Kristin Hanggi directs this made-for-TV comedy based on the children's books by Jim Benton. At the centre of events is Jamie Kelly (Emily Alyn Lind), a middle school girl whose diary reflects the preoccupations of her peers and classmates. Armed with the support of her friend Isabella (Mary-Charles Jones), Jamie sets out to win the heart of the boy she has the biggest crush on, Hudson (David Mazouz), and to get one over on the vindictive Angeline (Sterling Griffith). The pages of her diary record her successes - and failures...

Comedy starring Steve Martin, Jack Black and Owen Wilson as three men in different stages of life competing to become champion birdwatchers. Stu (Martin) is a successful business executive on the brink of retirement. Brad (Black), the youngest of the three, works as a computer programmer but lacks direction and focus in his life. Meanwhile, the obsessive and unscrupulous Kenny (Wilson) will stop at nothing to hold onto his title of World's Greatest Birder. As they travel the length and breadth of North America as participants of the 'Big Year' competition, in which birders compete to spot the greatest number of bird species in the United States over the course of one year, the three men discover as much about themselves and each other as they do about America's bird population.

Philip Hanson is a jazz fan, a cricket fan and a Russia-watcher. He has also been a husband for many years and is the father of two sons who are, leta s face it, middle-aged, though youa d never know it. So now he is getting on a bit. His employment record suggests restlessness: the Treasury, Foreign Office, UN, Radio Liberty, Harvard, Michigan and Kyoto, among others. In fact, he fitted in about thirty yearsa work at Birmingham University a " enough to make anyone restless. Expelled from Moscow in 1971, he persisted in studying the Russian economy; eventually the Soviets let him back in. His memoir is a record of people, places, events and ideas. It even contains bits on cricket and jazz.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.