Kristin Hanggi directs this made-for-TV comedy based on the children's books by Jim Benton. At the centre of events is Jamie Kelly (Emily Alyn Lind), a middle school girl whose diary reflects the preoccupations of her peers and classmates. Armed with the support of her friend Isabella (Mary-Charles Jones), Jamie sets out to win the heart of the boy she has the biggest crush on, Hudson (David Mazouz), and to get one over on the vindictive Angeline (Sterling Griffith). The pages of her diary record her successes - and failures...

Philip Hanson is a jazz fan, a cricket fan and a Russia-watcher. He has also been a husband for many years and is the father of two sons who are, leta s face it, middle-aged, though youa d never know it. So now he is getting on a bit. His employment record suggests restlessness: the Treasury, Foreign Office, UN, Radio Liberty, Harvard, Michigan and Kyoto, among others. In fact, he fitted in about thirty yearsa work at Birmingham University a " enough to make anyone restless. Expelled from Moscow in 1971, he persisted in studying the Russian economy; eventually the Soviets let him back in. His memoir is a record of people, places, events and ideas. It even contains bits on cricket and jazz.

From Tiktok phenomenon Whitney Hanson, a revised edition of her bestselling Home, now with a new introduction and more than a dozen new poems "the bees aren't going to go away but they are going to change with you sometimes they will be chaotic sometimes they will rest sometimes they will give you sweet honey and sometimes they will remind you of how much love can sting but if you can find a home within yourself and make peace with your bees you will be alright" --from Home Resonant, raw, and vibrant, Home is a lyrical map to navigating heartbreak. Tracing the stages of healing - from the despair that comes with the end of a relationship to the eventual light and liberation that comes with time - the poems in Home provide comfort and solace, while revitalizing your soul - and helping you make peace with your bees.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.