Imagine your life changing in a second: one minute you are watching the football with a beer, the next you are on the floor in a pool of blood, deprived of the use of your arms and legs. This fall renders you paralysed, robbed of your independence, entirely reliant on others for everything.

This happened to writer Hanif Kureishi on Boxing Day 2022. His account of what happened and its aftermath is a unique, riveting and frequently riotous account of a year-long odyssey home through five hospitals. From despair to hope, rage to courage, it might be the most truthful, and the funniest, medical disaster story ever written.

"My name is Karim Amir, and I am an Englishman born and bred, almost..." The hero of Hanif Kureishi's debut novel is dreamy teenager Karim, desperate to escape suburban South London and experience the forbidden fruits which the 1970s seem to offer. When the unlikely opportunity of a life in the theatre announces itself, Karim starts to win the sort of attention he has been craving - albeit with some rude and raucous results. With the publication of Buddha of Suburbia, Hanif Kureishi landed into the literary landscape as a distinct new voice and a fearless taboo-breaking writer. The novel inspired a ground-breaking BBC series featuring a soundtrack by David Bowie.

When Muddy Waters came to London at the start of the '60s, a kid from Boston called Joe Boyd was his tour manager; when Dylan went electric at the Newport Festival, Joe Boyd was plugging in his guitar; when the summer of love got going, Joe Boyd was running the coolest club in London, the UFO; when a bunch of club regulars called Pink Floyd recorded their first single, Joe Boyd was the producer; when a young songwriter named Nick Drake wanted to give his demo tape to someone, he chose Joe Boyd. More than any previous '60s music autobiography, Joe Boyd's White Bicycles offers the real story of what it was like to be there at the time. His greatest coup is bringing to life the famously elusive figure of Nick Drake - the first time he's been written about by anyone who knew him well. As well as the '60s heavy-hitters, this book also offers wonderfully vivid portraits of a whole host of other musicians: everyone from the great jazzman Coleman Hawkins to the folk diva Sandy Denny, Lonnie Johnson to Eric Clapton, The Incredible String Band to Fairport Convention.

Shahid is a clean-cut student, trying to make an impression on his college lecturer, Deedee Osgood, who gives his spirits a lift when she takes him to a naked rave party. Shahid's academic prospects are threatened by the intervention of his gangster brother Chili, who, with his Armani suits and Gucci loafers, moves into Shahid's bedsit as a hideout, bringing unnecessary danger and excitement with him. Set in London in 1989, the year of the fall of the Berlin wall and the fatwah, The Black Album is a thriller with a characteristically lively background: raves, ecstasy, religious ferment and sexual passion in a dangerous time.

Jamal Khan, a psychoanalyst in his fifties living in London, is haunted by memories of his teens: his first love, Ajita; the exhilaration of sex, drugs and politics; and a brutal act of violence which changed his life for ever. As he and his best friend Henry attempt to make the sometimes painful, sometimes comic transition to their divorced middle age, balancing the conflicts of desire and dignity, Jamal's teenage traumas make a shocking return into his present life.

This collection begins in the early 1980s with The Rainbow Sign, which was written as the Introduction to the screenplay of My Beautiful Laundrette. It allowed Kureishi to expand upon the issues raised by the film: race, class, sexuality - issues that were provoked by his childhood and family situation. In the ensuing decades, he has developed these initial ideas, especially as the issue of Islam's relation to the West has become one of the burning issues of the time. Kureishi shows how flexible a form the essay can be - as intellectual as Sontag or Adam Phillips, as informal and casual as Max Beerbohm, as cool and minimalist as Joan Didion, or as provocative as Norman Mailer. As with his fictional work, these essays display Kureishi's ability to capture the temper of the times.

Writing seems to be a problem of some kind. It isn't as if most people can just sit down and start to write brilliantly, get up from the desk, so something else all day, and then, next morning start again without any conflict or anxiety. To begin to write - to attempt to do anything creative, for that matter - is to ask many other questions, not only about the craft itself, but of oneself, and of life. The blank empty page is a representation of this helplessness. Who am I? it asks. How should I live? Who do I want to be?

Dreaming and Scheming collects some of the very best of the non-fiction writings by Hanif Kureishi. These include political essays; diaries; accounts of his collaborations in film and television, and above all, exploration of how the life of the mind expresses itself in creative endeavours. Kureishi's energies and insights make this collection essential for admirers of his work, and for anyone who aspires to be a writer.

Gabriel is a fifteen-year-old North London schoolboy trying to come to terms with a new life, after the equilibrium of his family home has been shattered by the ousting of his father. Fending for himself, Gabriel is forced to grow up quickly. But a chance meeting with a seventies rock star crystallises the turbulent emotions inside Gabriel, and helps him to recognise and engage with his rare gift . . .

Mamoon is an eminent Indian-born writer who has made a career in England -- but now, in his early seventies, his reputation is fading, his book sales have dried up and his new wife has expensive tastes. Harry, a young writer, is commissioned to write a biography to revitalise Mamoon's career. He greatly admires Mamoon's work and wants to uncover the truth of the artist's life, but Harry's publisher seeks a more salacious tale of sex and scandal to generate headlines. Meanwhile, Mamoon himself is mining a different truth altogether -- but which one of them will have the last word?

'It is the saddest night, for I am leaving and not coming back.' Jay is leaving his partner and their two sons. As the long night before his departure unfolds, in an unforgettable, and often pitiless, reflection on their time together he analyses the joys and agonies of trying to make a life with another person.

Hate skews reality even more than love. In the story of a Pakistani woman who has begun a new life in Paris, an essay about the writing of Kureishi's acclaimed film Le Week-End, and an account of Kafka's relationship with his father, readers will find Kureishi also exploring the topics that he continues to make new, and make his own: growing up and growing old; betrayal and loyalty; imagination and repression; marriage and fatherhood. The collection ends with a bravura piece of very personal reportage about the conman who stole Kureishi's life savings - a man who provoked both admiration and disgust, obsession and revulsion, love and hate.

This provocative collection of short stories charts the growth of a generation from the liberating irreverence of the late 1970s to the dilemmas of responsibility and fidelity of the 1990s. The stories resonate with Hanif Kureishi's dead-on observations of human passion and folly, his brilliant depiction of seedy locales and magical characters, and his original, wicked sense of humour.

'No one else casts such a shrewd and gimlet eye on contemporary life.' - William Boyd

Comic, dark and insightful, What Happened? is Hanif Kureishi's new collection of essays and fiction. No topic is too fringe or too mainstream for this insatiable-and much-loved-author. From social media to the ancient classics, from appraisals of David Bowie to Georges Simenon to Keith Jarrett, this is the latest literary 'event' in a unique body of work that displays Kureishi's characteristic boundless curiosity and wit. What Happened? is as much about the very fact of Kureishi's catholic appetite for culture as his observations and insights themselves, and any new book in his oeuvre is a justification for celebration.

The Body is a dazzling collection of fiction from Hanif Kureishi, beginning with a novella that delves into the concept of identity, and its root in our physical being. Adam is a middle-aged playwright who accepts a tempting offer to have his mind transported into a younger body for six months. Youth restored, he embarks on an odyssey of physical hedonism, but must then face the dire consequences when he is loath to relinquish his new body . . .

'No one else casts such a shrewd and gimlet eye on contemporary life.' - William Boyd Comic, dark and insightful, What Happened? is Hanif Kureishi's new collection of essays and fiction. No topic is too fringe or too mainstream for this insatiable-and much-loved-author. From social media to the ancient classics, from appraisals of David Bowie to Georges Simenon to Keith Jarrett, this is the latest literary 'event' in a unique body of work that displays Kureishi's characteristic boundless curiosity and wit. What Happened? is as much about the very fact of Kureishi's catholic appetite for culture as his observations and insights themselves, and any new book in his oeuvre is a justification for celebration.

In this astonishing collection of stories, Hanif Kureishi confirms his reputation as Britain's foremost chronicler of the loveless, the lost and the dispossessed. The characters in Midnight All Day are familiar to us all: frustrated and intoxicated, melancholic and sensitive, yet capable of great cruelty.

With VENUS, Hanif Kureishi turns his piercing gaze onto the pains of old age. Maurice (Peter O'Toole) and Ian (Leslie Phillips) are veteran stage actors whose slow, inevitable decline is disrupted by the arrival in their lives of Ian's niece Jessie (Jodie Whittaker). While Jessie's housekeeping skills make for a bone of contention with Ian, Maurice finds himself attracted to her. Kureishi has crafted a disturbing, wry and profoundly moving swansong for his characters. Also included in this volume is an Introduction by Kureishi in which he describes the inspiration he drew from the Japanese master Tanizaki.

This is a collection of Kureishi's most controversial and though-provoking writing on the gulf between fundamentalist Islam and Western values. Over the past 10 years, Hanif Kureishi has charted the gradual widening of the gulf between fundamentalist Islam and Western values. Starting with "The Black Album", Kureishi portrayed the ongoing argument between Islam and Western liberal values, between Islamic certainty and Western rational scepticism. By the time he was writing the short story, "My Son The Fanatic", the break was complete - there was no longer any attempt by the fundamentalists to find any common ground with Western culture. The outbreak of the Iraq war and its aftermath, plus the recent bombings in London, have stimulated Kureishi to write further about this great divide between the East and the West, and this volume collects Kureishi's writings from the past 10 years which have dealt with this subject, charting Islam's disengagement from dialogue with the West. The volume also contains a new piece, written especially for this book, which brings Kureishi's analysis of the situation right up to date.

The book opens in January 1969, the beginning of The Beatles' last year as a band. The Beatles (The White Album) is at number one in the charts and the foursome gather in London for a new project. Over 21 days, first at Twickenham Film Studios and then at their own brand-new Apple Studios, with cameras and tape recorders documenting every day's work and conversations, the band rehearse a huge number of songs, culminating in their final concert, which famously takes place on the rooftop of their own office building, bringing central London to a halt. The Beatles: Get Back tells the story of those sessions through transcripts of the band's candid conversations. Drawing on over 120 hours of sound recordings, leading music writer John Harris edits the richly captivating text to give us a fly-on-the-wall experience of being there in the studios. These sessions come vividly to life through hundreds of unpublished, extraordinary images by two photographers who had special access to their sessions-Ethan A. Russell and Linda Eastman (who married Paul McCartney two months later). Also included are many unseen high-resolution film-frames, selected from the 55 hours of restored footage from which Peter Jackson's documentary is also drawn. Legend has it that these sessions were a grim time for a band falling apart. However, as acclaimed novelist Hanif Kureishi writes in his introduction, "In fact this was a productive time for them, when they created some of their best work. And it is here that we have the privilege of witnessing their early drafts, the mistakes, the drift and digressions, the boredom, the excitement, joyous jamming and sudden breakthroughs that led to the work we now know and admire." Half a century after their final performance, this book completes the story of the creative genius, timeless music, and inspiring legacy of The Beatles. "It would be fair to say that today Let It Be symbolizes the breaking-up of The Beatles. That's the mythology, the truth is somewhat different. The real story of Let It Be has been locked in the vaults of Apple Corps for the last 50 years." - Peter Jackson

Over the course of the last 12 years, Hanif Kureishi has written short fiction. The stories are, by turns, provocative, erotic, tender, funny and charming as they deal with the complexities of relationships as well as the joys of children. This collection contains his controversial story Weddings and Beheadings, a well as his prophetic My Son the Fanatic, which exposes the religious tensions within the muslim family unit. As with his novels and screenplays, Kureishi has his finger on the pulse of the political tensions in society and how they affect people's everyday lives.

One night, when I am old, sick, right out of semen, and don't need things to get any worse, I hear the noises growing louder. I am sure they are making love in Zenab's bedroom which is next to mine.

Waldo, a fêted filmmaker, is confined by old age and ill health to his London apartment. Frail and frustrated, he is cared for by his lovely younger wife, Zee. But when he suspects that Zee is beginning an affair with Eddie, 'more than an acquaintance and less than a friend for over thirty years,' Waldo is pressed to action: determined to expose the couple, he sets himself first to prove his suspicions correct - and then to enact his revenge.

Written with characteristic black humour and with an acute eye for detail, Kureishi's eagerly awaited novella will have his readers dazzled once again by a brilliant mind at work.

A collection of the American author's short stories. They are stories of love and squalor, set in a world in which momentary glimpses of brightness - sea, clouds, light, the East River, a wife in a torn slip at the dressing table - contend with time, social change and the chaos of history.

Hanif Kureishi's much-praised memoir of his father, sure to receive even more media coverage in paperback Beautifully packaged to appeal to the memoir market, recently made popular by Blake Morrison, John Bayley and Lorna Sage Stands alongside his autobiographical novels The Buddha of Suburbia and Intimacy as a unique portrait of the author at work

"A wickedly funny novel that's at once a traditional comedy of manners and a scathing satire on race relations in Britain."—The New York Times.