Text in Spanish. Buddhism has taught for thousands of years that every person is a Buddha, or enlightened being, and has the potential for true and lasting happiness. Through real-life examples, the authors reveal the teachings of Nichiren and explain how adopting this outlook has positive effects on one's health, relationships and career.

When fashion photographer Thomas (David Hemmings) develops the negatives of some film he has taken of an embracing couple in a park, he notices that there is a gunman lurking in the bushes behind them. Returning to the scene, he discovers the corpse of the male half of the couple, but, when he visits the site the following morning, the body has disappeared. Michelangelo Antonioni's arty musing on the nature of film, set against a Swinging London backdrop, also features Vanessa Redgrave as the dead man's lover.

Herbie Hancock's lackluster string of electric albums around this period was enhanced by this one shining exception: an incorrigibly eclectic record that flits freely all over the spectrum. Using several different rhythm sections, Herbie Hancock is much more the imaginative hands-on player than at any time since the prime Headhunters period, overdubbing lots of parts from his ever-growing collection of keyboards. He has regained a good deal of his ability to ride in the groove. "Calypso" finds him playing synthesized steel drums and interacting with customary complexity and ebullience with V.S.O.P. mates Tony Williams and Ron Carter. Disco rears its head, but inventively this time on "Just Around the Corner," and in league with Jaco Pastorius' vibrating, interlacing bass, Hancock gets off some good, updated jazz-funk on "Spiraling Prism" and "4 AM." There is even a reunion of the original Headhunters on a rhythmically tangled remake of "Shiftless Shuffle"; drummer Harvey Mason sounds like a rhythm machine gone bonkers. Easily the outstanding track -- and one of Hancock's most haunting meditations -- is "Textures," where he plays all of the instruments himself. This would be the last outcropping of electronic delicacy from Hancock for some time, and it was mostly -- and unjustly -- overlooked when it came out. ~ Richard S. Ginell

Recorded in 1962. Feat. Herbie Hancock. The Gaslight Inn, NY, October 7th. Although their association wouldnt last beyond the year and would produce one live recording, the intensity of their encounter and their undeniable importance of both musicians as forward thinkers, make this a momentous historical collaboration. Lonehill Jazz. 2004.