Lavishly illustrated and exquisitely deisgned, this book opens with a stunning series of images of style icons - historic and modern - wearing their favoured emerald jewelry. As befits a prized gemstone that is twenty times rarer than diamond, here we see together, for the first time, pieces worn by celebrities ranging from filmstars to royalty, all alongside classic images of emeralds from art, advertising and fashion, celebrated in a text by Franca Sozzani, editor of Vogue Italia . The second part of this major volume showcases more than forty of the world's most significant and famous pieces of emerald jewelry, including many previously unseen designs from private and royal collections. Historic creations that are up to 5,500 years old are represented alongside all the modern jewelry houses. The third and final part of Emerald tells the story of the emerald trade from mine to market, illustrated with specially commissioned photography taken across four continents.

Few materials have experienced a similar revaluation in contemporary art as clay has in the past few years. This timely publication accompanies a large-scale exhibition at the Hayward Gallery, London, exploring how contemporary artists are using clay and ceramics in inventive and surprising ways, and pushing the boundaries of the medium. Featuring the work of over 20 international artists-from Grayson Perry to Woody De Othello-an introductory essay by curator Cliff Lauson, a text on the history of fine art and ceramics by writer and critic Amy Sherlock, and a round table discussion with artists from the exhibition, this catalogue is a meaningful contribution to the ongoing conversation about the relationship between art and craft.

Step into the world of Frida Kahlo: behind the portraits and the surrealist art discover the fascinating woman who has transfixed the world. Fridamania has made Frida Kahlo's image ubiquitous: she has been reborn as a Halloween costume, Barbie doll, children's book character, textile print, phone cover and the inspiration for everything from cocktails to fashion shoots. But it is more difficult to get a clear vision of this bold and brilliant, foul-mouthed, heavy-drinking, hard-smoking, husband-stealing, occasionally bisexual, often bed-bound, wheelchair-using, needy, forthright and passionate woman. Hettie Judah sets out to correct that with this superb biography of one of the most charismatic artists of the last hundred years. Follow Frida's life through tumultuous love and life-altering accidents, towards recognition in the art world from the likes of Andre Breton and Marcel Duchamp, to becoming the first Mexican artist held at the Louvre. Judah delves into Kahlo's experiences and how these came together to inspire the art that has been described as an uncompromising depiction of the female experience and form. From an early battle with Polio, to a debilitating bus accident at 18, through love and heart ache, the life of Frida Kahlo was one of pain but a pain that bore great beauty. Hettie Judah is a contributing writer for publications including the Guardian, Vogue, The New York Times, Frieze and Art Quarterly. Lives of the Artists is a new series by Laurence King. Concise, highly readable biographies of some of the world's greatest artists written by authoritative and respected names from the world of art. Learn about the artist behind the masterpieces. Currently available: Andy Warhol and Artemisia Gentileschi

For too long, artists have been told that they can't have both motherhood and a successful career. In this polemical volume, critic and campaigner Hettie Judah argues that a paradigm shift is needed within the art world to take account of the needs of artist mothers (and other parents: artist fathers, parents who don't identify with the term 'mother', and parents in other sectors of the art world). Drawing on interviews with artists internationally, the book highlights some of the success stories that offer models for the future, from alternative support networks and residency models, to studio complexes with onsite childcare, and galleries with family-friendly policies. Some artists have described motherhood as providing them with renewed focus, a new direction in their work, and even inspiration for a complete change of career. Other artists choose to keep their domestic and creative lives compartmentalised. All are placed at a disadvantage by the art world as it is currently structured. This book argues that by making changes and becoming more sensitive to the needs of artist parents, the art world has much to gain.

Pivotal British multidisciplinary artist Marc Quinn’s practice explores what it is to be human in the world today. This is the most comprehensive book to date on the artist’s bold and singular practice. Marc Quinn came to the attention of the international art scene in 1991 with Self, a cast of his head realized in eight pints of his own frozen blood, exhibited in a specially designed refrigeration unit. With his materials and techniques, Quinn challenges the boundaries between art and science. Besides using ice, glass, metal, marble, and lead, he has experimented with flowers and plants frozen in silicon. Since 1999, he has been creating sculptures in classic white marble of subjects who lack one or more limbs. In addressing the purely physical aspects of life, Quinn confronts the viewer with the chasm between the physical and the mental, beauty and ugliness, the eternal and the mortal. This overview of his practice includes a timeline of all his major works.

'A delightful storybook . . . a portrait of our whole world created from the contents of the ground' Literary Review 'A real cabinet of curiosities' Sunday Times From the hematite used in cave paintings to the moldavite that became a TikTok sensation; from the stolen sandstone of Scone to the unexpected acoustics of Stonehenge; from crystal balls to compasses, rocks and minerals have always been central to our story. 3,000 years ago Babylonians constructed lapidaries - books that tried to pin down the magical secrets of rocks. In Lapidarium, renowned art critic Hettie Judah explores the unexpected stories behind sixty stones that have shaped and inspired human history, from Dorset fossil-hunters to Chinese philosophers, Catherine the Great to Michelangelo. Discover why alchemists sought cinnabar and sulphur. Unearth the mystery of the tuff statues of Rapa Nui, the lost amber room of Frederick of Prussia and the scandal of Flint Jack. Find out how a Greek monster created coral, moon rock explains the history of Earth's only satellite and obsidian inspired the world's favourite computer game. Stone by stone, story by fascinating story, Lapidarium builds into a dazzling, epoch-spanning adventure through human culture, and beyond.

Despite its limited number of inhabitants and rather small surface, the Belgian province of Limburg has a great number of designers with an international reputation. Based on the 10 principles of good design by Dieter Rams this book discovers the roots of Limburg's top design of the last 25 years. With famous names such as Martin Margiela, Raf Simons, Bram Boo, Dieter Bikkembergs and Pieter Stockmans but also unknown or almost invisible design. With contributions by Jesse Brouns, Veerle Windels, Hettie Judah, Virginia Tassinari, Nik Baerten. Cultural platform Design supports and promotes designers and design made in Limburg. In collaboration with different partners they provide inspiring thinking patterns about design and create a dynamic climate for design in Flanders.

Lorna Robertson’s colourful paintings, often made with a combination of oil paint and collage, have a distinctly nostalgic tone. Shimmering female forms with swinging skirts from the 1950s or bonneted bathers from the 1920s jostle with richly described interiors and crowded tabletops. Hints and glimpses of tangible forms – a fashion model, for example, or a vase – appear and then fragment into patterns and explosions of colour. This new publication coincides with Robertson’s exhibition at Ingleby Gallery and is divided into sections that feature collections of recent large paintings by the artist (2015–2022), small paintings (all 2022) and works on paper (2016–2022), all of which demonstrate Robertson’s characteristic layered interpretations of the female form alongside recurring motifs such as hats, long dresses and flowers. Her drawings (2018–2020) offer fluid forms in ink, pencil and watercolour. An essay by art critic Hettie Judah explores Robertson’s work in terms of pattern, costume and architecture, drawing out key inspirations including tapestry, advertising and magazine design through abstracted forms. The influence of contemporary female painters and those from art history is further considered. In another text, Robertson is in conversation with artist and writer Mikey Cuddihy. This frank interview reveals much about Robertson’s intuitive working processes: from starting points, colour decisions, the rhythms of brushwork and considerations of scale, to the wider relationship between text, music, drawing and painting. The publication is edited by Ingleby Gallery, designed by Joanna Deans, Identity, printed by Albe De Coker, and co-published by Ingleby Edinburgh, and Anomie, London. The publication coincides with Robertson’s first solo exhibition 'thoughts, meals, days' at Ingleby Gallery, Edinburgh, in 2022. The artist is represented by Ingleby Gallery. Lorna Robertson was born in Ayr on the west coast of Scotland in 1967. She studied at Duncan of Jordanstone College of Art in Dundee and currently lives and works in Glasgow. Recent public solo exhibitions include 'Kodachroma', Glasgow Project Room (2013); 'This Dark Ceiling', Intermedia Gallery, C.C.A, Glasgow (2008); 'The Overlooked', Atelier Am Eck, Dusseldorf, Germany (2006); and 'New Paintings', 64 Osborne Street, Glasgow (2005). Robertson’s group exhibitions include 'Once Upon a Time', Flora Fairbairn, The Portman Estate, London (2022); 'Faces in the Water', Ingleby at Cromwell Place, South Kensington, London (2021); 'Brexit: Mail Art from a Small Island', Sipgate Shows, Düsseldorf, Germany (2019); 'Lorna Robertson and Robert MacBryde', Kingsgate Project Space, London (2019); 'Psychopathology of Everyday life', Glasgow Project Room (2011); and 'Vistas', Glasgow Project Room (2003). The artist was awarded the John Kinross Traveling Scholarship to Florence in 1990 and the Summer Scholarship, Hospitalfield School of Art, Arbroath, Scotland in 1989.

"Hallum's painting is charged with delight in colour, line, surface and composition, in powerfully unconventional ways." - Hettie Judah This is the first monograph on the London-born, Devon-based artist Jacqui Hallum. The publication documents Hallum's solo exhibition at The Walker Art Gallery, Liverpool (10 October 2019 - 1 March 2020), along with a series of solo, two-person and group exhibitions held between 2014 and 2020. Hallum is best-known for her mixed-media paintings on textiles - techniques she has developed and refined over the course of twenty years since completing her studies. Incorporating imagery and visual languages ranging from medieval woodcuts and stained-glass windows to Art Nouveau children's illustrations, tarot cards and Berber rugs, Hallum employs ink staining, painting, drawing and printing to create layers of pattern, abstraction and passages of figurative imagery. As part of her working process, Hallum often leaves the fabrics in the open air, exposed to the elements, in order to introduce weathering into the works. History, religion, mysticism and the beliefs and creativity of past civilisations are among the themes that overlap - often in a literal sense of pieces of fabrics layered, pinned, draped and hung together - to form painterly palimpsests that carry a sense of the past with them into the present. Along with a foreword by Professor Caroline Wilkinson, Director of the School of Art and Design at Liverpool John Moores University, and an introductory essay by artist, curator and director of Kingsgate Workshops and Project Space in London, Dan Howard-Birt, the publication features newly commissioned essays by arts journalist and critic Hettie Judah and by Andrew Hunt, Professor of Fine Art and Curating at the University of Manchester. Also featured is the edited transcript of a conversation between Hallum and Howard-Birt held at The Walker Art Gallery, Liverpool. Jacqui Hallum (b.1977, London) graduated with a BA in Fine Art from Coventry School of Art& Design, Coventry University, in 1999, and an MFA in Painting from the Slade School of Fine Art, University of London, in 2002. Hallum's solo exhibition at The Walker Art Gallery followed a three-month fellowship at Liverpool John Moores University, which resulted from winning the prestigious John Moores Painting Prize in 2018. The monograph, designed by work-form and edited by Susan Taylor, has been produced by Kingsgate Project Space and co-published with Anomie Publishing.