This edited collection of contributions from media scholars, film practitioners and film historians connects the vibrant fields of documentary and disability studies. Documentary film has not only played an historical role in the social construction of disability but continues to be a strong force for expression, inclusion and activism. Offering essays on the interpretation and conception of a wide variety of documentary formats, Documentary and Disability reveals a rich set of resources on subjects as diverse as Thomas Quasthoff's opera performances, Tourette syndrome in the developing world, queer approaches to sexual functionality, Channel 4 disability sports broadcasting, the political meaning of cochlear implant activation, and Christoph's Schlingensief's celebrated Freakstars 3000.

How have nuclear issues been covered in documentary since the end of the Cold War? This original new book explores how the sometimes elusive, sometimes dramatic effects of uranium products on the landscape, on architecture and on social organisation continue to show up on-screen, maintaining a record of moving images that goes back to the early twentieth century. It is the first book to analyse independent documentary films about nuclear energy - it suggests an approach to documentary films as agents of change. Each chapter of this book focuses on one of ten different documentary films made in Europe and North America since 1989. Each of these films works the material and the ideological heritage of the nuclear power industry into visions of the future. Dealing with the legacy of how ignorance and neglect led to accidents and failures the films offer different ways of understanding and moving on from the past. The documentary form itself can be understood as a collective means for the discovery of creative solutions and the communication of new narratives. In the case of these films the concepts of radioactivity and deep time in particular are used to bring together narrative and formal aesthetics in the process of reimagining the relationships between people and their environments. Focusing on the representation of radioactive spaces in documentary and experimental art films, the study shows how moving images do more than communicate the risks and opportunities, and the tumultuous history, associated with atomic energy. They embody the effects of Cold War technologies as they persist into the present, acting as a reminder that the story is not over yet. Primary readership will be academics and students working in environmental communication and in environmental humanities more broadly. For students of independent film or documentary it will also provide a clear picture of contemporary themes and creative practice.

In the Arizona Territory in 1868, thirteen-year-old Charlotte, after escaping from a stagecoach being attacked by Indians, finds shelter and is befriended by an elderly Pima Indian woman who helps her gain a new sense of herself and her abilities to survive in a new land.

Twelve-year-old Tag struggles with himself and encounters historical figures and events as he time-travels from the ancient cliff-dwellers period to the present.

The exciting conclusion to the Walker of Time adventure triology follows Tag_who was zapped back to ancient times with his Hopi friend, Walker_as he tries to make it home. First book in the series: Walker of Time Second book in the series: Walker's Journey Home Ages 10 and up

These are the proceedings of an English Heritage national seminar which was organised to address growing concerns about the variable quality of architectural paint research currently being carried out. The book describes and explains its role in understanding and managing historic buildings. The contributions contained in this book are designed to promote the development of standards and guidelines for use by clients and consultants, helping to shape the development of this vital new discipline. It therefore contains edited transcripts of the ground breaking discussion sessions on the proposed English Heritage guidelines and other important issues. The statutory requirements relating to painted interiors of listed buildings is another very problematical issue which has been considered in detail. In addition, guidance is provided on commissioning paint research and the pitfalls to avoid. The book will be essential reading for paint researched, architects, surveyors, conservation officers and all practitioners involved in commissioning paint research for historic buildings.

Everyone recognizes the world of the historical romance - a windswept, sunset-ridden world of deep-plunge bodices where spirited young beauties challenge impossibly rugged heros, and where tempestuous yet unspoken sexual frisson can lead to a fantastic escape and, with love, to mutual liberation. "The Historical Romance" explores the ways in which romance authors have sought to represent our fantasies of life in the past ever since the first "cloak and dagger" tales captured the popular fiction market of the 1930's. The book explores how, with the social upheaval of the war, these cut-and-thrust swashbucklers gave way to the female-oriented romances of Georgette Heyer and her successors, their qualities of fantasy and credibility and exaggerated romantic motifs representing the symbolic expression of women's concerns. Hughes' study leads us right up to the present day by exploring how authors as diverse as Conan Doyle and Barbara Cartland treat the question of female independence, and how established attitudes towards love, marriage and women's sexuality have been both challenged and re-affirmed by more recent texts.

A fifteen-year-old Hopi boy and his freckled companion travel back 800 years to the world of the Sinagua culture, a group of people beset by drought and illness and in need of a leader.

During the first decade of the twenty-first century, a stunning array of documentary films focusing on environmental issues has been met with critical and popular acclaim. Green Documentary is the first book-length study of this phenomenon. It explores how the films offer a variety of responses to the questions raised by environmental change: about the future of the countryside, the relationship between health and industrial pollution, the role of corporations and the politics of energy and climate. Offering a coherent analysis of imaginative, controversial and high-profile documentary films such as Into Eternity, The Yes Men Fix the World and An Inconvenient Truth, the book divides the responses into contemplation, irony and passionate argument, and the recruitment of the filmmaking process itself into the campaign to bring about better change. Along with analysis that includes the wider context of environmental documentary filmmaking, about local rural communities in Britain and Europe, Green Documentary underlines the important role of documentary film in the on-going public debate about the environment.

The eminent interior designer, John Fowler, was responsible for transforming some of Britain's most important historic interiors. The 'Fowler style' was tacitly accepted as the correct style for the decoration of a period interior, despite the fact that this appearance of understated elegance and comfort was in fact entirely an American invention. This fascinating and controversial review of Fowler's work, containing full colour illustrations, offers an important discussion of the treatment of historic interiors and highlights his concern to create visually successful rooms rather than to merely replicate earlier interiors. The impact Fowler had on his contemporaries was immense and long-lasting, so much so that today the 'Fowler style' has come to be considered by some as the only style for the decoration of a country house.

These are the proceedings of an English Heritage national seminar which was organised to address growing concerns about the variable quality of architectural paint research currently being carried out. The book describes and explains its role in understanding and managing historic buildings. The contributions contained in this book are designed to promote the development of standards and guidelines for use by clients and consultants, helping to shape the development of this vital new discipline. It therefore contains edited transcripts of the ground breaking discussion sessions on the proposed English Heritage guidelines and other important issues. The statutory requirements relating to painted interiors of listed buildings is another very problematical issue which has been considered in detail. In addition, guidance is provided on commissioning paint research and the pitfalls to avoid. The book will be essential reading for paint researched, architects, surveyors, conservation officers and all practitioners involved in commissioning paint research for historic buildings.

The Historical Romance explores the ways in which romance authors seek to represent our fantasies of life in the past. Examining how the cut-and-thrust swashbucklers of the 1930s gave way to female-orientated romances, Helen Hughes takes a comprehensive look at how romance authors have dealt with the turbulent question of female independence, and how traditional attitudes towards love, marriage and women's sexuality have been approached in more recent texts. Hughes also charts the ways in which the marketing of romance has developed, with the eventual explosion of the mass market and the blockbusting family sagas of the eighties.
The Historical Romance unravels the formulaic and mythical nature of historical romance to provide a fascinating study of this highly popular genre.

This book examines the economic success of the industrializing economies of East Asia. Judged in terms of economic growth, or by a combination of economic and welfare criteria, this group of East Asian countries has established a clear lead over other developing areas of the world. The authors seek to identify the economic policies that have been critical to success. They analyze the varied political backgrounds and cultural heritages which enabled such a disparate group of coountries to choose successful routes to rapid growth. The East Asian countries possess widely divergent endowments of resources, but they face the same international environment as other countries. What has led to their economic achievements? One answer is 'unshackling exports' that most of the Asian countries had shackled in the first place. Other policy strands included political stability, the rule of law and economic policies that distorted prices less than other developing countries. Equally important have been investment in facilities of the social and physical infrastructure. The book's contributors argue that governments thus provided the environment for growth. Private enterprise contributed investment despite risk of uncertainty, and through exposure to international competition became efficient and profitable.

This book examines the economic success of the industrializing economies of East Asia. Judged in terms of economic growth, or by a combination of economic and welfare criteria, this group of East Asian countries has established a clear lead over other developing areas of the world. The authors seek to identify the economic policies that have been critical to success. They analyze the varied political backgrounds and cultural heritages which enabled such a disparate group of coountries to choose successful routes to rapid growth. The East Asian countries possess widely divergent endowments of resources, but they face the same international environment as other countries. What has led to their economic achievements? One answer is 'unshackling exports' that most of the Asian countries had shackled in the first place. Other policy strands included political stability, the rule of law and economic policies that distorted prices less than other developing countries. Equally important have been investment in facilities of the social and physical infrastructure. The book's contributors argue that governments thus provided the environment for growth. Private enterprise contributed investment despite risk of uncertainty, and through exposure to international competition became efficient and profitable.

Mental illness caused me to become isolated, fearful, nervous and anxious, afraid of myself, of going out, afraid of staying in. The simplest of tasks were a mission. Through the help of my therapist, I found a new escape, a way of expressing myself through poetry. These poems describe how I was feeling, and what was going on in my head. And I hope that in some way, they can help you, too.

I never really gave much thought to writing a book. Especially a book about my gigs from hell - because all musicians have gigs from hell. I just talk about mine more than most. As I would tell my stories, many people suggested I write a book about all the misadventures in my life as a professional musician. Reluctantly, I started making notes and giving each story a title. I never realized how many wild, crazy, hilarious, dangerous and sometimes life threatening experiences I had been involved in until I?had written over two hundred titles... and Gigs From Hell was born. What is a gig from hell, you ask? Do you remember that scene in the Blues Brothers where the band is set up on a stage, behind a chickenwire fence and forced to play country songs all night while drunk rednecks throw beer bottles at the band? That scene may be funny to you, but to us musicians who have actually experienced that sort of disrespect, that shit ain't funny That, my friends, was a gig from hell. Do you remember the movie Roadhouse that featured the Jeff Healey Band, performing behind a chickenwire fence while the joint was destroyed by barroom brawls? Those scenes are exciting on the silver screen, but in real life, they can be terrifying and sometimes tragic. For a band, they can become gigs from hell. Unlike fictional Hollywood depictions of bands and band life, my gigs from hell are all true.

The New Germany provides a picture of contemporary Germany from a variety of perspectives, establishing relationships between recent political events and society and cultural life. Contributors include distinguished specialists in German Studies, including John Sandford, Michael Patterson, Karl Koch and Charles Jeffery. Part 1 sets the scene, discussing the demise of East Germany from historical perspective and unification in terms of the social problems that have been provoked. Part 2 covers the new political structure and Germany's role as a European power as well as the social, educational and economic problems generated, especially in the east, by the western takeover of the former GDR. Part 3 is an extensive section devoted to culture and the arts, with studies of the media, literature, theatre, film and language.