Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

In the original statutes of the University of Cambridge, the Faculties of Physic, Theology and Law had the same formal status. The development of the teaching of medicine at Cambridge over the next 700 years was, however, neither rapid nor smooth. The first recorded medical degrees were awarded in the 1460s; a Professorship of Physic was finally endowed in 1540 by Henry VIII. Sadly, early holders of this Regius Chair generally gave priority to the pursuit of their own interests over the burden of educating medical students. It was the 1817 appointment of Dr John Haviland that ushered in the modern era of medical education and research at Cambridge. This history, first published in 1932, describes the stages in this process, focusing on the individuals who were key to its success and who laid the foundations for the respected clinical school and leading medical research laboratories of Cambridge today.

The life, birth, and early years of 'the Fariyaq'-the alter ego of the Arab intellectual Ahmad Faris al-Shidyaq Leg over Leg recounts the life, from birth to middle age, of "the Fariyaq," alter ego of Ahmad Faris al-Shidyaq, a pivotal figure in the intellectual and literary history of the modern Arab world. The always edifying and often hilarious adventures of the Fariyaq, as he moves from his native Lebanon to Egypt, Malta, Tunis, England, and France, provide the author with grist for wide-ranging discussions of the intellectual and social issues of his time, including the ignorance and corruption of the Lebanese religious and secular establishments, freedom of conscience, women's rights, sexual relationships between men and women, the manners and customs of Europeans and Middle Easterners, and the differences between contemporary European and Arabic literatures, all the while celebrating the genius and beauty of the classical Arabic language. Volumes One and Two follow the hapless Fariyaq through his youth and early education, his misadventures among the monks of Mount Lebanon, his flight to the Egypt of Muhammad 'Ali, and his subsequent employment with the first Arabic daily newspaper-during which time he suffers a number of diseases that parallel his progress in the sciences of Arabic grammar, and engages in amusing digressions on the table manners of the Druze, young love, snow, and the scandals of the early papacy. This first book also sees the list-of locations in Hell, types of medieval glue, instruments of torture, stars and pre-Islamic idols-come into its own as a signature device of the work. Akin to Sterne and Rabelais in his satirical outlook and technical inventiveness, al-Shidyaq produced in Leg over Leg a work that is unique and unclassifiable. It was initially widely condemned for its attacks on authority, its religious skepticism, and its "obscenity," and later editions were often abridged. This is the first complete English translation of this groundbreaking work.

This exceptional Egyptian novel - as mesmerising as it is controversial - caused an unprecedented stir when it was first published in Arabic. Welcome to the Yacoubian Building, Cairo: once grand, now dilapidated, and full of stories and passion. Some live in squalor on its rooftop while others inhabit the faded glory of its apartments and offices. Within these walls religious fervour jostles with promiscuity; bribery with bliss; modern life with ancient culture. At ground level, Taha, the doorman's son, harbours career aspirations and romantic dreams - but when these are dashed by unyielding corruption, hope turns to bitterness, with devastating consequences. Alaa Al Aswany's superb novel about Egypt's many contradictions is at once an impassioned celebration and a ruthless dissection of a society dominated by dishonesty.

Uncovering the professional secrets of con artists and swindlers in the medieval Middle East The Book of Charlatans is a comprehensive guide to trickery and scams as practiced in the thirteenth century in the cities of the Middle East, especially in Syria and Egypt. Al-Jawbarī was well versed in the practices he describes and may have been a reformed charlatan himself. Divided into thirty chapters, the book reveals the secrets of everyone from “Those Who Claim to be Prophets� to “Those Who Claim to Have Leprosy� and “Those Who Dye Horses.� The material is informed in part by the author’s own experience with alchemy, astrology, and geomancy, and in part by his extensive research. The work is unique in its systematic, detailed, and inclusive approach to a subject that is by nature arcane and that has relevance not only for social history but also for the history of science. Covering everything from invisible writing to doctoring gemstones and quack medicine, The Book of Charlatans opens a fascinating window into a subculture of beggars’ guilds and professional con artists in the medieval Arab world. An English-only edition.

The new book from Alaa Al Aswany, author of the international bestseller 'The Yacoubian Building' and 'Chicago'. 'Friendly Fire' is a novella and collection of short stories from Alaa Al Aswany, author of the bestselling 'The Yacoubian Building'. As in that novel, Al Aswany dissects modern Egyptian society and, with skill and detachment, reveals the hypocrisy, violence and abuse of power characteristic of a world in moral crisis. Here, though, the focus has shifted from the broad historical canvas to the minute stitches of pain that hold together an individual, a family, a school classroom and the relationship between a man and a woman. Can a man so alienated from his society that he regards all its members as no better than microbes wriggling under a microscope survive within it? Can cynical religiosity triumph over human decency? Can a man put the thought of a delicious dish of beans behind him long enough to mourn his father's death? Alongside these wry questions, other, less mordant perspectives also have their place: an ageing cabaret dancer bestows the blessing of a vanished world on her lover's son; a crippled boy wins subjective victory from objective disaster. In 'Friendly Fire', readers will find again the vivid, passionate characters of today's Cairo, clamouring to be heard. 'Friendly Fire' also features an introduction by Alaa Al Aswany giving the history of the novella, 'The Isam Abd el-Ati Papers', which was banned in Egypt for a decade.

Uncovering the professional secrets of con artists and swindlers in the medieval Middle East The Book of Charlatans is a comprehensive guide to trickery and scams as practiced in the thirteenth century in the cities of the Middle East, especially in Syria and Egypt. Al-Jawbari was well versed in the practices he describes and may have been a reformed charlatan himself. Divided into thirty chapters, the book reveals the secrets of everyone from "Those Who Claim to be Prophets" to "Those Who Claim to Have Leprosy" and "Those Who Dye Horses." The material is informed in part by the author's own experience with alchemy, astrology, and geomancy, and in part by his extensive research. The work is unique in its systematic, detailed, and inclusive approach to a subject that is by nature arcane and that has relevance not only for social history but also for the history of science. Covering everything from invisible writing to doctoring gemstones and quack medicine, The Book of Charlatans opens a fascinating window into a subculture of beggars' guilds and professional con artists in the medieval Arab world. An English-only edition.

Originally published in 1928, this book presents the content of the Harveian Oration for that year, which was delivered at the Royal College of Physicians of London by Sir Humphrey Davy Rolleston (1862 1944). The text provides an account of the developments in cardiovascular medicine following on from William Harvey's groundbreaking discoveries during the sixteenth century. This book will be of value to anyone with an interest in cardiovascular diseases, William Harvey and the history of medicine."

A merchant's remarkable travel account of an African kingdom Muhammad al-Tunisi (d. 1274/1857) belonged to a family of Tunisian merchants trading with Egypt and what is now Sudan. Al-Tunisi was raised in Cairo and a graduate of al-Azhar. In 1803, at the age of fourteen, al-Tunisi set off for the Sultanate of Darfur, where his father had decamped ten years earlier. He followed the Forty Days Road, was reunited with his father, and eventually took over the management of the considerable estates granted to his father by the sultan of Darfur. In Darfur is al-Tunisi's remarkable account of his ten-year sojourn in this independent state, featuring descriptions of the geography of the region, the customs of Darfur's petty kings, court life and the clothing of its rulers, marriage customs, eunuchs, illnesses, food, hunting, animals, currencies, plants, magic, divination, and dances. In Darfur combines literature, history, ethnography, linguistics, and travel adventure, and most unusually for its time, includes fifty-two illustrations, all drawn by the author. In Darfur is a rare example of an Arab description of an African society on the eve of Western colonization and vividly evokes a world in which travel was untrammeled by bureaucracy, borders were fluid, and startling coincidences appear almost mundane. An English-only edition.

The life, birth, and early years of 'the Fariyaq'-the alter ego of the Arab intellectual Ahmad Faris al-Shidyaq Leg over Leg recounts the life, from birth to middle age, of 'the Fariyaq,' alter ego of Ahmad Faris al-Shidyaq, a pivotal figure in the intellectual and literary history of the modern Arab world. The always edifying and often hilarious adventures of the Fariyaq, as he moves from his native Lebanon to Egypt, Malta, Tunis, England and France, provide the author with grist for wide-ranging discussions of the intellectual and social issues of his time, including the ignorance and corruption of the Lebanese religious and secular establishments, freedom of conscience, women's rights, sexual relationships between men and women, the manners and customs of Europeans and Middle Easterners, and the differences between contemporary European and Arabic literatures. Al-Shidyaq also celebrates the genius and beauty of the classical Arabic language. Akin to Sterne and Rabelais in his satirical outlook and technical inventiveness, al-Shidyaq produced in Leg over Leg a work that is unique and unclassifiable. It was initially widely condemned for its attacks on authority, its religious skepticism, and its "obscenity," and later editions were often abridged. This is the first English translation of the work and reproduces the original Arabic text, published under the author's supervision in 1855.

Witty, bawdy, and vicious, Yusuf al-Shirbini's Brains Confounded pits the "coarse" rural masses against the "refined" urban population. In Volume One, al-Shirbini describes the three rural "types"-peasant cultivator, village man-of-religion, and rural dervish-offering anecdotes testifying to the ignorance, dirtiness, and criminality of each. In Volume Two, he presents a hilarious parody of the verse-and-commentary genre so beloved by scholars of his day, with a 47-line poem supposedly written by a peasant named Abu Shaduf, who charts the rise and fall of his fortunes. Wielding the scholarly tools of elite literature, al-Shirbini responds to the poem with derision and ridicule, dotting his satire with digressions into love, food, and flatulence. Volume Two of Brains Confounded is followed by Risible Rhymes, a concise text that includes a comic disquisition on "rural" verse, mocking the pretensions of uneducated poets from Egypt's countryside. Risible Rhymes also examines various kinds of puzzle poems, which were another popular genre of the day, and presents a debate between scholars over a line of verse by the fourth/tenth-century poet al-Mutanabbi. Together, Brains Confounded and Risible Rhymes offer intriguing insight into the intellectual concerns of Ottoman Egypt, showcasing the intense preoccupation with wordplay, grammar, and stylistics and shedding light on the literature of the era. An English-only edition.

Witty, bawdy, and vicious, Yusuf al-Shirbini's Brains Confounded pits the "coarse" rural masses against the "refined" urban population. In Volume One, al-Shirbini describes the three rural "types"-peasant cultivator, village man-of-religion, and rural dervish-offering anecdotes testifying to the ignorance, dirtiness, and criminality of each. In Volume Two, he presents a hilarious parody of the verse-and-commentary genre so beloved by scholars of his day, with a 47-line poem supposedly written by a peasant named Abu Shaduf, who charts the rise and fall of his fortunes. Wielding the scholarly tools of elite literature, al-Shirbini responds to the poem with derision and ridicule, dotting his satire with digressions into love, food, and flatulence. Volume Two of Brains Confounded is followed by Risible Rhymes, a concise text that includes a comic disquisition on "rural" verse, mocking the pretensions of uneducated poets from Egypt's countryside. Risible Rhymes also examines various kinds of puzzle poems, which were another popular genre of the day, and presents a debate between scholars over a line of verse by the fourth/tenth-century poet al-Mutanabbi. Together, Brains Confounded and Risible Rhymes offer intriguing insight into the intellectual concerns of Ottoman Egypt, showcasing the intense preoccupation with wordplay, grammar, and stylistics and shedding light on the literature of the era. An English-only edition.

The life, birth, and early years of 'the Fariyaq'-the alter ego of the Arab intellectual Ahmad Faris al-Shidyaq Leg over Leg recounts the life, from birth to middle age, of "the Fariyaq," alter ego of Ahmad Faris al-Shidyaq, a pivotal figure in the intellectual and literary history of the modern Arab world. The always edifying and often hilarious adventures of the Fariyaq, as he moves from his native Lebanon to Egypt, Malta, Tunis, England, and France, provide the author with grist for wide-ranging discussions of the intellectual and social issues of his time, including the ignorance and corruption of the Lebanese religious and secular establishments, freedom of conscience, women's rights, sexual relationships between men and women, the manners and customs of Europeans and Middle Easterners, and the differences between contemporary European and Arabic literatures, all the while celebrating the genius and beauty of the classical Arabic language. Volumes Three and Four see the peripatetic Fariyaq fall in love and convert to Catholicism for twenty-four hours in order to marry. Although the narrative revolves around a series of debates over the nature of male-female relationships, opportunities also arise for disquisitions on the physical and moral significance of such diverse topics as the buttocks, the unreliability of virginity tests, and the human capacity for self-delusion. Lengthy stays in England and France allow for animadversions on the table manners and sexual aberrations of their citizens, but the discussion, whether it involve dance-halls, pleasure gardens, or poetry, almost always ends up returning to gender relations. Akin to Sterne and Rabelais in his satirical outlook and technical inventiveness, al-Shidyaq produced in Leg over Leg a work that is unique and unclassifiable. It was initially widely condemned for its attacks on authority, its religious skepticism, and its "obscenity," and later editions were often abridged. This is the first complete English translation of this groundbreaking work.

Witty, bawdy, and vicious, Yūsuf al-Shirbīnī’s Brains Confounded pits the “coarse� rural masses against the “refined� urban population. In Volume One, al-Shirbīnī describes the three rural “types�—peasant cultivator, village man-of-religion, and rural dervish—offering anecdotes testifying to the ignorance, dirtiness, and criminality of each. In Volume Two, he presents a hilarious parody of the verse-and-commentary genre so beloved by scholars of his day, with a 47-line poem supposedly written by a peasant named Abū Sh�dūf, who charts the rise and fall of his fortunes. Wielding the scholarly tools of elite literature, al-Shirbīnī responds to the poem with derision and ridicule, dotting his satire with digressions into love, food, and flatulence. Volume Two of Brains Confounded is followed by Risible Rhymes, a concise text that includes a comic disquisition on “rural� verse, mocking the pretensions of uneducated poets from Egypt’s countryside. Risible Rhymes also examines various kinds of puzzle poems, which were another popular genre of the day, and presents a debate between scholars over a line of verse by the fourth/tenth-century poet al-Mutanabbī. Together, Brains Confounded and Risible Rhymes offer intriguing insight into the intellectual concerns of Ottoman Egypt, showcasing the intense preoccupation with wordplay, grammar, and stylistics and shedding light on the literature of the era. An English-only edition.

"Khoury is one of the greatest writers of our times and perhaps the greatest Arabic-language writer of this generation, definite Nobel Prize material" Avraham Burg, Haaretz Who is Adam Dannoun? Until a few months before his death in a fire in his New York apartment - a consequence of smoking in bed - he thought he knew. But an encounter with Blind Mahmoud, a father figure from his childhood, changed all that. From Mahmoud he learned the terrible truth behind his birth, a truth withheld from him for fifty-seven years by the woman he thought was his mother. This discovery leads Adam to investigate what exactly happened in 1948 in Palestine in the city of Lydda where he was born: the massacre, the forced march into the wilderness and the corralling of those citizens who did not flee into what the Israeli soldiers and their Palestinian captives came to refer to as the Ghetto. The stories he collects speak of bravery, ingenuity and resolve in the face of unimaginable hardship. Saved from the flames that claimed him, they are his lasting and crucial testament. Translated from the Arabic by Humphrey Davies

The life, birth, and early years of 'the Fariyaq'-the alter ego of the Arab intellectual Ahmad Faris al-Shidyaq Leg over Leg recounts the life, from birth to middle age, of 'the Fariyaq,' alter ego of Ahmad Faris al-Shidyaq, a pivotal figure in the intellectual and literary history of the modern Arab world. The always edifying and often hilarious adventures of the Fariyaq, as he moves from his native Lebanon to Egypt, Malta, Tunis, England and France, provide the author with grist for wide-ranging discussions of the intellectual and social issues of his time, including the ignorance and corruption of the Lebanese religious and secular establishments, freedom of conscience, women's rights, sexual relationships between men and women, the manners and customs of Europeans and Middle Easterners, and the differences between contemporary European and Arabic literatures. Al-Shidyaq also celebrates the genius and beauty of the classical Arabic language. Akin to Sterne and Rabelais in his satirical outlook and technical inventiveness, al-Shidyaq produced in Leg over Leg a work that is unique and unclassifiable. It was initially widely condemned for its attacks on authority, its religious skepticism, and its "obscenity," and later editions were often abridged. This is the first English translation of the work and reproduces the original Arabic text, published under the author's supervision in 1855.

In a makeshift hospital in a refugee camp on the outskirts of Beirut, Yunis, an aging Palestinian freedom fighter, lies in a coma. His spiritual son Dr Khaleel - who has no real medical qualifications - nurses the older man, refusing to admit that his hero may never regain consciousness. In an attempt to revive his patient, Khaleel, begins telling Yunis the stories of their people's exile in Lebanon. He evokes deserted peasant villages, the suffering caused by the Lebanese civil war and the refugees' hopes to return home with a subtle mixture of anger and compassion. Khaleel also narrates Yunis' own extraordinary life. Interweaving many true-life tales collected throughout Lebanon and its refugee camps over the course of seven years, Elias Khoury has created a monumental and spellbinding saga.

The life, birth, and early years of 'the Fariyaq'-the alter ego of the Arab intellectual Ahmad Faris al-Shidyaq Leg over Leg recounts the life, from birth to middle age, of 'the Fariyaq,' alter ego of Ahmad Faris al-Shidyaq, a pivotal figure in the intellectual and literary history of the modern Arab world. The always edifying and often hilarious adventures of the Fariyaq, as he moves from his native Lebanon to Egypt, Malta, Tunis, England and France, provide the author with grist for wide-ranging discussions of the intellectual and social issues of his time, including the ignorance and corruption of the Lebanese religious and secular establishments, freedom of conscience, women's rights, sexual relationships between men and women, the manners and customs of Europeans and Middle Easterners, and the differences between contemporary European and Arabic literatures. Al-Shidyaq also celebrates the genius and beauty of the classical Arabic language. Akin to Sterne and Rabelais in his satirical outlook and technical inventiveness, al-Shidyaq produced in Leg over Leg a work that is unique and unclassifiable. It was initially widely condemned for its attacks on authority, its religious skepticism, and its "obscenity," and later editions were often abridged. This is the first English translation of the work and reproduces the original Arabic text, published under the author's supervision in 1855.

The life, birth, and early years of 'the Fariyaq'-the alter ego of the Arab intellectual Ahmad Faris al-Shidyaq Leg over Leg recounts the life, from birth to middle age, of 'the Fariyaq,' alter ego of Ahmad Faris al-Shidyaq, a pivotal figure in the intellectual and literary history of the modern Arab world. The always edifying and often hilarious adventures of the Fariyaq, as he moves from his native Lebanon to Egypt, Malta, Tunis, England and France, provide the author with grist for wide-ranging discussions of the intellectual and social issues of his time, including the ignorance and corruption of the Lebanese religious and secular establishments, freedom of conscience, women's rights, sexual relationships between men and women, the manners and customs of Europeans and Middle Easterners, and the differences between contemporary European and Arabic literatures. Al-Shidyaq also celebrates the genius and beauty of the classical Arabic language. Akin to Sterne and Rabelais in his satirical outlook and technical inventiveness, al-Shidyaq produced in Leg Over Leg a work that is unique and unclassifiable. It was initially widely condemned for its attacks on authority, its religious skepticism, and its "obscenity," and later editions were often abridged. This is the first English translation of the work and reproduces the original Arabic text, published under the author's supervision in 1855.