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This book argues that ubiquitous media and user-created content
establish a new perception of the world that can be called
'particulate vision', involving a different relation to reality
that better represents the atomization of contemporary experience
especially apparent in social media. Drawing on extensive original
research including detailed ethnographic investigation of camera
phone practices in Hong Kong, as well as visual analysis
identifying the patterns, regularities and genres of such work, it
shows how new distributed forms of creativity and subjectivity now
work to shift our perceptions of the everyday. The book analyses
the specific features of these new developments - the components of
what can be called a 'general aesthesia' - and it focuses on the
originality and innovation of amateur practices, developing a model
for making sense of the huge proliferation of images in
contemporary culture, discovering rhythms and tempo in this work
and showing why it matters.
This book argues that ubiquitous media and user-created content
establish a new perception of the world that can be called
'particulate vision', involving a different relation to reality
that better represents the atomization of contemporary experience
especially apparent in social media. Drawing on extensive original
research including detailed ethnographic investigation of camera
phone practices in Hong Kong, as well as visual analysis
identifying the patterns, regularities and genres of such work, it
shows how new distributed forms of creativity and subjectivity now
work to shift our perceptions of the everyday. The book analyses
the specific features of these new developments - the components of
what can be called a 'general aesthesia' - and it focuses on the
originality and innovation of amateur practices, developing a model
for making sense of the huge proliferation of images in
contemporary culture, discovering rhythms and tempo in this work
and showing why it matters.
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The Taking (DVD)
Andrew Dunn, Rula Lenska, Joanne Mitchell, Victoria Smurfit, Adam Fogerty, …
1
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R40
Discovery Miles 400
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Out of stock
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Why didn't God answer my prayer? "Prayer is not checking off
answers on a wish list," writes Helen Grace Lescheid. "When we
focus on 'give me answers' we become manipulative in our praying.
We act as though God exists to serve us. But prayer is primarily
growing a love relationship with God."In this compelling book on
prayer, Lescheid discusses the following: -What is God like? -How
does He answer prayer? -Does prayer change God or change me? -What
role does faith play? -Is prayer ever wasted? -What is the chief
purpose of prayer? As we get to know God, we learn to trust Him.
Instead of praying "give me specific answers" we learn to pray
"your will be done." In connecting with the universal purposes of
God, we reach answers bigger and better than we imagined. Helen
Grace Lescheid is the author of five books and hundreds of magazine
articles published internationally in magazines such as Reader's
Digest, Guideposts, and Lydia (Germany). Her stories have also been
published in forty books either in English or in German. She is a
regular contributor to Daily Guideposts and TruthMedia. See
www.helenlescheid.com.
Christie and Garret had been teenage lovers until Garret ran away
from home to escape his domineering father - leaving Christie
behind Eight years later and for completely different reasons,
Christie an interior designer and Garret an architect have come
home to their pretty village of Upper Derrington. Christie has
returned to recover from the break-up of her relationship with
Dominic. Garret has returned to make peace with his parents and to
help run their organic farm. Another reason is to win back
Christie's love and trust by fair means or foul Garret has the
opportunity to seek Christie's love when the village barn they both
frequented in their teenage years goes up for auction. Garret buys
the barn. He is approached by Stella Murphy a well-known interior
designer with her own tv show. Stella is due to make a new
programme called New From Old about turning old properties into new
homes and wants to film Garret's barn conversion. Garret agrees to
do the programme and act as the project manager, but only on
condition that Stella chooses Christie as the interior designer.
Garret attempts to turn his old relationship with Christie into
something new by persuading her to accept the job as interior
designer on the barn conversion. It's a career boost Christie can't
afford to let slip by, so she agrees. Christie and Garret's working
relationship starts acrimoniously, they are both unable to forget
the past. Christie also has an added pressure, she is desperate to
keep a secret. A secret that could put an end to a relationship
with Garret before it even starts
How should we regard the contemporary proliferation of images?
Today, visual information is available as projected, printed and
on-screen imagery, in the forms of video games, scientific data,
virtual environments and architectural renderings. Fearful and
anti-visualist responses to this phenomenon abound. Spread by
digital technologies, images are thought to threaten the word and
privilege surface value over content. Yet as they multiply, images
face unprecedented competition for attention. This book explores
the opportunities that can arise from the ubiquity of visual
stimuli. It reveals that 'technovisuality' - the fusion of digital
technology with the visual - can work 'wonders'; not so much
dazzling audiences with special effects as reviving our enchantment
with popular culture. Introducing a new term for an entirely new
field of academic study, this book reveals the centrality of
'technovisuality' in 21st century life.
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