This is a new release of the original 1924 edition.

1924. The mask is not to be carelessly assumed or lightly put off. Primitive man knows that there must be initiation and a certain ceremony. If he puts on a false face without the proper incantation, there will be no power in it. It is the purpose of the following pages to try to bridge by just a little the gap that lies between the primitive man who puts a sort of idol on his face, and the Greek tragedian; between the Duk-Duk dancer who regulates morals and acquires riches in New Guinea, and some artist of the theater who wishes to bring the mask back to the stage. Illustrated throughout.

1924. The mask is not to be carelessly assumed or lightly put off. Primitive man knows that there must be initiation and a certain ceremony. If he puts on a false face without the proper incantation, there will be no power in it. It is the purpose of the following pages to try to bridge by just a little the gap that lies between the primitive man who puts a sort of idol on his face, and the Greek tragedian; between the Duk-Duk dancer who regulates morals and acquires riches in New Guinea, and some artist of the theater who wishes to bring the mask back to the stage. Illustrated throughout.

The mask is not to be carelessly assumed or lightly put off. Primitive man knows that there must be initiation & a certain ceremony. If he puts on a false face without the proper incantation, there will be no power in it. It is the purpose of the following pages to try to bridge by just a little the gap that lies between the primitive man who puts a sort of idol on his face, and the Greek tragedian; between the Duk-Duk dancer who regulates morals & acquires riches in New Guinea, and some artist of the theater who wishes to bring the mask back to the stage. Illustrated throughout.