This pioneering volume explores the contribution of migrants to European culture from the early modern era to today. It takes culture as an aesthetic and social activity of making, one practised by migrants on the move and also by those who represent their lives in an act of support. Adopting a multilingual approach, the book interprets the aesthetics and political practices developed by and with migrants in Spain, Italy and France. It juxtaposes early modern and modern work with contemporary, reconceiving migrants as crucial agents of change. Scholars and artists track people on the move within the continent and without, drawing a significant map for the cultural history of migration around Europe. An electronic version of this book is available under a creative commons licence: manchesteropenhive.com/view/9781526166180/9781526166180.xml -- .

Essays using feminist approaches to offer fresh insights into aspects of the texts and the material culture of the middle ages. Feminist discourses have called into question axiomatic world views and shown how gender and sexuality inevitably shape our perceptions, both historically and in the present moment. Founding Feminisms in Medieval Studies advances that critical endeavour with new questions and insights relating to gender and queer studies, sexualities, the subaltern, margins, and blurred boundaries. The volume's contributions, from French literary studies as well as German, English, history and art history, evince a variety of modes of feminist analysis, primarily in medieval studies but with extensions into early modernism. Several interrogate the ethics of feminist hermeneutics, the function of women characters in various literary genres, and so-called "natural" binaries - sex/gender, male/female, East/West, etc. - that undergird our vision of the world. Others investigate learned women and notions of female readership, authorship, and patronage in the production and reception of texts and manuscripts. Still others look at bodies - male male, female, neither, and both - and how clothes cover and socially encode them. Founding Feminisms in Medieval Studies is a tribute to E. Jane Burns, whose important work has proven foundational to late twentieth- and early twenty-first-century Old French feminist studies. Through her scholarship, teaching, and leadership in co-founding the Society for Medieval Feminist Scholarship, Burns has inspired a new generation of feminist scholars. Laine E. Doggett is Associate Professor of French at St. Mary's College of Maryland, St. Mary's City; Daniel E. O'Sullivan is Professor of French at the University of Mississippi. Contributors: Cynthia J. Brown, Matilda Tomaryn Bruckner, Kristin L. Burr, Madeline H. Caviness, Laine E. Doggett, Sarah-Grace Heller,Ruth Mazo Karras, Roberta L. Krueger, Sharon Kinoshita, Tom Linkinen, Daniel E. O'Sullivan, Lisa Perfetti, Ann Marie Rasmussen, Nancy Freeman Regalado, Elizabeth Robertson, Helen Solterer

In 1968, Conn Curran summed up his life-long companionship with Joyce, including the 1904 photograph he took of his friend in his family's back garden. With this re-issue of Curran's book, another group of University College Dubliners takes a new look at his work, delving into the Curran-Laird collection at the James Joyce Library. Side by side with Joyce, Curran, arts critic, and Helen Laird Curran, his activist partner, come into clearer view; writer-critic adventurers Padraic and Mary Maguire Colum return again; savant Paul Leon, in Paris, takes his place too. The literary, cultural, and political context widens: the Irish wars, erupting again in 1922 as Ulysses begins circulating; the Paris-Dublin rescue operation of this group's papers at Joyce's death, suspended - and accomplished - in this time of violence. The 2022 collective edition offers an uncommon picture of this inventive and committed cohort, their work, and their worlds. With essays by Hugh Campbell, Diarmaid Ferriter, Anne Fogarty, Margaret Kelleher and Helen Solterer. The UCD Curran-Laird collection presented by Eugene Roche and Evelyn Flanagan. This is a full colour, highly illustrated book with special edition design features throughout.

Ranging from France to Russia to America in the throes of world war and revolution, Medieval Roles for Modern Times investigates how critics and creators made medieval culture a part of their modern world through theatrical role-playing. On both the Left and the Right across Europe, partisans used drama to express the ideological struggles dividing them. Helen Solterer explores the case of the Theophiliens, a Parisian youth group in the 1930s and 1940s whose members included Roland Barthes and Alain Resnais. The performances of the troupe--from the Adam Play to the Mystery of the Passion--captured the paradoxes of the French Republic as it was breaking apart.

The book focuses on two key figures of the Theophilien troupe: founder Gustave Cohen and actor Moussa Abadi. Under Vichy, Cohen went into exile in America, while Abadi went underground. He established a network for refugee families and taught Jewish children role-playing skills to help them evade detection by the Gestapo. Abadi helped save hundreds of children from deportation, and his story of theater and Jewish resistance has never before been published.

Can words do damage? For medieval culture, the answer was unambiguously yes. And, as this book contends, in French medieval culture the representation of women exemplified the use of injurious language. Solterer investigates the debates over women between masters and their disciples. Across a broad range of Old French literature to the early modern "Querelle des femmes", she shows how the figure of the female respondent became an instrument for disputing the dominant models of representing women. The female respondent exploited the criterion of injurious language that so preoccupied medieval masters, and she charged master poets ethically and legally with libel. Solterer's work thus illuminates an early, decisive chapter in the history of defamation.