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These twelve original essays by geographers and anthropologists offer a deep critical understanding of Allan Pred's pathbreaking and eclectic cultural Marxist approach, with a focus on his concept of "situated ignorance": the production and reproduction of power and inequality by regimes of truth through strategically deployedmisinformation, diversions, and silences. As the essays expose the cultural and material circumstances in which situated ignorance persists, they also add a previously underexplored spatial dimension to Walter Benjamin's idea of "moments of danger." The volume invokes the aftermath of the July 2011 attacks by far-right activistAnders Breivik in Norway, who ambushed a Labor Party youth gathering and bombed a government building, killing and injuring many. Breivik had publicly and forthrightly declared war against an array of liberal attitudes he saw threatening Western civilization. However, as politicians and journalists interpreted these events for mass consumption, a narrative quickly emerged that painted Breivik as a lone madman and steered the discourse away from analysis of theresurgent right-wing racisms and nationalisms in which he was immersed. The Breivik case is merely one of the most visible recent examples, say editors Heather Merrill and Lisa Hoffman, of the unchallenged production of knowledge in the public sphere. In essays that range widely in topic and setting-for example, brownfield development in China, a Holocaust memorial in Germany, an art gallery exhibit in South Africa-this volume peels back layers of "situated practices and their associated meaning and power relations." Spaces of Danger offers analytical and conceptual tools of a Predian approach to interrogate the taken-for-granted and make visible and legible that which is silenced.
Black Spaces examines how space and place are racialized, and the impacts on everyday experiences among African Italians, immigrants, and refugees. It explores the deeply intertwined histories of Africa and Europe, and how people of African descent negotiate, contest, and live with anti-blackness in Italy. The vast majority of people crossing the Mediterranean into Europe are from West Africa and the Horn of Africa. Their passage is part of the legacy of Italian and broader European engagement in colonial projects. This largely forgotten history corresponds with an ongoing effort to erase them from the Italian social landscape on arrival. Black Spaces examines these racialized spaces by blending a critical geographical approach to place and space with Afro-Pessimist and critical race perspectives on the lived experiences of Blackness and anti-blackness in Italy.
Black Spaces examines how space and place are racialized, and the impacts on everyday experiences among African Italians, immigrants, and refugees. It explores the deeply intertwined histories of Africa and Europe, and how people of African descent negotiate, contest, and live with anti-blackness in Italy. The vast majority of people crossing the Mediterranean into Europe are from West Africa and the Horn of Africa. Their passage is part of the legacy of Italian and broader European engagement in colonial projects. This largely forgotten history corresponds with an ongoing effort to erase them from the Italian social landscape on arrival. Black Spaces examines these racialized spaces by blending a critical geographical approach to place and space with Afro-Pessimist and critical race perspectives on the lived experiences of Blackness and anti-blackness in Italy.
In the 1980s, Italy transformed from a country of emigration to one
of immigration. Italians are now faced daily with the presence of
migrants from all over Africa, parts of South and Central America,
the Middle East, Asia, and Eastern Europe. While much attention has
been paid to the impact on Italians, few studies have focused on
the agency of migrants themselves. In "An Alliance of Women,"
Heather Merrill investigates how migrants and Italians struggle
over meanings and negotiate social and cultural identities.
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