A totally brilliant, escapist and uplifting read that will break your heart and put it back together again, perfect for fans of Cathy Kelly, Jill Mansell and Debbie Macomber.I always thought I was going to be a girl who did something. I was going to run my own business and find fame and fortune! Fall in love… But here I am. Still waiting for it all to happen, sitting on the floor, surrounded by lilies and roses, trying to do my best friend’s wedding flowers because – in her words – ‘how hard can it be, Frankie?’. The answer is actually ‘very hard’ but it’s not the only thing that’s tough right now. My boyfriend won’t commit, I barely have a job, and once again I have the hangover from hell… What I don’t know is that life’s about to throw me a curveball. A new friend I will make with a beautiful, sad-eyed little boy who is so very tragically ill. I still don’t know about that heartbreak. Even so, in this moment, I know that it’s time for some changes. Maybe it’s time to make my dreams come true? To try to become a marathon-running, healthy-living, wildly-in-love florist-to-the-stars! Because I’m beginning to realise that you only get one chance at life. I don’t yet know how you change everything, all at once, but what I do know is it all starts with me… Previously published as Wildflowers by Debbie Howells.

Through My Story: This Is How It Was Helen Phillips Hall takes the reader through times, places, and experiences all her own that have added breadth and meaning to who she has become. Significant personal and professional experiences are shared as only she encountered them. Her story holds the special meaning of family life filled with love, laughter, shared values and unity along with strength to embrace joy and to endure tragedies and difficulties together. Her story also honors special times in the lives of each and every family member, building upon family heritage and perpetuating high aspirations and expectations as the norm for each generation.

Dream literature is regarded as one of the most important genres in medieval literature and is widely studied. This text provides a succinct and clear introduction to the five central poems that comprise Chaucer's Dream Poetry, and shows his role as a leading adapter of European Literary tradition into English Literature. The poems discussed are The Book of the Duchess, The Legend of Good Women, The Legend of Dido, The Parliament of Fowls and The House of Fame. Each have an introduction setting the poem within the context of Dream Poetry and Chaucer's own work. Appendices of proper names, pronunciation and criticism are also given. This volume is unique is presenting the poems together in an editorial and critical framework. The quality of annotation is unrivalled and will make this text a major addition to the literature suitable for those interested in the genre, literary, or more general history of the period.

First entire collection centred on Chaucer's Book of the Duchess, making a compelling case for its importance and value. The Book of the Duchess, Chaucer's first major poem, is foundational for our understanding of Chaucer's literary achievements in relation to late-medieval English textual production; yet in comparison with other works, itstreatment has been somewhat peripheral in previous criticism. This volume, the first full-length collection devoted to the Book, argues powerfully against the prevalent view that it is an underdeveloped or uneven early work, and instead positions it as a nuanced literary and intellectual effort in its own right, one that deserves fuller integration with twenty-first-century Chaucer studies. The essays within it pursue lingering questions as well as new frontiers in research, including the poem's literary relationships in the sphere of French and English writing, material processes of transmission and compilation, and patterns of reception. Each chapter advances an original reading of the Book of the Duchess that uncovers new aspects of its internal dynamics or of its literary or intellectual contexts. As a whole, the volume reveals the poem's mobility and elasticity within an increasingly international sphere of cultural discourse that thrives on dynamic exchange and encourages sophisticated reflection on authorial practice. Jamie C. Fumo is Professor of English at Florida State University. Contributors: B.S.W. Barootes, Julia Boffey, Ardis Butterfield, Rebecca Davis, A.S.G. Edwards, Jeff Espie, Philip Knox, Helen Phillips, Elizaveta Strakhov, Sara Sturm-Maddox, Marion Wells.

Dream literature is regarded as one of the most important genres in medieval literature and is widely studied. This text provides a succinct and clear introduction to the five central poems that comprise Chaucer's Dream Poetry, and shows his role as a leading adapter of European Literary tradition into English Literature. The poems discussed are The Book of the Duchess, The Legend of Good Women, The Legend of Dido, The Parliament of Fowls and The House of Fame. Each have an introduction setting the poem within the context of Dream Poetry and Chaucer's own work. Appendices of proper names, pronunciation and criticism are also given. This volume is unique is presenting the poems together in an editorial and critical framework. The quality of annotation is unrivalled and will make this text a major addition to the literature suitable for those interested in the genre, literary, or more general history of the period.

Sex, blood, and gender have diverse associations in the Malorian tradition, yet their inter-relatedness and intersections are comparatively understudied. This present collection of essays is intended to go some way toward remedying the need for a sustained examination of blood ties, kinship, gender, and sexuality, and the prominence of these themes in Malory's work. They concentrate in particular upon the analyses of sexuality and sexual activity (and its lack or erasure) and the significance of blood (and blood-shedding) in the Morte Darthur, as well as the interconnections with gender (biological sex) and familial ("blood") relations in the Morte, its sources and its later reworkings. The result is a wide-ranging investigation into related but distinctive thematic preoccupations, including the national and kinship affiliations of Malorian knights, sibling relationships, deviant sexuality, and blood-spilling in martial and intimate contexts. Contributors: Christina Francis, Megan G. Leitch, Helen Phillips, Carolyne Larrington, Lydia A. Fletcher, Kate McClune, Sally Mapstone, Caitlyn Schwartz, Maria Sachiko Cecire, Anna Caughey, Catherine LaFarge

Studies of varied aspects of Robin Hood legends and associated topics: the greenwood, archery, outlawry, and 20c response to the legends. The Robin Hood tradition has had a continuing appeal from the middle ages to the present day, the hero himself holding a distinctive place within popular culture, his exploits, and those of his companions, being celebrated in multiple forms, from the earliest rituals, plays and ballads to musical theatre, lyric poetry, modern popular fiction, cinema and TV. The essays in this volume provide a rich and coherent perspective on this enigmatic figure and the legends which have grown up around him, offering a wide range of approaches. Topics include place-name study; examinations of surviving manuscripts and their cultural context; appraisals of the links between Robin Hood and medievalarchery; other medieval outlaws; mythic figures such as the Green Man; patterns of masculine and feminine identity; and the popularity of Robin Hood on stage and screen, in comic books and videos, and in modern Japan. There are also extended overviews of the hero's origins and status; and the future of Robin Hood studies. Professor THOMAS HAHN teaches in the Department of English at the University of Rochester, New York. Contributors:THOMAS HAHN, FRANK ABBOTT, SARAH BEACH, LAURA BLUNK, KELLY DEVRIES, R.B. DOBSON, MICHAEL EATON, KEVIN J. HARTY, STUART KANE, STEPHEN KNIGHT, DAVID LAMPE, GARY YERSHON

New essays on Chaucer's engagement with religion and the religious controversies of the fourteenth century. How do critics, religious scholars and historians in the early twenty-first century view Chaucer's relationship to religion? And how can he be taught and studied in an increasingly secular and multi-cultural environment? The essays here, on [the Canterbury Tales, Troilus and Criseyde, lyrics and dream poems, aim to provide an orientation on the study of the the religions, the religious traditions and the religious controversies of his era - and to offer new perspectives upon them. Using a variety of theoretical, critical and historical approaches, they deal with topics that include Chaucer in relation to lollardy, devotion to the saint and the Virgin Mary, Judaism andIslam, and the Bible; attitudes towards sex, marriage and love; ethics, both Christian and secular; ideas on death and the Judgement; Chaucer's handling of religious genres such as hagiography and miracles, as well as other literary traditions - romance, ballade, dream poetry, fablliaux and the middle ages' classical inheritance - which pose challenges to religious world views. These are complemented by discussion of a range of issues related to teachingChaucer in Britain and America today, drawn from practical experience. Contributors: Anthony Bale, Alcuin Blamires, Laurel Broughton, Helen Cooper, Graham D. Caie, Roger Dalrymple, Dee Dyas, D. Thomas Hanks Jr., Stephen Knight, Carl Phelpstead, Helen Phillips, David Raybin, Sherry Reames, Jill Rudd.

Created in London c. 1340, the Auchinleck manuscript (Edinburgh, National Library of Scotland Advocates MS 19.2.1) is of crucial importance as the first book designed to convey in the English language an ambitious range ofsecular romance and chronicle. Evidently made in London by professional scribes for a secular patron, this tantalizing volume embodies a massive amount of material evidence as to London commercial book production and the demand for vernacular texts in the early fourteenth century. But its origins are mysterious: who were its makers? its users? how was it made? what end did it serve? The essays in this collection define the parameters of present-day Auchinleck studies. They scrutinize the manuscript's rich and varied contents; reopen theories and controversies regarding the book's making; trace the operations and interworkings of the scribes, compiler, and illuminators; teaseout matters of patron and audience; interpret the contested signs of linguistic and national identity; and assess Auchinleck's implied literary values beside those of Chaucer. Geography, politics, international relations and multilingualism become pressing subjects, too, alongside critical analyses of literary substance. SUSANNA FEIN is Professor of English at Kent State University and editor of The Chaucer Review. Contributors: Venetia Bridges, Patrick Butler, Siobhain Bly Calkin, A. S. G. Edwards, Ralph Hanna, Ann Higgins, Cathy Hume, Marisa Libbon, Derek Pearsall, Helen Phillips, Emily Runde, Timothy A. Shonk, Miceal F. Vaughan.

Essays examining the genre of medieval romance in its cultural Christian context, bringing out its chameleon-like character. The relationship between the Christianity of medieval culture and its most characteristic narrative, the romance, is complex and the modern reading of it is too often confused. Not only can it be difficult to negotiate the distant, sometimes alien concepts of religious cultures of past centuries in a modern, secular, multi-cultural society, but there is no straightforward Christian context of Middle English romance - or of medieval romance in general, although this volume focuses on the romances of England. Medieval audiences had apparently very different expectations and demands of their entertainment: some looking for, and evidently finding, moral exempla and analogues of biblical narratives, others secular, even sensational, entertainment of a type condemned by moralising voices. The essays collected here show how the romances of medieval England engage with its Christian culture. Topics include the handling of material from pre-Christian cultures, classical and Celtic, the effect of the Crusades, the meaning of chivalry, and the place of women in pious romances. Case studies, including Sir Gawain and the Green Knight and Malory's Morte Darthur, offer new readings and ideas for teaching romance to contemporary students. They do not present a single view of a complex situation, but demonstrate the importance of reading romances with anawareness of the knowledge and cultural capital represented by Christianity for its original writers and audiences. Contributors: HELEN PHILLIPS, STEPHEN KNIGHT, PHILLIPA HARDMAN, MARIANNE AILES, RALUCA L. RADULESCU, CORINNE SAUNDERS, K.S. WHETTER, ANDREA HOPKINS, ROSALIND FIELD, DEREK BREWER, D. THOMAS HANKS, MICHELLE SWEENEY

Essays exploring Chaucer's identity as a London poet and the urban context for his writings. Literature of the city and the city in literature are topics of major contemporary interest. This volume enhances our understanding of Chaucer's iconic role as a London poet, defining the modern sense of London as a city in history, steeped in its medieval past. Building on recent work by historians on medieval London, as well as modern urban theory, the essays address the centrality of the city in Chaucer's work, and of Chaucer to a literature and a language of the city. Contributors explore the spatial extent of the city, imaginatively and geographically; the diverse and sometimes violent relationships between communities, and the use of language to identify and speak for communities; the worlds of commerce, the aristocracy, law, and public order. A final section considers the longer history and memory of the medieval city beyond the devastations of the Great Fire and into the Victorian period. Dr ARDIS BUTTERFIELD is Reader in English at University College London. Contributors: ARDIS BUTTERFIELD, MARION TURNER, RUTH EVANS, BARBARA NOLAN, CHRISTOPHER CANNON, DEREK PEARSALL, HELEN COOPER, C. DAVID BENSON, ELLIOTKENDALL, JOHN SCATTERGOOD, PAUL DAVIS, HELEN PHILLIPS

Emotions are often seen as an intrinsic part of what makes us human; they underpin how we feel about ourselves, and our interactions with others. New discoveries continue to reveal more about how emotion translates into brain activity - what is actually happening in our brains to make us 'feel' the way we do. They are also illuminating our understanding of dysfunctional emotions - the emotional basis of addiction, or the maladaptive emotional behaviors that characterize our difficult, and sometimes pathological, relationship with food.
Emotion presents the fundamental principles of the neural mechanisms underlying emotional processing as well as reviewing our current scientific understanding of pleasure and emotion. The book takes the reader from everyday conceptions of pleasure and emotion through to the latest insights into the nature and functions of emotions at the interface of psychology and neuroscience, before exploring topics such as the nature of subjective experience and future possibilities including emotions in silico.
Throughout, the book focuses on the principles of reward systems in the brain and its links with mainstream psychology, helping the reader to understand the function and nature of emotion and pleasure, and its relevance to the rest of psychology. In addition, it also offers a clear understanding of fundamental topics such as the social emotions, individual emotions and the role of emotion and pleasure in decision making.
The book also encourages the reader to achieve a better understanding of emotional disorders, which are central to clinical psychology and the treatment of a range of psychiatric disorders.
Emotion is the ideal guide for any student wanting a clear, contemporary introduction to this complex yet fascinating subject.
Online Resource Centre
For registered adopters of the book:
- Figures from the book in electronic format
- A series of Journal Clubs - suggested papers and discussion questions related to topics featured in the book

A wide variety of texts (from chronicles to Chaucer) studied for evidence of medieval attitudes towards the processes of change as they affected individuals at all points of their lives. Rites of passage is a term and concept more used than considered. Here, for the first time, its implications are applied and tested in the field of medieval studies: medievalists from a range of disciplines consider the varioustheoretical models - folklorist, anthropological, psychoanalytical - that can be used to analyse cultures of transition in the history and literature of fourteenth-century Europe. Ranging over a wide variety of texts, from chronicles to romances, from priests' manuals to courtesy books, from state records to the writings of Chaucer, Gower and Froissart, the contributors identify and analyse medieval attitudes to the process of change in lifecycle, status,gender and power. A substantive introduction by Miri Rubin draws together the ideas and materials discussed in the book to illustrate the relevance and importance of anthropology to the study of medieval culture. Contributors: JOEL BURDEN, PATRICIA CULLUM, ISABEL DAVIS, JANE GILBERT, SARAH KAY, MARK ORMROD, HELEN PHILLIPS, MIRI RUBIN, SHARON WELLS. NICOLA F. McDONALD is Lecturer in Medieval Literature, the late W.M ORMROD was Professor of Medieval History, University of York.

Fresh examinations of the manuscript which is one of the chief compendiums of literature in the Middle English period. Created in London c. 1340, the Auchinleck manuscript (Edinburgh, National Library of Scotland Advocates MS 19.2.1) is of crucial importance as the first book designed to convey in the English language an ambitious range ofsecular romance and chronicle. Evidently made in London by professional scribes for a secular patron, this tantalizing volume embodies a massive amount of material evidence as to London commercial book production and the demand for vernacular texts in the early fourteenth century. But its origins are mysterious: who were its makers? its users? how was it made? what end did it serve? The essays in this collection define the parameters of present-day Auchinleck studies. They scrutinize the manuscript's rich and varied contents; reopen theories and controversies regarding the book's making; trace the operations and interworkings of the scribes, compiler, and illuminators; teaseout matters of patron and audience; interpret the contested signs of linguistic and national identity; and assess Auchinleck's implied literary values beside those of Chaucer. Geography, politics, international relations and multilingualism become pressing subjects, too, alongside critical analyses of literary substance. Susanna Fein is Professor of English at Kent State University and editor of The Chaucer Review. Contributors: Venetia Bridges, Patrick Butler, Siobhain Bly Calkin, A. S. G. Edwards, Ralph Hanna, Ann Higgins, Cathy Hume, Marisa Libbon, Derek Pearsall, Helen Phillips, Emily Runde, Timothy A. Shonk, Miceal F. Vaughan.

Papers on women and religion in the middle ages, drawn from archive, manuscipt and early printed sources. Taking a variety of critical approaches, the papers in Women, the Book and the Godlyanalyse the subject of women and religion, illustrating clearly the wealth of previously untapped material on this topic, whether in archive, manuscript or early printed source. The volume examines writing by women, writing which excludes women, and writing which ignores them, as well as women readers, women patrons, and women who were read to. Archaeology, canon and civil law, and trial depositions are all represented. The common determinants of marital and social status are, of course, explored, but so also are the problems of women and language, women's various roles as creators, recipients, and objects, and women's positions on the sliding scale between the orthodox, the reforming, and the heterodox churches. The essays thus represent something of the variety and range of work being done on medieval women today. Contributors: ALCUIN BLAMIRES, JACQUELINE MURRAY, WYBREN SCHEEPSMA, ANNEM. DUTTON, ROSALYNN VOADEN, GRACE JANTZEN, ELIZABETH A. ANDERSEN, THOMAS LUONGO, BENEDICTA WARD, GOPA ROY, GEORGES WHALEN, CATHERINE INNES-PARKER, HELENPHILLIPS, SHANNON McSHEFFREY, PETER BILLER

'The Need is a profound meditation on the nature of reality, a fearless examination of parenthood, and also somehow a thriller. This is an extraordinary and dazzlingly original work from one of our most gifted and interesting writers' Emily St. John Mandel

She crouched in front of the mirror in the dark, clinging to them. The baby in her right arm, the child in her left.

There were footsteps in the other room...

Molly is exhausted, anxious, losing her grip on reality. Her husband is away and she is running between her children and her job, where things are unravelling. She’s a paleobotanist, working at a fossil quarry, and has recently unearthed artefacts that defy understanding; the coke bottle with the lettering that leans the wrong way, an alternate version of the Bible. Where do these things come from?

At home, as dusk falls, she gets jumpy. Are those footsteps out in the hall? What was that noise? She holds her two small children close to her, and tries to pull herself together. But her worlds of work and home are about to collide. She discovers that the stranger in her sitting room knows everything about her life and, as their identity becomes chillingly clear, this intruder makes a demand of Molly that upends everything, forcing her to reckon with her most unspeakable fears.

The Need is a gripping, unsettling and stunningly original story that probes deep truths about motherhood, and explores grief, loss and how we treat others. It's a compulsive, reality-warping novel that makes us rethink our world, and question how far we would go to protect the ones we love.

'The atmosphere is as close and taut as a thriller, but this is, in fact, both a highly original examination of grief and an extraordinarily vivid evocation of motherhood -- the moments of terror and hilarity, the visceral burden of it, and the fleeting, but almost transcendent, joy' Daily Mail

'A chilling novel from a blazing talent' Observer

If the job market hadn't been so bleak during that long, humid summer, Josephine might have been discouraged from taking the administrative position in a windowless building in a remote part of town.

As the days inch by and the files stack up, Josephine feels increasingly anxious in her surroundings - the drone of keyboards echoes eerily down the long halls, her boss has terrible breath, and there are cockroaches in the bath of her sub-let. When one evening her husband Joseph disappears and then returns, offering no explanation as to his whereabouts, her creeping unease shifts decidedly to dread.

Both chilling and poignant, this novel asks the biggest questions about marriage and fidelity, birth and death. Helen Phillips twists the world we know and shows it back to us full of meaning and wonder - luminous and new.

While everyone is familiar with the legend of Robin Hood, few can speak as knowledgably about other British outlaws and their traditions. Uncovering a popular history that dates back to Anglo-Saxon times, "Bandit Territories" takes as its main subject English, Welsh, and Scottish outlaws and considers their traditions in light of their unique landscapes, cultural histories, and adaptations into ballet, theatre, film and children's literature. Introducing figures such as Little John and William Wallace--the character portrayed by Mel Gibson in "Braveheart"--this volume explores the figure of the bandit, who lives between civil society and the wilderness, and offers an engaging portrait of his iconic masculinity and nationalist propaganda.

A lively and popular introductory textbook teaching French to absolute beginners working in a classroom setting. A diverse range of dialogues, video clips, and reading passages deliver new material which is carefully practised in a wide variety of imaginative exercises, both individually and in pair- and groupwork, and backed up by structured grammatical underpinning and exercises. Foundations Languages courses are tailor-made for undergraduates and other students on Institution-wide Languages Programmes (IWLPs), languages options and electives, ab initio and minor routes in languages, and open learning programmes at universities and in Adult Education. Foundations French 1 assumes no previous knowledge. Accompanying online resources for this title can be found at bloomsburyonlineresources.com/macmillan-foundations. These resources are designed to support teaching and learning when using this textbook and are available at no extra cost. Included are: accompanying audio and video, a substantial self-study section with practice material for homework and revision, and for extension purposes.

Rebecca Stead, Newbery Medal-winning author of "When You Reach Me," said this book is "brimming with surprises and grand adventure. Brave, smart, and full of heart, Madeline and Ruby are a gust of fresh air."
Mad's dad is the Bird Guy. He'll go anywhere to study birds. So when he's offered a bird-tracking job in Central America, his bags are packed and he's jungle bound.
But going bird tracking in the jungle and disappearing completely are very different things, and when the Very Strange and Incredibly Creepy Letter arrives, Mad can't shake the terrible feeling that her father is in trouble.
Roo, Mad's younger sister, is convinced that the letter is a coded message. And their mom is worried, because the letter doesn't sound like Dad at all. But Mad is sure it's a sign of something sinister.
The only way to get to the bottom of it is to go to Lava Bird Volcano and find their dad themselves. Though they never could have imagined what they're about to discover.
From new talent Helen Phillips, "Here Where the Sunbeams Are Green" is the story of what can happen when two sisters make some unusual friends, trust in each other, and bravely face a jungle of trouble all to bring their family back together.

"From the Hardcover edition."