The million-copy bestselling phenomenon: Soon to be a major film starring Tom Hanks Fredrik Backman's heartwarming debut is a funny, moving, uplifting tale of love and community that will leave you with a spring in your step 'Warm, funny, and almost unbearably moving' Daily Mail At first sight, Ove is almost certainly the grumpiest man you will ever meet. He thinks himself surrounded by idiots - neighbours who can't reverse a trailer properly, joggers, shop assistants who talk in code, and the perpetrators of the vicious coup d'etat that ousted him as Chairman of the Residents' Association. He will persist in making his daily inspection rounds of the local streets. But isn't it rare, these days, to find such old-fashioned clarity of belief and deed? Such unswerving conviction about what the world should be, and a lifelong dedication to making it just so? In the end, you will see, there is something about Ove that is quite irresistible... 'Rescued all those men who constantly mean to read novels but never get round to it' Spectator Books of the Year

A must-read for fans of Rachel Joyce's The Unlikely Pilgrimage of Harold Fry and Maria Semple's Where'd You Go, BernadetteHeartbreaking and hilarious in equal measure, by the author of the New York Times bestselling phenomenon A Man Called Ove will charm and delight anyone who has ever had a grandmother. Everyone remembers the smell of their grandmother's house. Everyone remembers the stories their grandmother told them.But does everyone remember their grandmother flirting with policemen? Driving illegally?Breaking into a zoo in the middle of the night? Firing a paintball gun from a balcony in her dressing gown?Seven-year-old Elsa does.Some might call Elsa's granny 'eccentric', or even 'crazy'. Elsa calls her a superhero. And granny's stories, of knights and princesses and dragons and castles, are her superpower. Because, as Elsa is starting to learn, heroes and villains don't always exist in imaginary kingdoms; they could live just down the hallway.As Christmas draws near, even the best superhero grandmothers may have one or two things they'd like to apologise for. And, in the process, Elsa can have some breath-taking adventures of her own ...

Harry Kvist walks out the gates of Langholmen jail into the biting Stockholm winter of 1935. He has nothing to his name but a fiercely burning hope: that he can leave behind his old existence of gutter brawls, bruised fists and broken bones. But the city has other ideas. Nazis are spreading their poison on the freezing streets, and one of Kvist's oldest friends has been murdered. Before he can leave Stockholm's underworld for good, he must track down the killer. As Kvist uncovers a trail of blood leading to the highest echelons of Swedish society, the former boxer finds himself in a fight to the death with his most dangerous opponent yet.

The number 1 European bestseller by the author of New York Times bestseller and international phenomenon A Man Called Ove, Britt-Marie was Here is a funny, poignant and uplifting tale of love, community, and second chances. For as long as anyone can remember, Britt-Marie has been an acquired taste. It's not that she's judgemental, or fussy, or difficult - she just expects things to be done in a certain way. A cutlery drawer should be arranged in the right order, for example (forks, knives, then spoons). We're not animals, are we? But behind the passive-aggressive, socially awkward, absurdly pedantic busybody is a woman who has more imagination, bigger dreams and a warmer heart than anyone around her realizes. So when Britt-Marie finds herself unemployed, separated from her husband of 20 years, left to fend for herself in the miserable provincial backwater that is Borg - of which the kindest thing one can say is that it has a road going through it - and somehow tasked with running the local football team, she is a little unprepared. But she will learn that life may have more to offer her that she's ever realised, and love might be found in the most unexpected of places.

Chosen by the New York Times as one of the "Notable Books of 2018" Chosen by El Pais as one of this past decade's nine best novels about life and death The prize-winning, bestselling tale of love, loss, family and the lives we live moment by moment, from a stunning new voice in European fiction. Tom's heavily pregnant girlfriend Karin is rushed to hospital with severe flu. While the doctors are able to save the baby, they are helpless in the face of what transpires to be acute Leukemia, and in a moment as fleeting as it is cruel Tom gains a daughter but loses his soul-mate. In Every Moment is the story of a year that changes everything, as Tom must reconcile the fury of bereavement with the overwhelming responsibility of raising his daughter, Livia, alone. By turns tragic and redemptive, meditative and breathless, achingly poignant and darkly funny, this heavily autobiographical novel has been described in its native Sweden as 'hypnotic', 'impossible to resist' and 'one of the most powerful books about grief ever written'.

Chosen by the New York Times as one of the "Notable Books of 2018" Chosen by El Pais as one of this past decade's nine best novels about life and death The prize-winning, bestselling tale of love, loss, family and the lives we live moment by moment, from a stunning new voice in European fiction. Tom's heavily pregnant girlfriend Karin is rushed to hospital with severe flu. While the doctors are able to save the baby, they are helpless in the face of what transpires to be acute Leukemia, and in a moment as fleeting as it is cruel Tom gains a daughter but loses his soul-mate. In Every Moment is the story of a year that changes everything, as Tom must reconcile the fury of bereavement with the overwhelming responsibility of raising his daughter, Livia, alone. By turns tragic and redemptive, meditative and breathless, achingly poignant and darkly funny, this heavily autobiographical novel has been described in its native Sweden as 'hypnotic', 'impossible to resist' and 'one of the most powerful books about grief ever written'.

Innerhalb dieser Arbeit geht es um das Konstrukt der Marke, die Disziplin des Markenmanagements und deren Anwendungsm glichkeiten auf den Kulturbetrieb. Sie m chte sich auf den Versuch einlassen, den Prozess der Markenbildung und des Markenmanagements speziell f r Kulturbetriebe auf eine neue Art und Weise zu beschreiben. Dargestellt wird dies am Beispiel der Staatsoper Unter den Linden in Berlin. Hierzu wird ein interdisziplin rer Ansatz verfolgt, der wissenschaftliche Erkenntnisse und Methoden aus den Kultur- und Wirtschaftswissenschaften miteinander verkn pft. Oberstes Ziel soll es dabei sein, eine Methode des Markenmanagements von Kulturbetrieben zu entwickeln, die zu keinem Zeitpunkt im Verdacht steht, der Kunst ihre inspirierende Freiheit zu nehmen.