic with close reference to a characteristic work by a major writer of the period.

Gotthold Ephraim Lessing (1729-81), thinker, dramatist and controversialist of many-sided interests, is the most representative figure of the German Enlightenment. His defence of Spinoza, who had traditionally been condemned as an atheist, provoked a major controversy in philosophy, and his publication of H. S. Reimarus' radical assault on Christianity led to fundamental changes in Protestant theology. This volume presents the most comprehensive collection to date in English of Lessing's philosophical and theological writings, several of which are here translated for the first time. They are edited and translated by H. B. Nisbet, who also provides an introduction that sets them in their historical and philosophical contexts.

Gotthold Ephraim Lessing (1729-81), thinker, dramatist and controversialist of many-sided interests, is the most representative figure of the German Enlightenment. His defence of Spinoza, who had traditionally been condemned as an atheist, provoked a major controversy in philosophy, and his publication of H. S. Reimarus' radical assault on Christianity led to fundamental changes in Protestant theology. This volume presents the most comprehensive collection to date in English of Lessing's philosophical and theological writings, several of which are here translated for the first time. They are edited and translated by H. B. Nisbet, who also provides an introduction that sets them in their historical and philosophical contexts.

This is the most comprehensive account to date of the history of literary criticism in Britain and Europe between 1660 and 1800. Unlike previous histories, it is not just a chronological survey, but a multi-disciplinary study of how the understanding of literature in the modern era was shaped by developments in intellectual, cultural and social history. It provides an authoritative historical overview in all areas of literary studies. Extensive bibliographies supply detailed guidance for further research.

The emergence of a new theory of literature in the German Romantic period constituted a decisive turning point in the history of criticism. A view of the literary work and the artistic process developed that diverged sharply from the dominant classicist understanding of aesthetics and poetics. It recognized the infinite changeablility of genres, and asserted the rights of genius and creative imagination. Professor Behler provides a new account of this crucial movement, illustrating each theoretical topic with close reference to a characteristic work by a major writer of the period.

This anthology, part of a three-volume series devoted to German aesthetic and literary criticism from the eighteenth and nineteenth centuries, charts the development of aesthetic and literary theory in Germany in the latter half of the eighteenth century and its emancipation from the hitherto dominant influence of France. This development helped to produce an unprecedented flowering of German culture and art which culminated in the classicism of Goethe and Schiller and in the rise of the Romantic movement, with momentous consequences for Europe as a whole. The texts gathered together here represent the main theoretical phases in this process. Their unifying theme is classicism and the author examines the theories of Winckelman, Lessing, Herder, Schiller and Hamann. The volume concludes with Goethe's essay on Winckelmann, which is both a reaffirmation of neo-classical principles and a definitive statement of the mature Goethe's own aesthetic theory.

This book is a translation of a classic work of modern social and political thought. Elements of the Philosophy of Right, Hegel's last major published work, is an attempt to systematize ethical theory, natural right, the philosophy of law, political theory, and the sociology of the modern state into the framework of Hegel's philosophy of history. Hegel's work has been interpreted in radically different ways, influencing many political movements from far right to far left, and is widely perceived as central to the communitarian tradition in modern ethical, social, and political thought. This edition includes extensive editorial material informing the reader of the historical background of Hegel's text, and explaining his allusions to Roman law and other sources, making use of lecture materials which have only recently become available. The new translation is literal, readable, and consistent, and will be informative and scholarly enough to serve the needs of students and specialists alike.

The original edition of Kant: Political Writings was first published in 1970, and has long been established as the principal English-language edition of this important body of writing. In this new, expanded edition two important texts illustrating Kant's view of history are included for the first time, his reviews of Herder's Ideas on the Philosophy of the History of Mankind and Conjectures on the Beginning of Human History, as well as the essay What is Orientation in Thinking?. In addition to a general introduction assessing Kant's political thought in terms of his fundamental principles of politics, this edition also contains such useful student aids as notes on the texts, a comprehensive bibliogaphy and a new postscript, looking at some of the principal issues in Kantian scholarship that have arisen since the first edition.

This is a comprehensive 1997 account of the history of literary criticism in Britain and Europe between 1660 and 1800. Unlike previous histories, it is not just a chronological survey of critical writing, but a multidisciplinary investigation of how the understanding of literature and its various genres was transformed, at the start of the modern era, by developments in philosophy, psychology, the natural sciences, linguistics, and other disciplines, as well as in society at large. In the process, modern literary theory - at first often implicit in literary texts themselves - emancipated itself from classical poetics and rhetoric, and literary criticism emerged as a full-time professional activity catering for an expanding literate public. The volume is international both in coverage and in authorship. Extensive bibliographies provide guidance for further specialised study.

With a full chronology, general introduction, explanatory annotation, glossary and bibliography, this volume seeks to give students with no specialist knowledge access to both the practical and metaphysical aspects of Hegel's political thought. This collection gathers together for the first time in English translation Hegel's most important political writings, other than the Philosophy of Right, and provides insights into how Hegel's educational and religious views conflicted with the political values around which Prussian authorities organized their authoritarian regime.