A full colour map, based on digitised OS maps of Swansea of about 1919, with its medieval past overlain and important buildings picked out. The map includes an inset map of Mumbles and its medieval castle. In the Middle Ages, Swansea (Abertawe) became a centre for trade around the mouth of the river Tawe. Following Norman control of the area, Swansea Castle was established in the early 12th century and a borough charter was granted at the end of that century. Great growth began in the 17th century with the establishment of copper-smelting in the area of the lower Tawe valley, an industry which grew until Swansea was the world capital of the copper industry - hence its nickname of 'Copperopolis'. Initially using ore from Cornwall, Swansea took advantage of its local coal resources and its good port facilities to process copper, arsenic, tin, gold and other metals, using imported raw materials from all over the world. The port exported the final products, along with many tons of coal. At the time of the background map shown here, heavy industry and its spoil heaps dominated the lower Tawe valley, and extensive docks dominated the south of the town, but evidence of its medieval past and its street layout survived. The remains of the Norman castle became a workhouse and the course of the river Tawe had been altered to make access for ships easier.

A full colour map, where the city in about 1480 is shown against a background of a detailed Ordnance Survey of the early 20th century. In 1480, a high-ranking official called William Worcestre revisited his native city of Bristol and wrote a detailed description of all the streets and their buildings and the activities that went on there. Worcestre's description, combined with archaeological information and historical research, has allowed the recreation in map form of the city at that time. It was a prosperous and growing city, already trading extensively with Europe and poised to start a new trade with the Americas. Its merchant houses, churches and largely vanished city walls show a town that was easily one of the top five in England in the late Middle Ages. The map's cover has a short introduction to the city in 1480 and an explanation of who William Worcestre was. On the reverse is an illustrated and comprehensive gazetteer of Bristol's main sites of medieval interest. Produced in association with the University of Bristol.

Captured here for the first time is the richness of the Charlemagne tradition in medieval Norway, Sweden, Denmark, Iceland, Wales and Ireland and its coherence as a series of adaptations of Old French chansons de geste The reception of the Charlemagne legends among Nordic and Celtic communities in the Middle Ages is a shared story of transmission, translation, an exploration of national identity, and the celebration of imperialism. The articles brought together here capture for the first time the richness of the Charlemagne tradition in medieval Norway, Sweden, Denmark, Iceland, Wales and Ireland and its coherence as a series of adaptations of Old French chansons de geste. Emerging from the French sources is a set of themes which unite the linguistically different Norse and Celtic Charlemagne traditions. The ideology of the Crusades, the dichotomy of Christian and heathen elements, the values of chivalry and the ideals of kingship are among the preoccupations common to both traditions. While processes of manuscript transmission are distinctive to each linguistic context, the essential function of the legends as explorations of political ideology, emotion, and social values creates unity across the language groups. From the Old Norse Karlamagnus saga to the Irish and Welsh narratives, the chapters present a coherent set of perspectives on the northern reception of the Charlemagne legends beyond the nation of England. Contributors: Massimiliano Bampi, Claudia Bornholdt, Aisling Byrne, Luciana Cordo Russo, Helen Fulton, Jon Paul Heyne, Susanne Kramarz-Bein, Erich Poppe, Annalee C. Rejhon, Sif Rikhardsdottir, Helene Tetrel.

Arthurian Literature has established its position as the home for a great diversity of new research into Arthurian matters. It delivers fascinating material across genres, periods, and theoretical issues. TIMES LITERARY SUPPLEMENT The richness and interdisciplinarity of the Arthurian tradition are well represented by the essays collected here, which range from early Celtic texts to twentieth-century children's books, and include discussion of Welsh, Irish,English, French and Latin material in both literary and historical contexts. Many of the articles focus on less well-known late medieval versions of the legend, a somewhat neglected area until recently: an Irish Grail narrative, the Burgundian prose Erec, the enormous prequel Perceforest, Ysaie le Triste, Le Conte du Papegau, and Froissart's Melyador (the last three discussed as exercises in nostalgia). Meanwhile, anotherchapter approaches Sir Gawain and the Green Knight from the perspective of forest ecology. The contributions represent expanded and revised versions of selected papers given at the XXIIIrd Triennial Congress of the International Arthurian Society held in Bristol in July 2011; they include two of the plenary lectures, one on "Celtic Magic" and one on the reception of Geoffrey of Monmouth in the eighteenth and nineteenth centuries. Elizabeth Archibald is Professor of English Studies at Durham University, and Principal of St Cuthbert's Society; David F. Johnson is Professor of English at Florida State University, Tallahassee. Contributors: Richard Barber, Nigel Bryant, Aisling Byrne, Carol J. Chase, Sian Echard, Helen Fulton, Michael W. Twomey, Patricia Victorin.

Examinations of the use of classical Latin texts, themes and techniques in medieval Irish narrative. This edited volume will make a major contribution to our appreciation of the importance of classical literature and learning in medieval Ireland, and particularly to our understanding of its role in shaping the content, structureand transmission of medieval Irish narrative. Dr Kevin Murray, Department of Early and Medieval Irish, University College Cork. From the tenth century onwards, Irish scholars adapted Latin epics and legendary histories into the Irish language, including the Imtheachta Aeniasa, the earliest known adaptation of Virgil's Aeneid into any European vernacular; Togail Troi, a grand epic reworking of the decidedly prosaic historyof the fall of Troy attributed to Dares Phrygius; and, at the other extreme, the remarkable Merugud Uilixis meic Leirtis, a fable-like retelling of Ulysses's homecoming boiled down to a few hundred lines of lapidary prose.Both the Latin originals and their Irish adaptations had a profound impact on the ways in which Irish authors wrote narratives about their own legendary past, notably the great saga Tain Bo Cuailnge (The Cattle-Raid of Cooley). The essays in this book explore the ways in which these Latin texts and techniques were used. They are unified by a conviction that classical learning and literature were central to the culture of medieval Irish storytelling,but precisely how this relationship played out is a matter of ongoing debate. As a result, they engage in dialogue with each other, using methods drawn from a wide range of disciplines (philology, classical studies, comparative literature, translation studies, and folkloristics). Ralph O'Connor is Professor in the Literature and Culture of Britain, Ireland and Iceland at the University of Aberdeen. Contributors: Abigail Burnyeat, Michael Clarke, Robert Crampton, Helen Fulton, Barbara Hillers, Maire Ni Mhaonaigh, Ralph O'Connor, Erich Poppe.

Essays on the writing and textual culture of Europe in the middle ages. Medieval Europe was characterized by a sophisticated market for the production, exchange and sale of written texts. This volume brings together papers on a range of topics, centred on manuscript studies and textual criticism, which explore these issues from a pan-European perspective. They examine the prolonged and varied processes through which Europe's different parts entered into modern reading, writing and communicative practices, drawing on a range ofapproaches and perspectives; they consider material culture, multilingualism in texts and books, book history, readers, audience and scribes across the Middle Ages. Dr Aidan Conti teaches in the Department of Linguistic, Literary and Aesthetic Studies, University of Bergen; Dr Orietta Da Rold teaches in the Faculty of English, University of Cambridge; Dr Philip Shaw teaches at the School of English, University of Leicester. Contributors: Rolf H. Bremmer Jr, Stewart Brookes, Aidan Conti, Orietta Da Rold, Helen Fulton, Marilena Maniaci, Debora Matos, Annina Seiler, Peter A. Stokes, Nadia Togni, Svetlana Tsonkova, Matilda Watson, George Younge.

A full colour map, based on digitised OS maps of Swansea of about 1919, with its medieval past overlain and important buildings picked out. The map includes an inset map of Mumbles and its medieval castle. In the Middle Ages, Swansea (Abertawe) became a centre for trade around the mouth of the river Tawe. Following Norman control of the area, Swansea Castle was established in the early 12th century and a borough charter was granted at the end of that century. Great growth began in the 17th century with the establishment of copper-smelting in the area of the lower Tawe valley, an industry which grew until Swansea was the world capital of the copper industry - hence its nickname of 'Copperopolis'. Initially using ore from Cornwall, Swansea took advantage of its local coal resources and its good port facilities to process copper, arsenic, tin, gold and other metals, using imported raw materials from all over the world. The port exported the final products, along with many tons of coal. At the time of the background map shown here, heavy industry and its spoil heaps dominated the lower Tawe valley, and extensive docks dominated the south of the town, but evidence of its medieval past and its street layout survived. The remains of the Norman castle became a workhouse and the course of the river Tawe had been altered to make access for ships easier.

The literature of Wales is one of the oldest continuous literary traditions in Europe. The earliest surviving poetry was forged in the battlefields of post-Roman Wales and the 'Old North' of Britain, and the Welsh-language poets of today still write within the same poetic tradition. In the early twentieth century, Welsh writers in English outnumbered writers in Welsh for the first time, generating new modes of writing and a crisis of national identity which began to resolve itself at the end of the twentieth century with the political devolution of Wales within the United Kingdom. By considering the two literatures side by side, this book argues that bilingualism is now a normative condition in Wales. Written by leading scholars, this book provides a comprehensive chronological guide to fifteen centuries of Welsh literature and Welsh writing in English against a backdrop of key historical and political events in Britain.

New approaches to this most fluid of medieval genres, considering in particular its reception and transmission. Romance was the most popular secular literature of the Middle Ages, and has been understood most productively as a genre that continually refashioned itself. The essays collected in this volume explore the subject of translation, both linguistic and cultural, in relation to the composition, reception, and dissemination of romance across the languages of late medieval Britain, Ireland, and Iceland. In taking this multilingual approach, this volume proposes a re-centring, and extension, of our understanding of the corpus of medieval Insular romance, which although long considered extra-canonical, has over the previous decades acquired something approaching its own canon - a canon which we might now begin to unsettle, and of which we might ask new questions. The topics of the essays gathered here range from Dafydd ap Gwilym and Walter Map to Melusine and English Trojan narratives, and address topics from women and merchants to werewolves and marvels. Together, they position the study of romance in translation in relation to cross-border and cross-linguistic transmission and reception; and alongside the generic re-imaginings of romance, both early and late, that implicate romance in new linguistic, cultural, and social networks. The volume also shows how, even where linguistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both.

Narrative and Media, first published in 2006, applies narrative theory to media texts, including film, television, radio, advertising, and print journalism. Drawing on research in structuralist and post-structuralist theory, as well as functional grammar and image analysis, the book explains the narrative techniques which shape media texts and offers interpretive tools for analysing meaning and ideology. Each section looks at particular media forms and shows how elements such as chronology, character, and focalization are realized in specific texts. As the boundaries between entertainment and information in the mass media continue to dissolve, understanding the ways in which modes of story-telling are seamlessly transferred from one medium to another, and the ideological implications of these strategies, is an essential aspect of media studies.

Essays demonstrating the importance and inflence of Italian culture on medieval Britain. Between the fourteenth and sixteenth centuries, the rise of international trade, the growth of towns and cities, and the politics of diplomacy all helped to foster productive and far-reaching connections and cultural interactionsbetween Britain and Italy; equally, the flourishing of Italian humanism from the late fourteenth century onwards had a major impact on intellectual life in Britain. The aim of this book is to illustrate the continuity andthe variety of these exchanges during the period. Each chapter focuses on a specific area (book collection, historiography, banking, commerce, literary production), highlighting the significance of the productive interchange ofpeople and ideas across diverse cultural communities; it is the lived experience of individuals, substantiated by written evidence, that shapes the book's collective understanding of how two European cultures interacted with eachother so fruitfully. MICHELE CAMPOPIANO is Senior Lecturer in Medieval Latin Literature at the University of York; HELEN FULTON is Professor of Medieval Literature at the University of Bristol. Contributors: Helen Bradley, Margaret Bridges, Michele Campopiano, Carolyn Collette, Victoria Flood, Helen Fulton, Bart Lambert, Ignazio del Punta

This book offers the key steps to establishing an intimate relationship with God. Once you make the decision to get closer to God and seek Him earnestly and with passion, you will see the fruits of the Holy Spirit unleashed in your life. We all long to have the peace that passeth all understanding, to feel free from all burdens and have someone else do all the worrying and take care of things for us, well there is - His name is Jesus Christ And this is exactly what this book offers you. You will learn about sanctification, what it means and what you need to do to start this process in your life. One of the most profound verses in the bible is that of God being the Potter and we being the clay. Allow yourself to be molded and shaped by the hands of God Himself through this book. So allow the Holy Spirit to lead and transform your life

Chaucerian scholarship has long been intrigued by the nature and consequences of Chaucer's exposure to Italian culture during his professional visits to Italy in the 1370s. In the eight chapters of Chaucer and Italian Culture, leading scholars take a new and more holistic view of Chaucer's engagement with Italian cultural practice, moving beyond the traditional 'sources and analogues' approach to reveal the varied strands of Italian literature, art, politics and intellectual life that permeate Chaucer's work. Each chapter examines, from a different angle, links between Chaucerian texts and Italian intellectual models, including poetics, chorography, visual art, classicism, diplomacy and prophecy. Echoes of Petrarch, Dante and Boccaccio reverberate throughout the book, across a rich and diverse landscape of Italian cultural legacies. Taken together, these eight chapters cover a wide range of theory and reference, while sharing a united understanding of the rich impact of Italian culture on Chaucer's narrative art.