Responding to the rapid growth of personal narrative as a method of inquiry among qualitative scholars, Bud Goodall offers a concise volume of practical advice for scholars and students seeking to work in this tradition. He provides writing tips and strategies from a well-published, successful author of creative nonfiction and concrete guidance on finding appropriate outlets for your work. For readers, he offers a set of criteria to assess the quality of creative nonfiction writing. Goodall suggests paths to success within the academy--still rife with political sinkholes for the narrative ethnographer--and ways of building a career as a public scholar. Goodall's work serves as both a writing manual and career guide for those in qualitative inquiry.

Now issued as a Routledge Education Classic Edition, Bud Goodall's Writing Qualitative Inquiry responds to the rapid growth of personal narrative as a method of inquiry among qualitative scholars by offering a concise volume of practical advice for scholars and students seeking to work in this tradition. He provides writing tips and strategies from a well-published, successful author of creative nonfiction and concrete guidance on finding appropriate outlets for your work. For readers, he offers a set of criteria to assess the quality of creative nonfiction writing. Goodall suggests paths to success within the academy-still rife with political sinkholes for the narrative ethnographer-and ways of building a career as a public scholar. Goodall's work serves as both a writing manual and career guide for those in qualitative inquiry. A new foreword by Christopher N. Poulos reflects on Bud Goodall's life and work, and the impact of this book on narrative writing.

Now issued as a Routledge Education Classic Edition, Bud Goodall's Writing Qualitative Inquiry responds to the rapid growth of personal narrative as a method of inquiry among qualitative scholars by offering a concise volume of practical advice for scholars and students seeking to work in this tradition. He provides writing tips and strategies from a well-published, successful author of creative nonfiction and concrete guidance on finding appropriate outlets for your work. For readers, he offers a set of criteria to assess the quality of creative nonfiction writing. Goodall suggests paths to success within the academy-still rife with political sinkholes for the narrative ethnographer-and ways of building a career as a public scholar. Goodall's work serves as both a writing manual and career guide for those in qualitative inquiry. A new foreword by Christopher N. Poulos reflects on Bud Goodall's life and work, and the impact of this book on narrative writing.

Complementing and extending scholarship in three areas - terrorism; the media, mediated representations, and propaganda in contemporary culture; and the political and diplomatic environment post-9/11 - this book articulates the role of human communication in the «war of ideas. Drawing on contemporary research from a variety of disciplines, this book offers analyses and recommendations for people to make use of informed, inspired, and ethical communication to counter ideological support for terrorism and to promote more effective public diplomacy. This is the first book to apply human communication concepts and theories - and to offer potential solutions - to the communication problems encountered by nations, communities, and individuals, and in doing so moves beyond critiques of failed U.S. communication campaigns and strategies in the «war on terror.

Complementing and extending scholarship in three areas - terrorism; the media, mediated representations, and propaganda in contemporary culture; and the political and diplomatic environment post-9/11 - this book articulates the role of human communication in the "war of ideas". Drawing on contemporary research from a variety of disciplines, this book offers analyses and recommendations for people to make use of informed, inspired, and ethical communication to counter ideological support for terrorism and to promote more effective public diplomacy. This is the first book to apply human communication concepts and theories - and to offer potential solutions - to the communication problems encountered by nations, communities, and individuals, and in doing so moves beyond critiques of failed U.S. communication campaigns and strategies in the "war on terror".

In scenes eerily parallel to the culture of fear inspired by our current War on Terror, A Need to Know explores the clandestine history of a CIA family defined, and ultimately destroyed, by their oath to keep toxic secrets during the Cold War. When Bud Goodall's father mysteriously died, his inheritance consisted of three well-worn books: a Holy Bible, The Great Gatsby, and a diary. But they turned his life upside down. From the diary Goodall learned that his father had been a CIA operative during the height of the Cold War, and the Bible and Gatsby had been his codebooks. Many unexplained facets of Bud's childhood came into focus with this revelation.The high living in Rome and London. The blood-stained stiletto in his jewelry case. Bud, as a child, was always told he never had "a need to know." Or did he? Now, as an adult and a university professor, Goodall attempts to fill in the missing pieces of his Cold War childhood by uncovering a lifetime of family secrets. Who were his parents? What did his father do on those business trips when he was "working for the government?" What betrayal turned a heroic career of national service into a nightmare of alcoholism, depression, and premature death for both of his parents? Slowly, inexorably, Goodall unearths the chilling secrets of a CIA family in A Need to Know. 2006 Best Book Award, National Communication Association Ethnography Division

In scenes eerily parallel to the culture of fear inspired by our current War on Terror, A Need to Know explores the clandestine history of a CIA family defined, and ultimately destroyed, by their oath to keep toxic secrets during the Cold War. When Bud Goodallas father mysteriously died, his inheritance consisted of three well-worn books: a Holy Bible, The Great Gatsby, and a diary. But they turned his life upside down. From the diary Goodall learned that his father had been a CIA operative during the height of the Cold War, and the Bible and Gatsby had been his codebooks. Many unexplained facets of Budas childhood came into focus with this revelation.The high living in Rome and London. The blood-stained stiletto in his jewelry case. Bud, as a child, was always told he never had aa need to know.a Or did he? Now, as an adult and a university professor, Goodall attempts to fill in the missing pieces of his Cold War childhood by uncovering a lifetime of family secrets. Who were his parents? What did his father do on those business trips when he was aworking for the government?a What betrayal turned a heroic career of national service into a nightmare of alcoholism, depression, and premature death for both of his parents? Slowly, inexorably, Goodall unearths the chilling secrets of a CIA family in A Need to Know. 2006 Best Book Award, National Communication Association Ethnography Division

Goodall portrays a world caught up in the middle of a narrative arms race, where the message of the political right has outflanked the message of the political left. It is a world where narratives used by the far right inch ever closer to those employed by right-wing extremists in the Muslim world. Rather than dismiss the use of political narratives as a shallow tactic of the opposition, Goodall promotes their usefulness and outlines a number of ways that liberal academics can retake the public discourse from the extremist opposition. This is an essential text for the aspiring public intellectual and will appeal to students and scholars of qualitative methods, communications and media, and political science alike.

Goodall portrays a world caught up in the middle of a narrative arms race, where the message of the political right has outflanked the message of the political left. It is a world where narratives used by the far right inch ever closer to those employed by right-wing extremists in the Muslim world. Rather than dismiss the use of political narratives as a shallow tactic of the opposition, Goodall promotes their usefulness and outlines a number of ways that liberal academics can retake the public discourse from the extremist opposition. This is an essential text for the aspiring public intellectual and will appeal to students and scholars of qualitative methods, communications and media, and political science alike.