An inspiring novel; a philosophical love story; a moving ode to a woman, as joyful and celebratory as it is elegiac. The narrator is a man in his forties, a scholar of ancient Greek philosophy known as Hoo. He has been given the nickname by Mellie, the woman he addresses in this book while exploring his memories of their years together and apart. The two of them have known each other since high school in New York in the 1950s - and perhaps, Hoo thinks, much longer than that. Only as the novel unfolds do his reasons for writing to her, and the full nature of their relationship, become clear.

The Blue Mountain is the first novel by one of Israel's most important and acclaimed contemporary writers and as with all his writing is a virtuoso example of Shalev's skill as a storyteller. Published to outstanding reviews all over the world, its publication in Britain re-affirms his reputation as a major international writer. Set in a small rural village prior to the creation of the State of Israel, this funny and hugely imaginative book paints an extraordinary picture of a small community of Ukrainian immigrants as they succeed in pioneering a new life in a new land over three generations. The Blue Mountain transcends its time and place by touching on issues of universal relevance whilst never failing to entertain and engage the reader. As with Four Meals, the writing is lyrical and of exceptional quality and illustrates why Shalev has been steadily winning an ever-increasing number of fans worldwide.

Uncompromisingly frank, "both brutal and beautifully written" (The Boston Globe), The Cap is an unconventional Holocaust memoir that defies all moral judgment and ventures into a soul blackened by the unforgiving cruelty of its surroundings. Roman Frister's memoir of his life before, during, and after his imprisonment in the Nazi concentration camps sparked enormous controversy and became an international best-seller. With bone-chilling candor, Frister illustrates how the impulse to live unhinges our comfortable notions of morality, blurring the boundary between victim and oppressor and leaving absolutely no room for martyrdom. By the time Roman Frister was sixteen, he had watched his mother murdered by an SS officer and he had waited for his father to expire, eager to retrieve a hidden half loaf of bread from beneath the dying man's cot. When confronted with certain death, he placed another inmate in harm's way to save himself. Frister's resilience and instinct for self-preservation -- developed in the camps -- become the source of his life's successes and failures. Chilling and unsentimental, The Cap is a rare and unadorned self-portrait of a man willing to show all of his scars. Reflected in stark relief are the indelible wounds of all twentieth-century European Jews. An exceptional and groundbreaking testimony, Roman Frister's "gut-wrenching memoir is a must-read." -- Kirkus Reviews

After One-Hundred-and-Twenty provides a richly nuanced and deeply personal look at Jewish attitudes and practices regarding death, mourning, and the afterlife as they have existed and evolved from biblical times to today. Taking its title from the Hebrew and Yiddish blessing to live to a ripe old age--Moses is said to have been 120 years old when he died--the book explores how the Bible's original reticence about an afterlife gave way to views about personal judgment and reward after death, the resurrection of the body, and even reincarnation. It examines Talmudic perspectives on grief, burial, and the afterlife, shows how Jewish approaches to death changed in the Middle Ages with thinkers like Maimonides and in the mystical writings of the Zohar, and delves into such things as the origins of the custom of reciting Kaddish for the deceased and beliefs about encountering the dead in visions and dreams. After One-Hundred-and-Twenty is also Hillel Halkin's eloquent and disarmingly candid reflection on his own mortality, the deaths of those he has known and loved, and the comfort he has and has not derived from Jewish tradition.

Elegant and learned, personal and universal, literary, philosophical, and historical-Hillel Halkin's finely wrought essays on themes of Jewish culture and life are an education in themselves. Hillel Halkin is widely admired for his works of literary criticism, biography, fiction, and nonfiction, as well as for his celebrated achievements as a translator. Born and raised in New York City, he has lived most of his life in Israel. His complex sensibility, deeply rooted in Jewish literature and history no less than in his own personal experience, illuminates everything it touches. In A Complicated Jew, Halkin assembles a selection of essays that form, if not a conventional memoir, a haunting and intimate record of a profoundly Jewish life that defies categorization. It is a banquet for the mind. "Hillel Halkin is a master storyteller and a brilliant cultural critic, and in A Complicated Jew he combines both talents to take his readers on an intellectual thrill ride through his encounters with Jewish thought, art, and life. I envy him his lifetime of adventures and am grateful to him for sharing them with all of us." Dara Horn, novelist and author of Eternal Life and People Love Dead Jews "I have been reading Hillel Halkin for well on to half a century, always deriving pleasure from his stately prose, intellectual profit from his deep learning, and inspiration from his integrity. I am pleased to think of him as my contemporary." Joseph Epstein, author of Life Sentences: Literary Essays, Narcissus Leaves the Pool and Fabulous Small Jews, and former editor of The American Scholar. "Hillel Halkin himself has always been even more interesting to me than his highly interesting subjects, and here he gives us full access to his adventurous mind, the dazzling range of his learning, and his passionate spirit. More than a collection of essays, this book charts the intellectual journey of one of our most original Jewish writers." Ruth Wisse, Professor emeritus of Yiddish and Comparative Literature at Harvard University and author of If Am Not for Myself: The Liberal Betrayal of the Jews, Jews and Power, and No Joke: Making Jewish Humor. "Even when Hillel Halkin exasperates, there is no voice on the contemporary Jewish scene more intellectually alert or lucid. The work of a cultural critic of rare breadth, this keenly personal, fiercely argued volume is as trenchant of tour of Jewry's dilemmas of the last half-century as any I know." Steven J. Zipperstein, Professor of Jewish Culture and History at Stanford University and author of Imagining Russian Jewry and Pogrom: Kishinev and the Tilt of History.

A deeply personal look at death, mourning, and the afterlife in Jewish tradition After One-Hundred-and-Twenty provides a richly nuanced and deeply personal look at Jewish attitudes and practices regarding death, mourning, and the afterlife as they have existed and evolved from biblical times to today. Taking its title from the Hebrew and Yiddish blessing to live to a ripe old age-Moses is said to have been 120 years old when he died-the book explores how the Bible's original reticence about an afterlife gave way to views about personal judgment and reward after death, the resurrection of the body, and even reincarnation. It examines Talmudic perspectives on grief, burial, and the afterlife, shows how Jewish approaches to death changed in the Middle Ages with thinkers like Maimonides and in the mystical writings of the Zohar, and delves into such things as the origins of the custom of reciting Kaddish for the deceased and beliefs about encountering the dead in visions and dreams. After One-Hundred-and-Twenty is also Hillel Halkin's eloquent and disarmingly candid reflection on his own mortality, the deaths of those he has known and loved, and the comfort he has and has not derived from Jewish tradition.

A bereaved widow seeks closure by accusing her departed husband's physician. A doctor refuses to see what his own symptoms are telling him. A young woman risks amputation because she cannot face the emotional root of her affliction. Sometimes, the most threatening ailments patients endure spring from their own perilous denial. In short, what patients don't tell their physician is as important as what they do. In his fifty-plus years as a physician, Hillel Halkin has encountered confounding cases in which denial wields a damning blow to the health of the patient. Telling Silences: A Doctor's Tales of Denial is his collection of clinical stories that reveal how information suppressed by patients, loved ones, and even physicians can work to severely compound a condition. Using authoritative yet friendly and accessible layman's language, the author's deep compassion and intuition shine brightly throughout the manuscript, bringing a warm, human touch to these medical tales. Silenced by the painful realities or threatening implications of illness, some individuals create dangerous barriers that can seriously compromise diagnosis or treatment. Anyone fascinated by psychology, medicine, or the complexity of human interactions will be utterly engrossed in this probing reflection of the hand we play in our own health. Hillel Halkin is Professor Emeritus of medicine and clinical pharmacology at Tel Aviv University School of Medicine. Born in Tel Aviv, Israel, he is a graduate of the Hebrew University Hadassah Medical School, Jerusalem and did his post graduate training at the University of California Medical Centre in San Francisco.

To This Day, Nobel prizewinner S.Y. Agnon's last novel (first published in Hebrew in 1952) is also his last to be translated into English. It is a brilliantly accomplished and haunting work. On the surface it is a comically entertaining tale of a young writer - a Galician Jew who has lived in Palestine, returns to Europe on the eve of World War I, and is now stranded in Berlin - who wanders from rented room to rented room in a city with a severe wartime housing shortage. On a deeper level it is a profound commentary on exile, Zionism, divine providence, human egoism, and other typically Agnon concerns. A truly satisfying novel to complete the Agnon canon.

"Oz's strangest, riskiest, and richest novel." --"Washington Post Book World"
Israel, just before the Six-Day War. On a kibbutz, the country's founders and their children struggle to come to terms with their land and with each other. The messianic father exults in accomplishments that had once been only dreams; the son longs to establish an identity apart from his father; the fragile young wife is out of touch with reality; and the gifted and charismatic "outsider" seethes with emotion. Through the interplay of these brilliantly realized characters, Oz evokes a drama that is chillingly, strikingly universal.
" Oz is] a peerless, imaginative chronicler of his country's inner and outer transformations." --"Independent "(UK)

An insightful new biography of the most controversial and perhaps most fervent of all Zionist political figures Vladimir Jabotinsky (1880-1940) was a man of huge paradoxes and contradictions and has been the most misunderstood of all Zionist politicians--a first-rate novelist, a celebrated Russian journalist, and the founder of the branch of Zionism now headed by Benjamin Netanyahu. This biography, the first in English in nearly two decades, undertakes to answer central questions about Jabotinsky as a writer, a political thinker, and a leader. Hillel Halkin sets aside the stereotypes to which Jabotinsky has been reduced by his would-be followers and detractors alike. Halkin explains the importance of Odessa, Jabotinsky's native city, in molding his character and outlook; discusses his novels and short stories, showing the sometimes hidden connections between them and Jabotinsky's political thought, and studies a political career that ended in tragic failure. Halkin also addresses Jabotinsky's position, unique among the great figures of Zionist history, as both a territorial maximalist and a principled believer in democracy. The author inquires why Jabotinsky was often accused of fascist tendencies though he abhorred authoritarian and totalitarian politics, and investigates the many opposed aspects of his personality and conduct while asking whether or not they had an ultimate coherence. Few figures in twentieth-century Jewish life were quite so admired and loathed, and Halkin's splendid, subtle book explores him with empathy and lucidity.