Essays examining the genre of medieval romance in its cultural
Christian context, bringing out its chameleon-like character. The
relationship between the Christianity of medieval culture and its
most characteristic narrative, the romance, is complex and the
modern reading of it is too often confused. Not only can it be
difficult to negotiate the distant, sometimes alien concepts of
religious cultures of past centuries in a modern, secular,
multi-cultural society, but there is no straightforward Christian
context of Middle English romance - or of medieval romance in
general, although this volume focuses on the romances of England.
Medieval audiences had apparently very different expectations and
demands of their entertainment: some looking for, and evidently
finding, moral exempla and analogues of biblical narratives, others
secular, even sensational, entertainment of a type condemned by
moralising voices. The essays collected here show how the romances
of medieval England engage with its Christian culture. Topics
include the handling of material from pre-Christian cultures,
classical and Celtic, the effect of the Crusades, the meaning of
chivalry, and the place of women in pious romances. Case studies,
including Sir Gawain and the Green Knight and Malory's Morte
Darthur, offer new readings and ideas for teaching romance to
contemporary students. They do not present a single view of a
complex situation, but demonstrate the importance of reading
romances with anawareness of the knowledge and cultural capital
represented by Christianity for its original writers and audiences.
Contributors: HELEN PHILLIPS, STEPHEN KNIGHT, PHILLIPA HARDMAN,
MARIANNE AILES, RALUCA L. RADULESCU, CORINNE SAUNDERS, K.S.
WHETTER, ANDREA HOPKINS, ROSALIND FIELD, DEREK BREWER, D. THOMAS
HANKS, MICHELLE SWEENEY
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