The emergence of a master artist alongside his first major collection, created during a golden age of art in the nation's capital Renowned for his innovative work with silkscreen printing, Lou Stovall's works are part of numerous collections, including the National Gallery of Art, Smithsonian American Art Museum, and Phillips Collection. Washington Post art critic Paul Richard once wrote, "As a printer of his own art, and of the art of many others, as a framer and installer and shepherd of collections, Stovall has inserted more art into Washington than almost anyone in town." Of the Land: The Art and Poetry of Lou Stovall presents a series of prints and accompanying poems that showcase the artist's work during the 1970s, when he was developing his unique silkscreen technique and exploring both natural and abstract elements. An introduction by the book's editor and artist's son, Will Stovall, along with an autobiography from the artist anchor the Of the Land series in its time and place-a period of jazz, protest, and prolific art production in Washington, DC, that birthed the Washington Color School. Stovall's contributions, as well as his collaborations with well-known artists like Jacob Lawrence, Sam Gilliam, Elizabeth Catlett, and Robert Mangold, have cemented him as one of the most significant American artists of our age. Part of a tradition of African American artists and thinkers who met at Howard University, Lou Stovall created the Workshop in 1968, a small, active silkscreen studio printing posters for arts and DC-focused events. His deep influence on the silkscreen medium, the art community, and DC will be part of his lasting legacy.

The Fifth Edition of Harris Cooper's bestselling text offers practical advice on how to conduct a synthesis of research in the social, behavioral, and health sciences. The book is written in plain language with four running examples drawn from psychology, education, and health science. With ample coverage of literature searching and the technical aspects of meta-analysis, this one-of-a-kind book applies the basic principles of sound data gathering to the task of producing a comprehensive assessment of existing research.

With significant new and updated content across dozens of chapters, this second edition presents the most exhaustive treatment available of the techniques psychologists and others have developed to help them pursue a shared understanding of why humans think, feel, and behave the way they do.   The initial chapters in this indispensable three-volume handbook address broad, crosscutting issues faced by researchers: the philosophical, ethical, and societal underpinnings of psychological research. Next, chapters detail the research planning process, describe the range of measurement techniques that psychologists most often use to collect data, consider how to determine the best measurement techniques for a particular purpose, and examine ways to assess the trustworthiness of measures.   Additional chapters cover various aspects of quantitative, qualitative, neuropsychological, and biological research designs, presenting an array of options and their nuanced distinctions. Chapters on techniques for data analysis follow, and important issues in writing up research to share with the community of psychologists are discussed in the handbook’s concluding chapters.   Among the newly written chapters in the second edition, the handbook’s stellar roster of authors cover literature searching, workflow and reproducibility, research funding, neuroimaging, various facets of a wide range of research designs and data analysis methods, and updated information on the publication process, including research data management and sharing, questionable practices in statistical analysis, and ethical issues in manuscript preparation and authorship.

Many books discuss the ethical treatment of human subjects in behavioral research, yet few talk about the equally important ethical issues that arise when the data are being analyzed and the study is being written up. All researchers need to be aware of their professional responsibilities and make sound choices after the subjects have left. This practical and easy-to-follow guide walks readers through often overlooked decision points in the research process. Drawing from his extensive experience as a teacher of research methods and a senior editorial advisor, and from well-established standards of practice - including the APA Ethics Code - Harris Cooper is the ideal mentor in this process. Readers of this book will learn how to: Collect and manage data in a way that does not compromise the confidentiality of subjects Avoid data fraud and misleading data analysis Assign research responsibilities and authorships to team members Avoid committing plagiarism and intellectual theft Navigate the journal submission and publication process Post-publication ethical considerations are also addressed, including researchers' obligations when communicating their findings to the media and the general public, and when engaging with the scientific community as a peer reviewer.

Restoring a "perfect painter" to the Cubist canon Juan Gris (1887-1927) was central to the development of Cubism in the early 20th century. Though the writer and art collector Gertrude Stein considered him a "perfect painter," Gris's pivotal role within the movement has often been overshadowed. Cubism in Color: The Still Lifes of Juan Gris reveals the virtuosic range of the artist's short yet prolific career, illuminating his boundary-pushing contributions to Cubism. As a thorough examination of Gris's still lifes, Cubism in Color provides an important reassessment of this underappreciated artist, reestablishing his position as a modernist master. This fully illustrated volume traces the evolution of Gris's aesthetic and approach to still life through a selection of key works. It includes original essays by leading scholars in the field, offering new insights on Gris's elusive artistic process, the history of collecting his work in the United States and his native Spain, and his artistic legacy within modern and contemporary Latin American art. Distributed for the Dallas Museum of Art and The Baltimore Museum of Art Exhibition Schedule: Dallas Museum of Art (March 14-July 25, 2021) The Baltimore Museum of Art (September 12, 2021-January 9, 2022)