This is a beautifully written and extraordinary novel from the very
first page. It's the story of a small group of Eastern European
immigrants cast up onto the wharf in Palestine by Arab stevedores
and left to begin to create a new nation - the state of Israel. As
they enter Jerusalem they are overawed by the filth and shabbiness
of the city and immediately scour the valley for farmland they can
purchase. In those days, Mirkin tells his grandson Baruch, the
village consisted of only two rows of white tents in a treeless
landscape. Years later, lofty avenues of cypresses line the
entrance to every farmhouse. Between the first picture and the
second lies the history of the village and its people. The story
weaves exuberantly back and forth in time between Mirkin's life and
grandson Baruch's childhood. Very quickly, the reader becomes like
Baruch, 'bound tightly by the heavy raffia' of the yarns. The
author plays with time. 'Time passed. Milk flowed. Corn ripened on
the stalk, its lancelike leaves cutting the skin. Granaries filled.
Fig trees set their fruit. More wars were fought.' We meet Margulis
the bee-keeper, schoolteacher Pinness who speaks in poetry and
Efrayim who comes back from the war hideously wounded, has to wear
a mask to cover his face and carries a young Charolais bull around
on his shoulders. The pages are full of entertaining homespun
wisdom and Yiddish whimsy. They recreate a lost world of rural
truths, simplicity and quirkiness. When one of grandfather Mirkin's
trees dies it is pronounced 'fatally infected with the moth of
Doubt'. Yet there are also hardships and tragedies. Every house has
its dead, whether from bullets or malaria. When his strength fails,
Mirkin is relegated to an old people's home where he and his
friends cause havoc, draining the goldfish pond and diverting its
water for irrigation. When he dies, Baruch buries him on his own
land and turns the farm into a cemetery where he becomes rich
'tending a herd of 100 corpses'. Gradually Baruch buries all the
old pioneers, reflecting on a lost way of life and esoteric
understandings. The village becomes a museum, attracting tourists.
Shalev brilliantly illustrates the ferocious struggles of the early
Israelis, their mythical humour and their unflinching belief in
their destiny. It reaffirms his reputation as a major writer,
following acclaim for his previous book, Four Meals. (Kirkus UK)
The Blue Mountain is the first novel by one of Israel's most
important and acclaimed contemporary writers and as with all his
writing is a virtuoso example of Shalev's skill as a storyteller.
Published to outstanding reviews all over the world, its
publication in Britain re-affirms his reputation as a major
international writer. Set in a small rural village prior to the
creation of the State of Israel, this funny and hugely imaginative
book paints an extraordinary picture of a small community of
Ukrainian immigrants as they succeed in pioneering a new life in a
new land over three generations. The Blue Mountain transcends its
time and place by touching on issues of universal relevance whilst
never failing to entertain and engage the reader. As with Four
Meals, the writing is lyrical and of exceptional quality and
illustrates why Shalev has been steadily winning an ever-increasing
number of fans worldwide.
General
Imprint: |
Canongate Books Ltd
|
Country of origin: |
United Kingdom |
Release date: |
April 2002 |
First published: |
July 2010 |
Authors: |
Meir Shalev
|
Translators: |
Hillel Halkin
|
Dimensions: |
198 x 130 x 25mm (L x W x T) |
Format: |
Paperback - B-format
|
Pages: |
377 |
Edition: |
Main |
ISBN-13: |
978-1-84195-242-0 |
Languages: |
English
|
Subtitles: |
Hebrew
|
Categories: |
Books >
Fiction >
General & literary fiction >
Modern fiction
|
LSN: |
1-84195-242-7 |
Barcode: |
9781841952420 |
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