Furthering the scholarship on writers and artists as diverse as Lord Byron, Edvard Munch, Sylvia Plath, and Jorge Luis Borges, Zeng probes the semiotics of exile. In artistic traditions the world over, exile exerts a potent and complex mythmaking power - whether it is manifest as a geographical dislocation or as a sense of cultural or psychological alienation.

Drawing on a variety of film semiotic theories, this book sheds light on works by four generations of mainland Chinese directors, Hong Kong New Wave directors, Taiwan New Cinema directors, and overseas Chinese directors. The cultural and historical implications of exile are examined through the detailed analysis of film language and theoretical exploration balanced by insightful close reading. Zeng establishes a semiotics of exile film as reflected in genre-upsetting, semiotics of photography, displaced film codes, Taoist pitfalls, postmodernism, and the symbol of female doubling.

This book provides a study of the socio-political and cultural climate in Turkey in the aftermath of the Cold War, which resulted in a major voter re-alignment in the Turkish political system in the mid - 1990s. Except for a brief period of coalition governments, the country came under the rule of the Justice and Development Party (AKP), a conservative political party, which has been a coalition of pious Sunnis, liberals, Kurdish nationalists, former socialists, led by leaders from immaculate political Islamist backgrounds. Concomitantly, Turkish society has begun to experience increasing religiosity, authoritarianism, spreading lack of interpersonal trust and tolerance, increasing xenophobia, and anomie. The book delves into the sources of such a surge of conservatism, traditionalism, and parochialism in Turkey of the 1990s and 2000s. Data collected through nationally representative survey conducted in 2006 are analyzed to decipher the core driving forces of current Turkish society and politics in this book.