Harold Bloom, the doyen of American literary critics and author of The Western Canon, has spent a professional lifetime reading, writing about and teaching Shakespeare. In this magisterial interpretation, Bloom explains Shakespeare's genius in a radical and provocative re-reading of the plays. How to understand Shakespeare, whose ability so far exceeds his predecessors and successors, whose genius has defied generations of critics' explanations, whose work is of greater influence in the modern age even than the Bible? This book is a visionary summation of Harold Bloom's reading of Shakespeare and in it he expounds a brilliant and far-reaching critical theory: that Shakespeare was, through his dramatic characters, the inventor of human personality as we have come to understand it. In short, Shakespeare invented our understanding of ourselves. He knows us better than we do: 'The plays remain the outward limit of human achievement: aesthetically, cognitively, in certain ways morally, even spiritually. They abide beyond the end of the mind's reach; we cannot catch up to them. Shakespeare will go on explaining us in part because he invented us... ' In a chronological survey of each of the plays, Bloom explores the supra-human personalities of Shakespeare's great protagonists: Hamlet, Lear, Falstaff, Rosalind, Juliet. They represent the apogee of Shakespeare's art, that art which is Britain's most powerful and dominant cultural contribution to the world, here vividly recovered by an inspired and wise scholar at the height of his powers.

"The fulfilled renown of Moby-Dick and of As I Lay Dying is augmented by Blood Meridian, since Cormac McCarthy is the worthy disciple both of Melville and Faulkner," writes esteemed literary scholar Harold Bloom in his Introduction to the Modern Library edition. "I venture that no other living American novelist, not even Pynchon, has given us a book as strong and memorable."

Cormac McCarthy's masterwork, Blood Meridian, chronicles the brutal world of the Texas-Mexico borderlands in the mid-nineteenth century. Its wounded hero, the teenage Kid, must confront the extraordinary violence of the Glanton gang, a murderous cadre on an official mission to scalp Indians and sell those scalps. Loosely based on fact, the novel represents a genius vision of the historical West, one so fiercely realized that since its initial publication in 1985 the canon of American literature has welcomed Blood Meridian to its shelf.

"A classic American novel of regeneration through violence," declares Michael Herr. "McCarthy can only be compared to our greatest writers."

"If readers are to come to Shakespeare and to Chekhov, to Henry James and to Jane Austen, then they are best prepared if they have read Lewis Carroll and Edward Lear, Robert Louis Stevenson and Rudyard Kipling," writes Harold Bloom in his introduction to this enchanting and much-needed anthology of exceptional stories and poems selected to inspire a lifelong love of reading. As television, video games, and the Internet threaten to distract young people from the solitary pleasures of reading, Bloom presents a volume that will amuse, challenge, and beguile readers with its myriad voices and subjects.

Here are old favorites by beloved writers of children's literature, as well as exciting rediscoveries and wonderful works penned by writers better known for their adult classics, such as Herman Melville, Leo Tolstoy, Edith Wharton, and Walt Whitman. Encompassing the natural world and the supernatural; childhood, romance, and death; pets, wild animals, and goblins; mystery, adventure, and humor; the selections reflect the passion and erudition of our most revered literary critic. Arranged by season, Stories and Poems for Extremely Intelligent Children of All Ages is a must-have anthology, sure to delight readers young and old for years to come.

Eugene O'Neill was the first American playwright to win the Nobel Prize in Literature. He completed "The Iceman Cometh" in 1939, but he delayed production until after the war, when it enjoyed a long run of performances in 1946 after receiving mixed reviews. Three years after O'Neill's death, Jason Robards starred in a Broadway revival that brought new critical attention to O'Neill's darkest and most nihilistic play. In the half century since, "The Iceman Cometh" has gained enormously in stature, and many critics now recognize it as one of the greatest plays in American drama. "The Iceman Cometh" focuses on a group of alcoholics and misfits who endlessly discuss but never act on their dreams, and Hickey, the traveling salesman determined to strip them of their pipe dreams.

In the bestselling Shakespeare: The Invention of the Human, Harold Bloom showed us how Shakespeare shaped human consciousness, and addressed the question of authorship in Hamlet. In Hamlet: Poem Unlimited, America's most celebrated critic turns his attention to a reading of the play itself and to Shakespeare's most enigmatic and memorable character. This is Bloom's attempt to uncover the mystery of both Prince Hamlet and the play, how both prince and drama are able to break through the conventions of theatrical mimesis and the representation of character, making us question the very nature of theatrical illusion. Hamlet: Poem Unlimited is a hugely insightful and yet highly accessible exploration of Shakespeare's crowning achievement by a critic who is seen by many as his greatest living champion.

This delicious anthology of primary texts brings together the major English and French nineteenth-century writings on the arts and pleasures of the table. With the invention of the restaurant and a public scene of dining after the French Revolution, gastronomy emerged as a distinct genre of writing, treating food with philosophical significance. Romantic Gourmand recognizes that more goes into the making of a good meal than food itself, and they transformed dining into a fine art and a medium for self-expression. This excellent book examines the theories of ettiquette and food connoisseruship and how it became the foundation for our modern food culture with gourmet magazines, reviews and televized cuisine. Presenting texts, some of which appear in English for the fitst time, Diane Gigante's looks at the French genius behind modern gastronomy, essays include: Grimod de la Reyniere; Jean-Anthelme Brillat-Savarin's Physiology of Tast; Alexandre Dumas' Dictionary of Cuisine; Charles Lamb's Dissertation on Roast Pig; William Thackeray's Dinner-Giving Snobs; lesser-known works by pseudonymous authors such as Launcelot Sturgeon and Dick Humelbergius Secundus. with an intereste in, the history of food.

This delicious anthology of primary texts brings together the major English and French nineteenth-century writings on the arts and pleasures of the table. With the invention of the restaurant and a public scene of dining after the French Revolution, gastronomy emerged as a distinct genre of writing, treating food with philosophical significance. Romantic Gourmand recognizes that more goes into the making of a good meal than food itself, and they transformed dining into a fine art and a medium for self-expression. This excellent book examines the theories of ettiquette and food connoisseruship and how it became the foundation for our modern food culture with gourmet magazines, reviews and televized cuisine. Presenting texts, some of which appear in English for the first time, Diane Gigante's looks at the French genius behind modern gastronomy, essays include: Grimod de la Reyniere; Jean-Anthelme Brillat-Savarin's Physiology of Tast; Alexandre Dumas' Dictionary of Cuisine; Charles Lamb's Dissertation on Roast Pig; William Thackeray's Dinner-Giving Snobs; and lesser-known works by pseudonymous authors such as Launcelot Sturgeon and Dick Humelbergius Secundus. with an intereste in, the history of food.

A paperback original, Bloom's stand-alone introduction to "The Best Poems of the English Language."

A notable feature of Harold Bloom's poetry anthology "The Best Poems English Language" is his lengthy introductory essay, here reprinted as a separate book. For the first time Bloom gives his readers an elegant guide to reading poetry--a master critic's distillation of a lifetime of teaching and criticism. He tackles such subjects as poetic voice, the nature of metaphor and allusion, and the nature of poetic value itself. Bloom writes "the work of great poetry is to aid us to become free artists of ourselves." This essay is an invaluable guide to poetry.

This edition will also include a recommended reading list of poems.

The story of Victor Frankenstein and the monstrous creature he created has held readers spellbound ever since it was published almost two centuries ago. On the surface, it is a novel of tense and steadily mounting horror; but on a more profound level, it offers searching illumination of the human condition in its portrayal of a scientist who oversteps the bounds of conscience, and of a monster brought to life in an alien world, ever more desperately attempting to escape the torture of his solitude. A novel of hallucinatory intensity, "Frankenstein" represents one of the most striking flowerings of the Romantic imagination.
With a New Introduction by Douglas Clegg
And an Afterword by Harold Bloom

Hailed as 'the indispensable critic' by The New York Review of Books, Harold Bloom has for decades been sharing with readers and students his genius and passion for understanding literature and explaining why it matters. In The Daemon Knows, he turns his attention to the writers of his own national literature in a book that is one of his most incisive and profoundly personal to date. Pairing Walt Whitman with Herman Melville, Ralph Waldo Emerson with Emily Dickinson, Nathaniel Hawthorne with Henry James, Mark Twain with Robert Frost, Wallace Stevens with T. S. Eliot, and William Faulkner with Hart Crane, Bloom places these writers' works in conversation with one another, exploring their relationship to the 'daemon'-the spark of genius or Orphic muse-in their creation, and helping us understand their writing with new immediacy and relevance. It is above all the intensity of their preoccupation with the sublime, Bloom suggests, that distinguishes these American writers from their European predecessors. A product of five years of writing and a lifetime of reading and scholarship, The Daemon Knows may be Bloom's most masterly book yet.

"Mr. Yerushalmi's previous writings . . . established him as one of the Jewish community's most important historians. His latest book should establish him as one of its most important critics. Zakhor is historical thinking of a very high order - mature speculation based on massive scholarship." - New York Times Book Review

Harold Bloom, one of the great literary critics and champion of written culture, asserts that we read in order to better understand and fortify our sense of our own individuality. In this essential book he offers a reading list of works, some famous, some less well-known, that allows readers to fully explore dimensions of themselves. Practical, inspirational and learned, How to Read and Why reveals that the close reading and re-reading of great literature can sustain, enrich and strengthen every aspect of our own lives.

"The great poems, plays, novels, stories teach us how to go on living. . . . Your own mistakes, accidents, failures at otherness beat you down. Rise up at dawn and read something that matters as soon as you can."So Harold Bloom, the most famous literary critic of his generation, exhorts readers of his last book: one that praises the sustaining power of poetry. "Passionate. . . . Perhaps Bloom's most personal work, this is a fitting last testament to one of America's leading twentieth-century literary minds."-Publishers Weekly "An extraordinary testimony to a long life spent in the company of poetry and an affecting last declaration of [Bloom's] passionate and deeply unfashionable faith in the capacity of the imagination to make the world feel habitable"-Seamus Perry, Literary Review "Reading, this stirring collection testifies, 'helps in staying alive.'"-Kirkus Reviews, starred review This dazzling celebration of the power of poetry to sublimate death-completed weeks before Harold Bloom died-shows how literature renews life amid what Milton called "a universe of death." Bloom reads as a way of taking arms against the sea of life's troubles, taking readers on a grand tour of the poetic voices that have haunted him through a lifetime of reading. "High literature," he writes, "is a saving lie against time, loss of individuality, premature death." In passages of breathtaking intimacy, we see him awake late at night, reciting lines from Dante, Shakespeare, Milton, Montaigne, Blake, Wordsworth, Hart Crane, Jay Wright, and many others. He feels himself "edged by nothingness," uncomprehending, but still sustained by reading. Generous and clear-eyed, this is among Harold Bloom's most ambitious and most moving books.

Our foremost literary critic on our most essential writers, from Emerson and Whitman to Hurston and Ellison, from Faulkner and O'Connor to Ursula K. LeGuin and Philip Roth. No critic has better understood the ways writers influence one another--how literary traditions are made--and no writer has helped readers understand this better, than Harold Bloom. Over the course of a remarkable sixty-year career, in such bestselling books as The Western Canon, Shakespeare: The Invention of the Human, and How to Read and Why, Bloom brought enormous insight and infectious enthusiasm to the great writers of the Western tradition, from Shakespeare and Cervantes to the British Romantics and the Russian masters. Now, for the first time, comes a collection of his brilliant writings about the American tradition, the ultimate guide to our nation's literature. Assembled with David Mikics (Slow Reading in a Hurried Age), this unprecedented collection gathers five decades' worth of Bloom's writings-- much of it hard to find and long unavailable--including essays, occasional pieces, and introductions as well as excerpts from his books. It offers deep readings of 47 essential American writers, reflecting on the surprising ways they have influenced each other across more than two centuries. The story it tells, of American literature as a recurring artistic struggle for selfhood, speaks to the passion and power of the American spirit. All of the visionary American writers who have long preoccupied Bloom Emerson and Whitman, Hawthorne and Melville, and Dickinson, Faulkner, Crane, Frost, Stevens, and Bishop make their appearance in The American Canon, along with Hemingway, James, O'Connor, Ellison, Hurston, Le Guin, Ashbery and many others. Bloom's passion for these classic writers is contagious, and he reminds readers how they have shaped our sense of who we are, and how they can summon us to be better versions of ourselves. Bloom, Mikics writes, "is still our most inspirational critic, still the man who can enlighten us by telling us to read as if our lives depended on it: Because, he insists, they do." For readers who want to deepen their appreciation of American literature, there's no better place to start than The American Canon.

This comprehensive anthology attempts to give the common reader possession of six centuries of great British and American poetry. The book features a large introductory essay by Harold Bloom called "The Art of Reading Poetry," which presents his critical reflections of more than half a century devoted to the reading, teaching, and writing about the literary achievement he loves most. In the case of all major poets in the language, this volume offers either the entire range of what is most valuable in their work, or vital selections that illuminate each figure′s contribution. There are also headnotes by Harold Bloom to every poet in the volume as well as to the most important individual poems. Much more than any other anthology ever gathered, this book provides readers who desire the pleasures of a sublime art with very nearly everything they need in a single volume. It also is regarded as his final meditation upon all those who have formed his mind.

Anyone who has ever said one thing and meant another has spoken in the mode of allegory. The allegorical expression of ideas pervades literature, art, music, religion, politics, business, and advertising. But how does allegory really work and how should we understand it? For more than forty years, Angus Fletcher's classic book has provided an answer that is still unsurpassed for its comprehensiveness, brilliance, and eloquence. With a preface by Harold Bloom and a substantial new afterword by the author, this edition reintroduces this essential text to a new generation of students and scholars of literature and art.

"Allegory" puts forward a basic theory of allegory as a symbolic mode, shows how it expresses fundamental emotional and cognitive drives, and relates it to a wide variety of aesthetic devices. Revealing the immense richness of the allegorical tradition, the book demonstrates how allegory works in literature and art, as well as everyday speech, sales pitches, and religious and political appeals.

In his new afterword, Fletcher documents the rise of a disturbing new type of allegory--allegory without ideas.

"By definition, all living poets are excluded from this book. Myself seventy-nine years of age, I grieve still for many of these poets who were my friends. But knowledge, not pathos, is my purpose in gathering this anthology. Lastness is a part of knowing". (Harold Bloom). From Harold Bloom, the foremost literary critic of our time, comes a delightful anthology of the final works of great poets. In "Till I End My Song", Bloom has meticulously curated the last poems of one hundred influential poets. These poems, sometimes the literal end and other times the imagined conclusion to a poetic career, offer a lens through which to contemplate the enduring nature of art and the inevitability of death. Bloom's selections highlight the work of the canonized poets T.S. Eliot, Alexander Pope, W.B. Yeats, Walt Whitman, Emily Dickinson, and William Shakespeare, but also revive interest in distinguished but long-neglected poets, such as Conrad Aiken, William Cowper, Edwin Arlington Robinson, George Meredith, and Louis MacNeice. An authoritative collection of last poems, "Till I End My Song" will reverberate long into the coming silence.

This contains Aiken's own choice of the best and most representative of his poems, spanning more than forty years of work. Much of Aiken's prose and poetry is out of print, yet his unique influence upon modern writers and critics remains. For this edition, Harold Bloom will contirbute a new foreword to reintroduce Aiken to a new generation of readers. The Aiken estate has selected several pivotal poems from other volumes to add to the reissue, broadening the scope of works that represents his legacy.

Edith Grossman's definitive English translation of the Spanish masterpiece. Widely regarded as one of the funniest and most tragic books ever written, Don Quixote chronicles the adventures of the self-created knight-errant Don Quixote of La Mancha and his faithful squire, Sancho Panza, as they travel through sixteenth-century Spain. You haven't experienced Don Quixote in English until you've read this masterful translation.This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

Harold Bloom's selection of Pater's writings brings together in one volume the most important sections and passages from The Renaissance, Imaginary Portraits, Appreciations, Plato and Platonism, Greek Studies, and Sketches and Reviews, as well as "The Child in the House." Pater, the chief aesthetician and literary critic of Victorian England, brought his powerful imagination to bear on a wide range of subjects: from the drama of Euripides to the painters of the Renaissance, from the Romantic poets to the pre-Raphaelites, from Plato to Oscar Wilde. In the twentieth century, Pater's theories of art and literature exerted a strong inluence on the work of Yeats, Pound, Eliot, Joyce, and Stevens.

Joseph Heller's World War II satire, ""Catch-22"", poses the moral dilemma of how to remain sane in an insane world. When it was first published in 1961, the novel not only became a modern-day classic, but it also introduced the Catch-22 catchphrase into everyday vernacular. Joseph Heller's ""Catch-22, New Edition"" offers a varied selection of full-length essays, a detailed chronology, and a thorough index that provide an ideal critical companion for readers hoping to broaden their appreciation of Heller's modern masterpiece.

According to Harold Bloom, "The best of Alvin Feinman's poetry is as good as anything by a twentieth-century American. His work achieves the greatness of the American sublime." Yet, in part because he published so sparsely, Feinman remained little-read and largely unknown when he died in 2008. This definitive edition of Feinman's complete work, which includes fifty-seven previously published poems and thirty-nine unpublished poems discovered among his manuscripts, introduces a new generation of readers to the lyrical intensity and philosophical ambition of this major American poet. Harold Bloom, a lifelong friend of Feinman, provides a preface in which he examines Feinman's work in the context of the strongest poets of his generation--John Ashbery, James Merrill, and A. R. Ammons--while the introduction by James Geary, who studied with Feinman at Bennington College, presents a biographical and critical sketch of this remarkable poet and teacher. Corrupted into Song restores Feinman's work to its rightful place alongside that of poets like Hart Crane and Wallace Stevens, with whom his poetry and poetics have so much in common.