Anyone who has ever said one thing and meant another has spoken
in the mode of allegory. The allegorical expression of ideas
pervades literature, art, music, religion, politics, business, and
advertising. But how does allegory really work and how should we
understand it? For more than forty years, Angus Fletcher's classic
book has provided an answer that is still unsurpassed for its
comprehensiveness, brilliance, and eloquence. With a preface by
Harold Bloom and a substantial new afterword by the author, this
edition reintroduces this essential text to a new generation of
students and scholars of literature and art.
"Allegory" puts forward a basic theory of allegory as a symbolic
mode, shows how it expresses fundamental emotional and cognitive
drives, and relates it to a wide variety of aesthetic devices.
Revealing the immense richness of the allegorical tradition, the
book demonstrates how allegory works in literature and art, as well
as everyday speech, sales pitches, and religious and political
appeals.
In his new afterword, Fletcher documents the rise of a
disturbing new type of allegory--allegory without ideas.
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