For most people, creating a garden, or caring for and nurturing a garden, is of far greater significance than just gardening itself. Modern-day gardens tend to be more personalised as an expression of individual lifestyle choices. However, with so much information available on the broad subject of gardening and what to plant, it's not surprising that many garden lovers feel intimidated and choose the route of blissful ignorance, while all the time wishing there had been an accessible way of knowing how to do it right the first time.

In this concise and systematic publication, the authors have pooled their cumulative knowledge and wisdom of their own practical experience, as well as their respective, proven teaching methods, into a book which will help the beginner and even the more knowledgeable gardener to navigate his or her way through the process of creating a successful garden. The illustrations are visually stunning, and in their own right present a veritable treasury of inspirational ideas.

Most importantly, Making Sense of Garden Design (Sinvolle Tuinontwerp) it is a companion to help you create or recreate your garden. It offers practical exercises and hints, and is a practical, interactive reference and guide to the fundamental topics relating to planning and creating your own garden, including the basic steps in developing a long-term master plan; important considerations such as appropriate choices of styles and plants, water consumption, labour-saving techniques, and security, all shared within a local, South African context, which will also contribute to building confidence and pride in the development and evolution of a uniquely South African gardening style.

In recent years, considerable scholarly attention has been paid to women in music, and information on the music of a handful of black women composers, such as Florence Price and Mary Lou Williams, has been published. Determined search, however, is needed to locate what little data is available on most such composers. Proceeding from a desire to use music of black women composers in her piano performance and teaching, Helen Walker-Hill has dedicated herself to uncovering this material, utilizing secondary sources and numerous archives, conducting interviews with composers, and engaging in voluminous correspondence with individuals and institutions. The result is the most comprehensive catalog of music composed by African American women to date. The depth of detail required limiting the scope to solo and ensemble piano music. However, an introductory overview on the contributions of black women in music and biographical sketches on the fifty-four composers profiled in the catalog contain broader information. Over 300 piano works are listed, with detailed descriptive information on close to 200 works the author was able to obtain and study, including sources and levels of difficulty. Appendixes list available published music, ensemble instrumentation, music for teaching, and music published before 1920. A selected bibliography and a selected discography are also provided. This biographical dictionary and descriptive catalog will be most directly useful to performers and teachers, but the breadth of information makes it valuable for research in music history, African American studies, and women's studies.

African-American women composers remain largely unknown despite their important musical contributions. Active in the United States since the late-19th century, several gained national and international recognition during their lifetimes, only to have their work neglected after their deaths. "From Spirituals to Symphonies" is a unique, extensively researched examination of the history and scope of musical composition by African-American women, focusing on the implications of race, gender, and class for their musical creativity, and demonstrating how this important, underappreciated category of American art was shaped by the unique individual personalities of its participants.

Their particular times, communities, families, racial heritages, economic circumstances, education, and musical training were all brought to bear on their music, and author Helen Walker-Hill challenges the assumption that black women's only important musical contributions have been in folk, jazz, and pop. With unprecedented detail, she charts the lives and the output of a group of artists whose work has gone unnoticed for too many years.

Helen Walker Homan contributes her third volume to hte Vision Books series of saints for youth in this story of the life of St. Anthony of Padua. Important details of Anthony's life covered by the author include his visit to Morocco, a shipwreck, his meeting with St. Francis in Assisi, his powerful preaching and the miracles he wrought as a follower of Francis.

This is a new release of the original 1935 edition.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Exploding the assumption that black women's only important musical contributions have been in folk, jazz, and pop
Helen Walker-Hill's unique study provides a carefully researched examination of the history and scope of musical composition by African American women composers from the nineteenth and twentieth centuries. Focusing on the effect of race, gender, and class, "From Spirituals to Symphonies" notes the important role played by individual personalities and circumstances in shaping this underappreciated category of American art. The study also provides in-depth exploration of the backgrounds, experiences, and musical compositions of eight African American women including Margaret Bonds, Undine Smith Moore, and Julia Perry, who combined the techniques of Western art music with their own cultural traditions and individual gifts. Despite having gained national and international recognition during their lifetimes, the contributions of many of these women are today forgotten.

Sustainability has emerged as a central issue for contemporary societies and for the world community as a whole. Furthermore, many of the social and environmental concerns that are embodied in the term 'sustainability' are directly or indirectly related to design. Designers help to define our human made environment - how it is produced, how it is used, and how long it endures. Despite some forty years of development and increased awareness of the critical relationships that exist between design decisions and modes of production, energy use, environmental impacts, the nature of work and human exploitation, design for sustainability is still not widely understood or followed. The Handbook of Design for Sustainability presents a comprehensive, state-of-the-art overview of this crucial subject - its development, its methods, its practices and its potential futures. Bringing together leading international scholars and new researchers to provide a substantive insight into the latest thinking and research within the field, The Handbook covers a breadth of historical and theoretical understandings and includes a series of original essays that explore methods and approaches for designers and design educators. The Handbook presents the first systematic overview of the subject that, in addition to methods and examples, includes historical perspectives, philosophical approaches, business analyses, educational insights and emerging thinking. It is an invaluable resource for design researchers and students as well as design practitioners and private and public sector organizations wishing to develop more sustainable directions.

Between the 12th and 14th centuries, the Hedingham pottery industry produced decorated and glazed finewares, mainly jugs, and grey-firing coarsewares. This study provides a synthesis of Hedingham Ware production and explores its distribution within East Anglia. A gazetteer of the fourteen known production sites is provided, and the pottery is used to create a typology of fabric types, vessel forms and decoration for both fine and coarse wares. The industry appears to have evolved from the early medieval tradition, although it has similarities with Late Saxon Thetford-type ware. The coarsewares are most similar to those produced near Colchester and show some similarities to coarsewares produced in Suffolk. The Hedingham industry did not die out in the 14th century but became subsumed into the sandy orange ware tradition and lost its identity as Hedingham Ware.