The construction of a natural gas pipeline across southern Wales and into Herefordshire and Gloucestershire between 2005 and 2007 resulted in numerous archaeological discoveries, including sites of national significance. The project not only produced a wealth of new archaeological sites, it also generated important radiocarbon and environmental datasets for the region. The earliest activity is indicated by worked flint of Mesolithic (or earlier) date, with the earliest Neolithic communities represented by pits, evidence for occasional timber houses, and the discovery of a previously unknown henge. Beaker and Bronze Age settlement and burial remains were found too, including a rare copper halberd. The excavations also produced evidence for Early Bronze Age houses and numerous examples of burnt mounds. Other discoveries comprised much new evidence for Iron Age settlement (including some in areas of upland), Roman roads, crop-processing ovens, and ironworking. Rare evidence for the early medieval period was also found, along with the remains of later farmsteads and field systems. Moves towards industrialisation were reflected in the discovery of a brick kiln and charcoal-burning platforms.

All aspects of the cult of St David, patron saint of Wales, are examined in this wide-ranging volume. The cult of St David has been an enduring symbol of Welsh identity across more than a millennium. This volume, published to commemorate the fourteenth centenary of the death of the saint, traces the evidence for the cult of St David through archaeological, historical, hagiographical, liturgical, and toponymic evidence, and considers the role of the cult and church of St David in the history of Welsh society, politics, and landscape. The collection includesa new edition and translation of the Life of St David by Rhygyfarch, based on the text in British Library Ms. Cotton Vespasian A.xiv, as well as new evidence concerning the relics of the saint enshrined in St Davids Cathedral. J. WYN EVANS is the Dean of St Davids Cathedral. JONATHAN M. WOODING is Director of the Centre for the Study of Religion in Celtic Societies at University of Wales Lampeter. Contributors: JULIA BARROW,JANE CARTWRIGHT, FRED COWLEY, JOHN REUBEN DAVIES, OWAIN TUDOR EDWARDS, J. WYN EVANS, G.R. ISAAC, DANIEL HUWS, DAVID HOWLETT, T.F.G. HIGHAM, HEATHER JAMES, JOHN MORGAN-GUY, L.D.M NOKES, HUW PRYCE, C. BRONK RAMSEY, MARK REDKNAP, RICHARD SHARPE, BERNARD TANGUY, +GLANMOR WILLIAMS, JONATHAN M. WOODING, W.N. YATES.

The range of poetic invention that occurred in Renaissance English literature was vast, from the lyric eroticism of the late sixteenth century to the rise of libertinism in the late seventeenth century. Heather James argues that Ovid, as the poet-philosopher of literary innovation and free speech, was the galvanizing force behind this extraordinary level of poetic creativity. Moving beyond mere topicality, she identifies the ingenuity, novelty and audacity of the period's poetry as the political inverse of censorship culture. Considering Spenser, Marlowe, Shakespeare, Jonson, Milton and Wharton among many others, the book explains how free speech was extended into the growing domain of English letters, and thereby presents a new model of the relationship between early modern poetry and political philosophy.

The range of poetic invention that occurred in Renaissance English literature was vast, from the lyric eroticism of the late sixteenth century to the rise of libertinism in the late seventeenth century. Heather James argues that Ovid, as the poet-philosopher of literary innovation and free speech, was the galvanizing force behind this extraordinary level of poetic creativity. Moving beyond mere topicality, she identifies the ingenuity, novelty and audacity of the period's poetry as the political inverse of censorship culture. Considering Spenser, Marlowe, Shakespeare, Jonson, Milton and Wharton among many others, the book explains how free speech was extended into the growing domain of English letters, and thereby presents a new model of the relationship between early modern poetry and political philosophy.

Heather James examines the ways in which Shakespeare handles the inheritance and transmission of the Troy legend. She argues that Shakespeare's use of Virgil, Ovid and other classical sources demonstrates the appropriation of classical authority in the interests of developing a national myth, and goes on to distinguish Shakespeare's deployment of the myth from 'official' Tudor and Stuart ideology. James traces Shakespeare's reworking of the myth in Troilus and Cressida, Antony and Cleopatra, Cymbeline and The Tempest, and shows how the legend of Troy in Queen Elizabeth's day differed from that in the time of King James. The larger issue the book confronts is the directly political one of the way in which Shakespeare's textual appropriations participate in the larger cultural project of finding historical legitimation for a realm that was asserting its status as an empire.

Heather James examines the ways in which Shakespeare handles the inheritance and transmission of the Troy legend. She argues that Shakespeare's use of Virgil, Ovid and other classical sources demonstrates the appropriation of classical authority in the interests of developing a national myth, and goes on to distinguish Shakespeare's deployment of the myth from 'official' Tudor and Stuart ideology. James traces Shakespeare's reworking of the myth in Troilus and Cressida, Antony and Cleopatra, Cymbeline and The Tempest, and shows how the legend of Troy in Queen Elizabeth's day differed from that in the time of King James. The larger issue the book confronts is the directly political one of the way in which Shakespeare's textual appropriations participate in the larger cultural project of finding historical legitimation for a realm that was asserting its status as an empire.