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A biography of the "Cinderella" of Egyptian cinema-the veneration
and rumors that surrounded an unparalleled career, and the gendered
questions that unsettled Egyptian society. Layla Murad (1918-1995)
was once the highest-paid star in Egypt, and her movies were among
the top-grossing in the box office. She starred in 28 films, nearly
all now classics in Arab musical cinema. In 1955 she was forced to
stop acting-and struggled for decades for a comeback. Today, even
decades after her death, public interest in her life continues, and
new generations of Egyptians still love her work. Unknown Past
recounts Murad's extraordinary life-and the rapid political and
sociocultural changes she witnessed. Hanan Hammad writes a story
centered on Layla Murad's persona and legacy, and broadly framed
around a gendered history of twentieth-century Egypt. Murad was a
Jew who converted to Islam in the shadow of the first Arab-Israeli
war. Her career blossomed under the Egyptian monarchy and later
gave a singing voice to the Free Officers and the 1952 Revolution.
The definitive end of her cinematic career came under Nasser on the
eve of the 1956 Suez War. Egyptians have long told their national
story through interpretations of Murad's life, intertwining the
individual and Egyptian state and society to better understand
Egyptian identity. As Unknown Past recounts, there's no life better
than Murad's to reflect the tumultuous changes experienced over the
dramatic decades of the mid-twentieth century.
A biography of the "Cinderella" of Egyptian cinema-the veneration
and rumors that surrounded an unparalleled career, and the gendered
questions that unsettled Egyptian society. Layla Murad (1918-1995)
was once the highest-paid star in Egypt, and her movies were among
the top-grossing in the box office. She starred in 28 films, nearly
all now classics in Arab musical cinema. In 1955 she was forced to
stop acting-and struggled for decades for a comeback. Today, even
decades after her death, public interest in her life continues, and
new generations of Egyptians still love her work. Unknown Past
recounts Murad's extraordinary life-and the rapid political and
sociocultural changes she witnessed. Hanan Hammad writes a story
centered on Layla Murad's persona and legacy, and broadly framed
around a gendered history of twentieth-century Egypt. Murad was a
Jew who converted to Islam in the shadow of the first Arab-Israeli
war. Her career blossomed under the Egyptian monarchy and later
gave a singing voice to the Free Officers and the 1952 Revolution.
The definitive end of her cinematic career came under Nasser on the
eve of the 1956 Suez War. Egyptians have long told their national
story through interpretations of Murad's life, intertwining the
individual and Egyptian state and society to better understand
Egyptian identity. As Unknown Past recounts, there's no life better
than Murad's to reflect the tumultuous changes experienced over the
dramatic decades of the mid-twentieth century.
Sara A. Whaley Book Prize, National Women's Studies Association,
2017 AMEWS Book Award, Journal of Middle Eastern Studies, 2017
Millions of Egyptian men, women, and children first experienced
industrial work, urban life, and the transition from peasant-based
and handcraft cultures to factory organization and hierarchy in the
years between the two world wars. Their struggles to live in new
places, inhabit new customs, and establish and abide by new urban
norms and moral and gender orders underlie the story of the making
of modern urban life-a story that has not been previously told from
the perspective of Egypt's working class. Reconstructing the
ordinary urban experiences of workers in al-Mahalla al-Kubra, home
of the largest and most successful Egyptian textile factory,
Industrial Sexuality investigates how the industrial urbanization
of Egypt transformed masculine and feminine identities,
sexualities, and public morality. Basing her account on archival
sources that no researcher has previously used, Hanan Hammad
describes how coercive industrial organization and hierarchy
concentrated thousands of men, women, and children at work and at
home under the authority of unfamiliar men, thus intensifying
sexual harassment, child molestation, prostitution, and public
exposure of private heterosexual and homosexual relationships. By
juxtaposing these social experiences of daily life with national
modernist discourses, Hammad demonstrates that ordinary industrial
workers, handloom weavers, street vendors, lower-class landladies,
and prostitutes-no less than the middle and upper classes-played a
key role in shaping the Egyptian experience of modernity.
Sara A. Whaley Book Prize, National Women's Studies Association,
2017 AMEWS Book Award, Journal of Middle Eastern Studies, 2017
Millions of Egyptian men, women, and children first experienced
industrial work, urban life, and the transition from peasant-based
and handcraft cultures to factory organization and hierarchy in the
years between the two world wars. Their struggles to live in new
places, inhabit new customs, and establish and abide by new urban
norms and moral and gender orders underlie the story of the making
of modern urban life-a story that has not been previously told from
the perspective of Egypt's working class. Reconstructing the
ordinary urban experiences of workers in al-Mahalla al-Kubra, home
of the largest and most successful Egyptian textile factory,
Industrial Sexuality investigates how the industrial urbanization
of Egypt transformed masculine and feminine identities,
sexualities, and public morality. Basing her account on archival
sources that no researcher has previously used, Hanan Hammad
describes how coercive industrial organization and hierarchy
concentrated thousands of men, women, and children at work and at
home under the authority of unfamiliar men, thus intensifying
sexual harassment, child molestation, prostitution, and public
exposure of private heterosexual and homosexual relationships. By
juxtaposing these social experiences of daily life with national
modernist discourses, Hammad demonstrates that ordinary industrial
workers, handloom weavers, street vendors, lower-class landladies,
and prostitutes-no less than the middle and upper classes-played a
key role in shaping the Egyptian experience of modernity.
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