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Anchored in the idea that political campaigns matter to electoral
outcomes, The Politics of Emotions, Candidates and Choices analyzes
the dynamics of emotional voting and decision-making over the
course of three presidential elections between 2004 and 2012. Each
presidential campaign reflects a unique tone and mood, which
influences voters' perceptions of choices and candidate image.
Accounting for the idiosyncratic nature of a campaign environment
and a candidate's message, this analysis isolates specific
emotional dimensions that were influential on voters' appraisals of
specific campaign issues. Relying on the Affective Intelligence
theory and the Transfer-of-Affect thesis to narrate the causal
relationships between voters' emotional responses and issue
appraisals, this book illustrates the specific electoral contexts
when voters' emotions are trusted as political knowledge and
transferred to their beliefs about certain policies.
This book examines the highly emotional context of the 2016 US
presidential campaign through the scope of political theater and
emotional attribution. It takes inventory of the political
landscape that defined the campaign and advances the argument that
the campaign's high intensity generated a more interest-attentive
citizenry and became an exercise in political theater. A framework
operationalizing the components of political spectacle anchors the
analysis treating emotions, affect transfer and the rise of
negative partisanship. The analytical scope is focused specifically
on voters' emotional responses toward Donald Trump and Hillary
Clinton and empirically demonstrates the effects of discrete
feelings on five emotional dimensions including pride, hope, fear,
anger, and disgust on attitudes about issues ranging from the
economy to immigration to the 2016 Supreme Court vacancy. Anchored
in the Affective Intelligence Theory and affect transfer, the
findings lend support to the principles of negative partisanship
that characterized the 2016 presidential contest.
The Hollywood Connection: The Influence of Fictional Media and
Celebrity Politics on American Public Opinion is one of the first
edited volumes offered in the political science discipline on the
effects of fictional media and celebrity on public opinion, and
synthesizes many niche areas of research into single text.
Additionally, it emphasizes the importance of acknowledging a shift
in academic focus away from the lateral interactions between
celebrities and politicians (and in some cases celebrities becoming
politicians) toward research that engages the American audience, as
consumers of media, as a critical political component. The volume
offers a collection of diverse research on questions treating the
effects of fictional media on consumer audiences and the larger
implications for American politics. This research collection offers
both qualitative and quantitative data sources and showcases a
variety of methodological approaches (experimental design, public
opinion survey analysis, content analysis, etc.), robust
theoretical applications, and encompasses a variety of conduits,
ranging from television sitcoms to horror films to the action drama
24, that make it both compelling and timely.
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