When fashion photographer Thomas (David Hemmings) develops the negatives of some film he has taken of an embracing couple in a park, he notices that there is a gunman lurking in the bushes behind them. Returning to the scene, he discovers the corpse of the male half of the couple, but, when he visits the site the following morning, the body has disappeared. Michelangelo Antonioni's arty musing on the nature of film, set against a Swinging London backdrop, also features Vanessa Redgrave as the dead man's lover.

Pianist and composer Friedrich Gulda is joined by jazz legends Chick Corea and Herbie Hancock and Cypriote pianist Nicolas Economou for two sets of classical and jazz improvisations recorded live at the Münchner Klaviersommer festival in 1982 and 1989.

Herbie Hancock - piano Freddie Hubbard - cornet Ron Carter - bass Tony Williams - drums Recorded June 17, 1964 at the Van Gelder Studio, Englewood Cliffs, NJ BLP 4175

All five films in the series starring Charles Bronson as a vigilante out for revenge. In 'Death Wish' (1974) mild-mannered New York architect Paul Kersey (Bronson) takes the law into his own hands after his wife is murdered and his daughter raped by a gang of thugs. Jeff Goldblum makes his big-screen debut as one of the unfortunate muggers. In 'Death Wish 2' (1981), after the suicide of his daughter in response to another violent attack, Kersey returns to the streets to deal out revenge to her assailants on a one by one basis. 'Death Wish 3' (1985) sees Kersey, still distraught at the loss of his family, take his rage out on street gangs with weapons including sub-machine guns and missile launchers. In 'Death Wish 4 - The Crackdown' (1987) the death of his girlfriend's daughter from an overdose compels Kersey to declare war on L.A.'s drug dealers. Finally, in 'Death Wish 5 - The Face of Death' (1993) the harassment of Kersey's girlfriend Livia (Lesley-Anne Down) by her ex-husband, O'Shea (Michael Parks), a Mafia boss using her business to launder money, forces Kersey back towards the gun cupboard one final time.

Recorded in 1962. Feat. Herbie Hancock. The Gaslight Inn, NY, October 7th. Although their association wouldnt last beyond the year and would produce one live recording, the intensity of their encounter and their undeniable importance of both musicians as forward thinkers, make this a momentous historical collaboration. Lonehill Jazz. 2004.