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New essays by noted authorities on music and related arts in early
modern Italy, giving special attention to musical sources, poetry,
performance, and visual arts. The rich cultural environment of
early modern Italy inspired a vast array of musical innovations:
this was the first age of the virtuoso performer, the era that
witnessed the beginnings of opera, and a moment that saw the
intersection and cross-fertilization of madrigals and songs of all
sorts. Word, Image, and Song: Essays on Early Modern Italy presents
a broad range of approaches to the study of music and related arts
in that era. Topics include musical source studies, issues of
performance, poetry and linguistics, influences on music from the
classical tradition, and the interconnectedness of music and visual
art. Their points of departure include well-known musical workssuch
as Monteverdi's madrigals, librettos of seventeenth-century operas,
the poetry of Giambattista Marino, and the paintings of Titian and
his contemporaries. Contributors: Jennifer Williams Brown, Mauro
Calcagno, Alan Curtis, Suzanne G. Cusick, Ruth I. DeFord, Dinko
Fabris, Beth L. Glixon, Jonathan E. Glixon, Barbara Russano
Hanning, Wendy Heller, Robert R. Holzer, Deborah Howard, Giuseppe
Mazzotta, Margaret Murata, David Rosand, Susan ParkerShimp, Gary
Tomlinson, Alvaro Torrente, Andrew H. Weaver. Rebecca Cypess is
Assistant Professor of Music at the Mason Gross School of the Arts
at Rutgers, the State University of New Jersey. Beth L. Glixon is
Instructor in Musicology at the University of Kentucky School of
Music. Nathan Link is NEH Associate Professor of Music at Centre
College.
Scientists debate the role of scientific research in the
military-industrial complex and consider the complicity of academic
science in American wars. On March 4, 1969, MIT faculty and
students joined together for an extraordinary day of protest.
Growing out of the MIT community's anguish over the Vietnam War and
concern over the perceived complicity of academic science with the
American war machine, the events of March 4 and the days following
were a "positive protest"-a forum not only for addressing political
and moral priorities but also for mapping out a course of action.
Soon afterward, some of the participants founded the Union of
Concerned Scientists. This book documents the March 4 protest with
transcripts of talks and panel discussions. Speakers included Noam
Chomsky, Howard Zinn, Lionel Trilling, and Nobel Laureate George
Wald, whose memorable speech, "A Generation in Search of a Future,"
was widely circulated. Topics of discussion ranged from general
considerations of the intellectuals' political responsibility to
specific comments on the Vietnam War and nuclear disarmament. This
fiftieth anniversary edition adds a foreword by Kurt Gottfried, a
physicist, participant in the March 4 protest, and cofounder of the
Union of Concerned Scientists. He writes, forcefully and hopefully,
"Fifty years ago, a remarkable awakening was occurring among
American scientists about their role in society. This volume offers
a fascinating snapshot of that moment on March 4, 1969, and the
activities and discussions collected here remain relevant and
resonant today." In an era when many politicians routinely devalue
science, we can take inspiration from the March 4 protests.
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