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An overview of the issues and critical debates in the field of
Women's Studies within the area of peninsular Hispanism. After an
introductory survey of the development of women's studies in the
context of Spain, twenty-one chronologically ordered essays by
scholars from Britain, the United States, Spain and Mexico explore
women's roles in the cultural production of their time from the
Middle Ages to the present. The essays of the first half examine
the work of the earliest women writers and artists - memoirs and
meditations, novellas and plays - and the representationor
self-representation of women in a broad sweep of texts including
medieval folksong, hagiography, and painting of the Baroque era.
The modern section focuses on women's participation in politics and
culture from the eighteenth century onwards: as translators and
essayists, as consumers of visual ephemera and conduct books, as
writers and artists, film directors and performers. An alternative
and supplement to standard literary histories, thisvolume offers
new insights into women's agency and representation in the cultural
heritage of Spain. It will prove a useful and stimulating resource
for students at all levels, and an accessible guide for the general
reader. XON DE ROS and GERALDINE HAZBUN lecture in Spanish
literature at the University of Oxford. CONTRIBUTORS: Nieves
Baranda, Andrew M. Beresford, Monica Bolufer Peruga, Helena
Buffery, Rosanna Cantavella, Lou Charnon-Deutsch, Georgina
Dopico-Black, Joanna Evans, Carmen Fracchia, Margaret R. Greer,
Jessamy Harvey, Louise M. Haywood, Geraldine Hazbun, Susan
Kirkpatrick, Frances Lannon, Laura Lonsdale, Maria Ana Masera
Cerutti, Roberta Quance, Xon de Ros, Alexander Samson, Alison
Sinclair, Joyce Tolliver.
The 'Book of Deeds' is the first known autobiography by a Christian
king. Its author was James I of Aragon (1213-76), known as 'The
Conqueror', one of the great political figures of 13th-century
Europe and a successful crusader. In his 'Deeds', James describes
the turbulent years of his minority, the thrilling capture of
Majorca, the methodical conquest of the kingdom of Valencia, the
reconquest of the kingdom of Murcia after Castile had failed to
hold it, and many of the important events of his reign. While
crusade and conquest of Spanish territory from the Muslims and
Christian-Muslim relations on the frontier are central features of
the account, the 'Deeds' are also a treasure trove of information
on the image, power and purpose of monarchy, loyalty and bad faith
in the feudal order, the growth of national sentiment, and medieval
military tactics. At the same time, the book presents a unique
insight into the mind of a medieval ruler, the supreme example we
possess of the fears and ambitions of a man at the very centre of
events.
An overview of the issues and critical debates in the field of
Women's Studies within the area of peninsular Hispanism. After an
introductory survey of the development of women's studies in the
context of Spain, twenty-one chronologically ordered essays by
scholars from Britain, the United States, Spain and Mexico explore
women's roles in the cultural production of their time from the
Middle Ages to the present. The essays of the first half examine
the work of the earliest women writers and artists - memoirs and
meditations, novellas and plays - and the representationor
self-representation of women in a broad sweep of texts including
medieval folksong, hagiography, and painting of the Baroque era.
The modern section focuses on women's participation in politics and
culture from the eighteenth century onwards: as translators and
essayists, as consumers of visual ephemera and conduct books, as
writers and artists, film directors and performers. An alternative
and supplement to standard literary histories, thisvolume offers
new insights into women's agency and representation in the cultural
heritage of Spain. It will prove a useful and stimulating resource
for students at all levels, and an accessible guide for the general
reader. XON DE ROS and GERALDINE HAZBUN lecture in Spanish
literature at the University of Oxford. CONTRIBUTORS: Nieves
Baranda, Andrew M. Beresford, Monica Bolufer Peruga, Helena
Buffery, Rosanna Cantavella, Lou Charnon-Deutsch, Georgina
Dopico-Black, Joanna Evans, Carmen Fracchia, Margaret F. Greer,
Jessamy Harvey, Louise M. Haywood, Geraldine Hazbun, Susan
Kirkpatrick, Frances Lannon, Laura Lonsdale, Maria Ana Masera
Cerutti, Roberta Quance, Xonde Ros, Alexander Samson, Alison
Sinclair, Joyce Tolliver.
The 'Book of Deeds' is the first known autobiography by a Christian
king. Its author was James I of Aragon (1213-76), known as 'The
Conqueror', one of the great political figures of 13th-century
Europe and a successful crusader. In his 'Deeds', James describes
the turbulent years of his minority, the thrilling capture of
Majorca, the methodical conquest of the kingdom of Valencia, the
reconquest of the kingdom of Murcia after Castile had failed to
hold it, and many of the important events of his reign. While
crusade and conquest of Spanish territory from the Muslims and
Christian-Muslim relations on the frontier are central features of
the account, the 'Deeds' are also a treasure trove of information
on the image, power and purpose of monarchy, loyalty and bad faith
in the feudal order, the growth of national sentiment, and medieval
military tactics. At the same time, the book presents a unique
insight into the mind of a medieval ruler, the supreme example we
possess of the fears and ambitions of a man at the very centre of
events.
In this reference, Buffery and Marcer cover all of the areas
historically inhabited by the Catalan people. These are, in order
of size and population: Catalonia, which accounts for over half of
the population of the Catalan-speaking areas; Valencia, with over a
third; the Balearic Islands with just under 8 percent; and the
Catalunya Nord, the Principality of Andorra, and the
Catalan-speaking areas within Aragon, Murcia, and Alghero. The
Historical Dictionary of the Catalans deals not only with the
people who live in Catalonia, but with the language and culture of
the Catalan countries as well. This is done through a chronology,
an introductory essay, a bibliography, and over 600
cross-referenced dictionary entries on significant persons, places,
events, institutions, and aspects of culture, society, economy, and
politics.
Barcelona: Visual Culture, Space and Power offers a unique approach
to the history of the avantgarde in Barcelona, as well as its
legacy in the post-war period. It presents the relationship between
environment, identity and performance as explored by
countercultural artists and communities from the 1960s to the
present day.
Who was Xespir? Why are Catalan adaptations and performances of
Shakespeare currently causing such a stir internationally? What
happens to the Shakespeare we think we all know when he is
translated into a minority culture? "Shakespeare in Catalan" tells
the history of Shakespeare's translation and reception in
Catalonia, showing his importance for Catalan cultural regeneration
since the nineteenth century and his contribution to the renewed
vibrancy of contemporary Catalan culture. In "Shakespeare in
Catalan", Buffery explores the cultural history of Shakespeare in
Catalan from the nineteenth century right up to the present day.
Beginning by tracing the vast range of different responses to his
work, in translations, performances and original works inspired by
his life and his plays, Buffery addresses the question of how and
why Shakespeare was chosen over and above other universal authors
and cultural values as an inspiration and a guide to Catalan
cultural production.
This book brings together twelve specially commissioned essays that
showcase current research on Spanish Republican exile theatre and
performance, including work by some of the foremost scholars in the
field. Covering a range of periods, geographical locations and
theatrical phenomena, the essays are united by the common question
of what it means to 'stage exile', exploring the relationship
between space, identity and performance in order to excavate the
place of theatre in Spanish Republican exile production. Each
chapter takes a particular case study as a starting point in order
to assess the place of a particular text, practitioner or
performance within Hispanic theatre tradition and then goes on to
examine the case study's relationship with the specific
sociocultural context in which it was located and/or produced. The
authors investigate wider issues concerning the recovery and
performability of these documentary traces, addressing their
position within the contemporary debate over historical and
cultural memory, their relationship to the contemporary stage, the
insights they offer into the experience and performance of exile,
and their contribution to contemporary configurations of identity
and community in the Hispanic world. Through this commitment to
interdisciplinary debate, the volume offers a new and invigorating
reimagination of twentieth-century Hispanic theatre from the
margins.
This book is an edited volume of eleven specially-commissioned
essays by a range of established and emerging UK-based Hispanists,
which assess recent developments in the disciplines falling under
the umbrella of 'Iberian Studies'. These essays, which cover a wide
range of time periods and geographical areas, but are united by the
common question of what it means to 'Read Iberia', offer an
invigorating critique of many of the critical assumptions shaping
the study of Iberian languages and literatures. This volume offers
a timely intervention into the debate about the current
repositioning of language/literature disciplines within the UK
university. Its intellectual starting point is the need for a
committed and incisive re-evaluation of the role of literature and
the way we teach and research it. The contributors address this
issue from a diverse range of linguistic, cultural and theoretical
backgrounds, drawing on both familiar and not-so-familiar texts and
authors to question common reference points and critical
assumptions. The volume offers not only a new and invigorating
space for reimagining Iberian Studies from within, but also -
through its commitment to interdisciplinary debate - an opportunity
to raise the profile of Iberian Studies outside the community of
academic Hispanists.
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