A must-read for fans of Rachel Joyce's The Unlikely Pilgrimage of Harold Fry and Maria Semple's Where'd You Go, BernadetteHeartbreaking and hilarious in equal measure, by the author of the New York Times bestselling phenomenon A Man Called Ove will charm and delight anyone who has ever had a grandmother. Everyone remembers the smell of their grandmother's house. Everyone remembers the stories their grandmother told them.But does everyone remember their grandmother flirting with policemen? Driving illegally?Breaking into a zoo in the middle of the night? Firing a paintball gun from a balcony in her dressing gown?Seven-year-old Elsa does.Some might call Elsa's granny 'eccentric', or even 'crazy'. Elsa calls her a superhero. And granny's stories, of knights and princesses and dragons and castles, are her superpower. Because, as Elsa is starting to learn, heroes and villains don't always exist in imaginary kingdoms; they could live just down the hallway.As Christmas draws near, even the best superhero grandmothers may have one or two things they'd like to apologise for. And, in the process, Elsa can have some breath-taking adventures of her own ...

Harry Kvist walks out the gates of Langholmen jail into the biting Stockholm winter of 1935. He has nothing to his name but a fiercely burning hope: that he can leave behind his old existence of gutter brawls, bruised fists and broken bones. But the city has other ideas. Nazis are spreading their poison on the freezing streets, and one of Kvist's oldest friends has been murdered. Before he can leave Stockholm's underworld for good, he must track down the killer. As Kvist uncovers a trail of blood leading to the highest echelons of Swedish society, the former boxer finds himself in a fight to the death with his most dangerous opponent yet.

A grumpy yet loveable man finds his solitary world turned on its head when a boisterous young family moves in next door.

Meet Ove. He's a curmudgeon, the kind of man who points at people he dislikes as if they were burglars caught outside his bedroom window. He has staunch principles, strict routines, and a short fuse. People call him the bitter neighbor from hell, but must Ove be bitter just because he doesn't walk around with a smile plastered to his face all the time?

Behind the cranky exterior there is a story and a sadness. So when one November morning a chatty young couple with two chatty young daughters move in next door and accidentally flatten Ove's mailbox, it is the lead-in to a comical and heartwarming tale of unkempt cats, unexpected friendship, and the ancient art of backing up a U-Haul. All of which will change one cranky old man and a local residents' association to their very foundations.

The number 1 European bestseller by the author of New York Times bestseller and international phenomenon A Man Called Ove, Britt-Marie was Here is a funny, poignant and uplifting tale of love, community, and second chances. For as long as anyone can remember, Britt-Marie has been an acquired taste. It's not that she's judgemental, or fussy, or difficult - she just expects things to be done in a certain way. A cutlery drawer should be arranged in the right order, for example (forks, knives, then spoons). We're not animals, are we? But behind the passive-aggressive, socially awkward, absurdly pedantic busybody is a woman who has more imagination, bigger dreams and a warmer heart than anyone around her realizes. So when Britt-Marie finds herself unemployed, separated from her husband of 20 years, left to fend for herself in the miserable provincial backwater that is Borg - of which the kindest thing one can say is that it has a road going through it - and somehow tasked with running the local football team, she is a little unprepared. But she will learn that life may have more to offer her that she's ever realised, and love might be found in the most unexpected of places.

Chosen by the New York Times as one of the "Notable Books of 2018" Chosen by El Pais as one of this past decade's nine best novels about life and death The prize-winning, bestselling tale of love, loss, family and the lives we live moment by moment, from a stunning new voice in European fiction. Tom's heavily pregnant girlfriend Karin is rushed to hospital with severe flu. While the doctors are able to save the baby, they are helpless in the face of what transpires to be acute Leukemia, and in a moment as fleeting as it is cruel Tom gains a daughter but loses his soul-mate. In Every Moment is the story of a year that changes everything, as Tom must reconcile the fury of bereavement with the overwhelming responsibility of raising his daughter, Livia, alone. By turns tragic and redemptive, meditative and breathless, achingly poignant and darkly funny, this heavily autobiographical novel has been described in its native Sweden as 'hypnotic', 'impossible to resist' and 'one of the most powerful books about grief ever written'.

Chosen by the New York Times as one of the "Notable Books of 2018" Chosen by El Pais as one of this past decade's nine best novels about life and death The prize-winning, bestselling tale of love, loss, family and the lives we live moment by moment, from a stunning new voice in European fiction. Tom's heavily pregnant girlfriend Karin is rushed to hospital with severe flu. While the doctors are able to save the baby, they are helpless in the face of what transpires to be acute Leukemia, and in a moment as fleeting as it is cruel Tom gains a daughter but loses his soul-mate. In Every Moment is the story of a year that changes everything, as Tom must reconcile the fury of bereavement with the overwhelming responsibility of raising his daughter, Livia, alone. By turns tragic and redemptive, meditative and breathless, achingly poignant and darkly funny, this heavily autobiographical novel has been described in its native Sweden as 'hypnotic', 'impossible to resist' and 'one of the most powerful books about grief ever written'.

Innerhalb dieser Arbeit geht es um das Konstrukt der Marke, die Disziplin des Markenmanagements und deren Anwendungsm glichkeiten auf den Kulturbetrieb. Sie m chte sich auf den Versuch einlassen, den Prozess der Markenbildung und des Markenmanagements speziell f r Kulturbetriebe auf eine neue Art und Weise zu beschreiben. Dargestellt wird dies am Beispiel der Staatsoper Unter den Linden in Berlin. Hierzu wird ein interdisziplin rer Ansatz verfolgt, der wissenschaftliche Erkenntnisse und Methoden aus den Kultur- und Wirtschaftswissenschaften miteinander verkn pft. Oberstes Ziel soll es dabei sein, eine Methode des Markenmanagements von Kulturbetrieben zu entwickeln, die zu keinem Zeitpunkt im Verdacht steht, der Kunst ihre inspirierende Freiheit zu nehmen.

'I wonder what you'd think of me if you found out that I've done something really serious . . .' So begin the confessions of Thomas Quick - Scandinavia's most notorious serial killer. In 1992, behind the barbed wire fence of a psychiatric hospital for the criminally insane, Thomas Quick confessed to the murder of an eleven-year-old boy who had been missing for twelve years. Over the next nine years, Quick confessed to more than thirty unsolved murders, revealing he had maimed, raped and eaten the remains of his victims. In the years that followed, a fearless investigative journalist called Hannes Rastam became obsessed with Quick's case. He studied the investigations in forensic detail. He scrutinised every interrogation, read and re-read the verdicts, watched the police re-enactments and tracked down the medical records and personal police logs - until finally he was faced with a horrifying uncertainty. In the spring of 2008, Rastam travelled to where Thomas Quick was serving a life sentence. He had one question for Sweden's most abominable serial killer. And the answer turned out to be far more terrifying than the man himself . . .