This book is an ethnography of labor mobility and its challenges to the idea of the nation. Using the example of francophone Canada, it examines how social difference-race, ethnicity, language, gender-has been used to sort out who must (or can) be mobile and who must (or can) remain in place in the organization of global circulation of human and natural resources. It argues that "francophone Canada" can best be understood as an ethnoclass category that has embedded francophones into specific forms of labor mobility since the beginnings of European colonization, even as their social difference has been constructed as national in the interests of gaining political power. The result has been an erasure both of francophone mobilities and of their contribution to the rooted community that lies at the heart of the idea of the nation, and of francophone capacity to resist economic marginalization and exploitation. By following French Canadian workers back and forth between eastern and central Canada and the frontiers of the Canadian northwest, Sustaining the Nation explores how contemporary forms of labor mobility make it increasingly difficult for national structures and discourses to produce the francophone nation. By following the ideological tensions between language as a skill and language as a marker of belonging, the authors present grounded evidence of how the globalized new economy challenges the nation-state, and how mobilities and immobilities are co-constructed.

Jodie Foster stars in this thriller based on the novel by Laird Koenig. Following the mysterious death of her father, 13-year-old Rynn Jacobs (Foster) continues to live alone in her family home. In order to protect her home and existence, Rynn tries to convince her suspicious neighbours, snobbish landlady and the concerned police force that her father is simply out of town on business. But her landlady's seedy son Frank (Martin Sheen) also begins to take an avid interest in the lonely teen's situation. How far is Rynn willing to go to safeguard her secret?

This book is an ethnography of labor mobility and its challenges to the idea of the nation. Using the example of francophone Canada, it examines how social difference-race, ethnicity, language, gender-has been used to sort out who must (or can) be mobile and who must (or can) remain in place in the organization of global circulation of human and natural resources. It argues that "francophone Canada" can best be understood as an ethnoclass category that has embedded francophones into specific forms of labor mobility since the beginnings of European colonization, even as their social difference has been constructed as national in the interests of gaining political power. The result has been an erasure both of francophone mobilities and of their contribution to the rooted community that lies at the heart of the idea of the nation, and of francophone capacity to resist economic marginalization and exploitation. By following French Canadian workers back and forth between eastern and central Canada and the frontiers of the Canadian northwest, Sustaining the Nation explores how contemporary forms of labor mobility make it increasingly difficult for national structures and discourses to produce the francophone nation. By following the ideological tensions between language as a skill and language as a marker of belonging, the authors present grounded evidence of how the globalized new economy challenges the nation-state, and how mobilities and immobilities are co-constructed.

French drama directed by Max Ophuls and based on the novel by Louise de Vilmorin. The film revolves around an 18th century Countess named Louise (Danielle Darrieux) who sells off the earrings given to her as a wedding gift from her officer husband in order to clear some debts. This action sets in motion a number of events that jeopardise her social position and threaten to destroy her marriage while the earrings pass through several hands, travelling as far as Constantinople before coming full circle and returning to Paris and Louise in the possession of Baron Donati (Vittorio De Sica).