Talcott Parsons was the leading theorist in American sociology—and perhaps in world sociology—from the 1940s to the 1970s. He created the dominant school of thought that made "Parsonian" a standard description of a theoretical attempt to unify social science, as reflected in the fact that his contributions to the discipline cover a range of issues, including medicine, the family, religion, law, the economy, race relations, and politics—to name but a few. This volume brings together leading scholars working in the field of "Parsonian Studies" to explore the background of Parsons’s work, the content of his oeuvre, and his subsequent influence. Thematically organized, it covers Parsons’s contributions and impacts in areas including the philosophy and methodology of the social sciences; cultural sociology; personality, mental illness, and psychoanalysis; and economics and political and economic sociology. In addition, it considers his influence in different areas of the world and on particular students, and offers insights into the Parsonian tradition’s practical application to contemporary social issues. An authoritative, comprehensive, and in-depth critical assessment of the Parsonian legacy, The Routledge International Handbook of Talcott Parsons Studies will appeal to scholars across the social sciences and in sociology and social theory in particular, with interests in the history of sociology and the enduring relevance of Talcott Parsons.

Talcott Parsons was the leading theorist in American sociology-and perhaps in world sociology-from the 1940s to the 1970s. He created the dominant school of thought that made "Parsonian" a standard description of a theoretical attempt to unify social science, as reflected in the fact that his contributions to the discipline cover a range of issues, including medicine, the family, religion, law, the economy, race relations, and politics-to name but a few. This volume brings together leading scholars working in the field of "Parsonian Studies" to explore the background of Parsons's work, the content of his oeuvre, and his subsequent influence. Thematically organized, it covers Parsons's contributions and impacts in areas including the philosophy and methodology of the social sciences; cultural sociology; personality, mental illness, and psychoanalysis; and economics and political and economic sociology. In addition, it considers his influence in different areas of the world and on particular students, and offers insights into the Parsonian tradition's practical application to contemporary social issues. An authoritative, comprehensive, and in-depth critical assessment of the Parsonian legacy, The Routledge International Handbook of Talcott Parsons Studies will appeal to scholars across the social sciences and in sociology and social theory in particular, with interests in the history of sociology and the enduring relevance of Talcott Parsons.

Georg Simmel (1858-1918), was a German sociologist of high regard who was in league with Emile Durkheim and Max Weber. Though his most famous work is The Philosophy of Money, first published in 1916 in German, Rembrandt is one of Simmel's most important works. Answering such questions as 'What do we see in a work of art?' and 'What do Rembrandt's portraits tell us about human nature?' this study offers insights not only into art, but also into larger questions on culture, symbols and human relations. Previously, Rembrandt had never been translated into English, and now there are no other titles on art by Simmel in English available. For fans of Simmel and Rembrandt alike, this unique book offers a fresh understanding of their work.

Georg Simmel (1858-1918), was a German sociologist of high regard who was in league with Emile Durkheim and Max Weber. Though his most famous work is The Philosophy of Money, first published in 1916 in German, Rembrandt is one of Simmel's most important works. Answering such questions as 'What do we see in a work of art?' and 'What do Rembrandt's portraits tell us about human nature?' this study offers insights not only into art, but also into larger questions on culture, symbols and human relations. Previously, Rembrandt had never been translated into English, and now there are no other titles on art by Simmel in English available. For fans of Simmel and Rembrandt alike, this unique book offers a fresh understanding of their work.

This book presents essays that address fundamental issues in social and cultural theory by viewing them through the lens of aesthetic theory. Drawing on the aesthetic theories of Theodor W. Adorno, Gregory Bateson, Jean-Marie Guyau, Talcott Parsons and Georg Simmel, it suggests a new take on basic sociological concepts and methodologies. The chapters cover a wide range of topics, including the sensuality of social action, social construction of unreality, and The Rolling Stones’ enduring success as a reflection of our society and culture. The book’s title Sociology in a New Key refers to a classic work by Susanne K. Langer, whose Philosophy in a New Key argued for a reorientation of modern philosophical thought based on a thorough account of symbolism in general and of the arts in particular. In this way, the basic ideas and assumptions of the philosophical tradition are transposed to new understandings and perspectives. After all, it was Georg Simmel himself who claimed to have gained several of his general theoretical insights “via the detour of reflections on the essence of art.� The book will appeal to scholars and students of the sociology of the arts and music, and to anyone interested in the intersection of social theory and aesthetics.

Dieser Band vereinigt grundlegende Texte von Talcott Parsons zur Theorie sozialer Systeme. Sie bilden den Ausgangspunkt der systemtheoretisch orientierten Soziologie und sind nach wie vor „eine bleibende Herausforderung für alle weitere Arbeit an soziologischer Theorie“ (Niklas Luhmann).

This volume presents for the first time a collection of historically important papers written on the concept of rationality in the social sciences. In 1939-40, the famed Austrian economist Joseph A. Schumpeter and the famous sociologist Talcott Parsons convened a faculty seminar at Harvard University on the topic of rationality. The first part includes their essays as well as papers by the Austrian phenomenologist Alfred Schutz, the sociologist Wilbert Moore, and the economist Rainer Schickele. Several younger economists and sociologists with bright futures also participated, including Alex Gerschenkron, John Dunlop, Paul M. Sweezy, and Wassily W. Leontief, who was later awarded the Nobel Prize for developing input-output analysis. The second part presents essays and commentaries written by today's internationally noted social scientists and addressing the topic of rationality in social action from a broad range of perspectives. The book's third and final part shares the recently discovered correspondence between the seminar principals regarding the original but failed plan to publish its proceedings. It also includes letters, not previously published, between Richard Grathoff, Walter M. Sprondel and Talcott Parsons on the rationality seminar and the exchanges between Parsons and Schutz.

This volume presents for the first time a collection of historically important papers written on the concept of rationality in the social sciences. In 1939-40, the famed Austrian economist Joseph A. Schumpeter and the famous sociologist Talcott Parsons convened a faculty seminar at Harvard University on the topic of rationality. The first part includes their essays as well as papers by the Austrian phenomenologist Alfred Schutz, the sociologist Wilbert Moore, and the economist Rainer Schickele. Several younger economists and sociologists with bright futures also participated, including Alex Gerschenkron, John Dunlop, Paul M. Sweezy, and Wassily W. Leontief, who was later awarded the Nobel Prize for developing input-output analysis. The second part presents essays and commentaries written by today's internationally noted social scientists and addressing the topic of rationality in social action from a broad range of perspectives. The book's third and final part shares the recently discovered correspondence between the seminar principals regarding the original but failed plan to publish its proceedings. It also includes letters, not previously published, between Richard Grathoff, Walter M. Sprondel and Talcott Parsons on the rationality seminar and the exchanges between Parsons and Schutz.

This book presents essays that address fundamental issues in social and cultural theory by viewing them through the lens of aesthetic theory. Drawing on the aesthetic theories of Theodor W. Adorno, Gregory Bateson, Jean-Marie Guyau, Talcott Parsons and Georg Simmel, it suggests a new take on basic sociological concepts and methodologies. The chapters cover a wide range of topics, including the sensuality of social action, social construction of unreality, and The Rolling Stones' enduring success as a reflection of our society and culture. The book's title Sociology in a New Key refers to a classic work by Susanne K. Langer, whose Philosophy in a New Key argued for a reorientation of modern philosophical thought based on a thorough account of symbolism in general and of the arts in particular. In this way, the basic ideas and assumptions of the philosophical tradition are transposed to new understandings and perspectives. After all, it was Georg Simmel himself who claimed to have gained several of his general theoretical insights "via the detour of reflections on the essence of art." The book will appeal to scholars and students of the sociology of the arts and music, and to anyone interested in the intersection of social theory and aesthetics.

Die Theorie der sozialen Interaktionsmedien gilt als einer der bedeutendsten Beitrage zur sozialwissenschaftlichen Theoriebildung. In Analogie zu Geld als spezifischem Medium des oekonomischen Tausches interpretiert Parsons zunachst Macht als symbolisch generalisiertes Medium mit der spezifischen politischen Funktion der Festlegung und Umsetzung kollektiver Ziele, womit er sich in Gegensatz zur utilitaristischen Tradition stellt, fur die Macht ein Mittel zur Durchsetzung individueller Interessen ist. Dies impliziert auch eine qualitative Unterschiedlichkeit von Geld und Macht, die einen zentralen Gedanken in der weiteren Ausarbeitung von sozialen Medien wie Einfluss und kulturellen Commitments darstellt.

Talcott Parsons ist der letzte klassische Theoretiker der Soziologie. "Heute ... kann keine Gesellschaftstheorie ernst genommen werden, die sich nicht zu der von Parsons wenigstens in Beziehung setzt." (Jurgen Habermas) Parsons Theorie wurde zu einem Markstein, der aus der oeffentlichen Diskussion um die Integrationsfahigkeit der modernen Gesellschaft und erst recht aus der gegenwartigen Debatte uber die Erneuerung der grossen Theoriesynthesen in der Soziologie nicht mehr wegzudenken ist. Der Band enthalt einen bisher unveroeffentlichten Ruckblick arsons auf das Problem der Konvergenz in der soziologischen Theorie sowie Beitrage von Andreas Balog, Keith Doubt, Renee Fox, Josef Langer, Max Haller, Victor M. Lidz/Harold J. Bershady, Tamas Meleghy, Gerald Mozetic, Denes Nemedi, Jeremy Tanner, Bryan S. Turner.

The Rolling Stones: Sociological Perspectives, edited by Helmut Staubmann, draws from a broad spectrum of sociological perspectives to contribute both to the understanding of the phenomenon of the Rolling Stones and to an in-depth analysis of contemporary society and culture that takes The Stones a starting point. Contributors approach The Rolling Stones from a range of social science perspectives including cultural studies, communication and film studies, gender studies, and the sociology of popular music. The essays in this volume focus on the question of how the worldwide success of The Rolling Stones over the course of more than half a century reflects society and the transformation of popular culture.

The Rolling Stones: Sociological Perspectives, edited by Helmut Staubmann, draws from a broad spectrum of sociological perspectives to contribute both to the understanding of the phenomenon Rolling Stones and to an in-depth analysis of contemporary society and culture that takes The Stones a starting point. Contributors approach The Rolling Stones from a range of social science perspectives including cultural studies, communication and film studies, gender studies, and the sociology of popular music. The essays in this volume focus on the question of how the worldwide success of The Rolling Stones over the course of more than half a century reflects society and the transformation of popular culture.