Over the past decade, Anglo-American notions of textual construction and editorial theory have begun major paradigm shifts. Many of the key emergent issues of Anglo-American debate--such as theories of versions--are already familiar in German theory. In other respects, including systematic reflection on the design and function of editorial apparatus, the German debate has already produced paradigms and procedures as yet unformulated in English. Contemporary German Editorial Theory makes available for the first time in English ten major essays by seven German theorists, together with an original introductory meditation by Hans Walter Gabler, editor of the celebrated edition of James Joyce's Ulysses. The volume thus participates in the paradigm shift in editorial theory that has led both to theoretical reconception of the field and to groundbreaking practical results. Topics discussed include the distinction between historical record and editor's interpretation, the display of multiple versions, concepts of authorization and intention, and the relations of textual theory to approaches like deconstruction and semiotics. The book also includes suggestions for further reading in both languages and a glossary of technical terms. Contributors are Hans Zeller, Miroslav Cervenka, Elisabeth Hoepker-Herberg, Henning Boetius, Siegfried Scheibe, and Gerhard Seidel. Bringing together the heretofore separate Anglo- American and German approaches will strengthen each separately and prepare the way for a new hybrid combining the advantages of both orientations. This book will interest not only students of Anglo-American or German literature, but all who study cultural construction and transmission. Hans Walter Gabler is Professor of English Literature, University of Munich. George Bornstein is Professor of English, University of Michigan. Gillian Borland Pierce is a Ph.D. candidate in Comparative Literature, University of Michigan.

First published in 1993. The seminal invention for James Joyce's A Portrait of the Artist as a Young Man was the narrative essay A Portrait of the Artist'. This reprinting also includes an introduction of its origin to publication in 1914 as a serialised narrative in 'The Egoist' journal.

First published in 1993. The seminal invention for James Joyce's A Portrait of the Artist as a Young Man was the narrative essay A Portrait of the Artist'. This reprinting also includes an introduction of its origin to publication in 1914 as a serialised narrative in 'The Egoist' journal.

Celebrating 100 Years of Joyce's masterpiece The authoritative Hans Walter Gabler text; with a new introduction by Anne Enright. Set entirely on one day, 16 June 1904, Ulysses follows Leopold Bloom and Stephen Daedalus as they go about their daily business in Dublin. From this starting point, James Joyce constructs a novel of extraordinary imaginative richness and depth. Unique in the history of literature, Ulysses is one of the most important and enjoyable works of the twentieth century. The survivor of countless controversies, censorships and even claims of blasphemy, this centenary edition of Ulysses comes packaged in a boldly designed new package, befitting of its status as one of the most notorious and influential novels ever written. 'The greatest novel of the century' Anthony Burgess Ulysses has had a profound influence on modern fiction... Unforgettable' Guardian 'A work of high genius' Independent

EDITED BY HANS WALTER GABLER WITH INTRODUCTIONS BY SCARLETT BARON AND JOHN BANVILLE In this powerfully influential series of short stories, James Joyce captures uneasy souls, shabby lives and innocent minds in the dark streets and homes of his native city. In doing so, he conjures uncertainties and desires, illumines moments of joy and sorrow otherwise lost in private memory, and pierces the many mysteries at the heart of things.

Discover James Joyce's impressionistic portrait of a young man finding his artistic voice in A Portrait of the Artist as a Young Man, reissued to coincide with 100 years since the first publication of his epic masterpiece, Ulysses EDITED BY HANS WALTER GABLER; WITH INTRODUCTIONS BY DR DIETER FUCHS AND JOSEPH O'CONNOR Against the backdrop of nineteenth century Dublin, a boy becomes a man: his mind testing its powers, obsessions taking hold and loosening again, the bonds of family, tradition, nation and religion transforming from supports into shackles; until the young man devotes himself to the celebration of beauty, and reaches for independence and the life of an artist.