Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This Is A New Release Of The Original 1891 Edition.

This Is A New Release Of The Original 1917 Edition.

This Is A New Release Of The Original 1916 Edition.

This Is A New Release Of The Original 1903 Edition.

This Is A New Release Of The Original 1906 Edition.

This Is A New Release Of The Original 1920 Edition.

This Is A New Release Of The Original 1909 Edition.

Complete and unabridged, this edition is sure to become the definitive modern text of this epic novel from 1888 by Mrs. Humphrey Ward. This book caused a sensation when it was originally published, challenging established cultural mores regarding the practice of religion. This edition has been carefully crafted from the original with the spelling updated to modern American standards, and the foreign words and phrases faithfully annotated so that an English speaking readers may enjoy the work fully without knowing Latin, Greek, German, or French. This was one of the most influential books of its time, and holds up well today both as a compelling story and as a study in late Victorian culture. ---Excerpt--- About four o'clock on the afternoon of the day which was to be marked in the annals of Long Whindale as that of Mrs. Thornburgh's 'high tea, ' that lady was seated in the vicarage garden, her spectacles on her nose, a large couvre-pied over her knees, and the Whinborough newspaper on her lap. The neighborhood of this last enabled her to make an intermittent pretence of reading; but in reality the energies of her house-wifely mind were taken up with quite other things. The vicar's wife was plunged in a housekeeping experiment of absorbing interest. All her solid preparations for the evening were over, and in her own mind she decided that with them there was no possible fault to be found. The cook, Sarah, had gone about her work in a spirit at once lavish and fastidious, breathed into her by her mistress. No better tongue, no plumper chickens, than those which would grace her board to-night were to be found, so Mrs. Thornburgh was persuaded, in the district. And so with everything else of a substantial kind. On this head the hostess felt no anxieties.

1920. Frontispiece by Allan Gilbert. The novelist Mrs. Humphrey Ward (Mary Arnold Ward), was the niece of the poet Matthew Arnold, and granddaughter of Dr. Thomas Arnold, the headmaster of Rugby School who was immortalized as a character in the novel Tom Brown's Schooldays. Harvest begins: Two old laborers came out of the lane leading to Great End Farm. Both carried bags slung on sticks over their shoulders. One, the eldest and tallest, was a handsome fellow, with regular features and a delicately humorous mouth. His stoop and his slouching gait, the gray locks also, which straggled from under his broad hat, showed him an old man-probably very near his old-age pension. But he carried still with him a look of youth, and he had been a splendid creature in this time. The other was short of stature and of neck, bent besides by field work. A broadly-build, clumsy man, with something gnome-like about him, and the cheerful look of one whose country nerves had never known the touch of worry or long sickness. The name of the taller man was Peter Halsey, and Joseph Batts was his companion. See other titles by this author available from Kessinger Publishing.

1916. The novelist Mrs. Humphrey Ward (Mary Arnold Ward), was the niece of the poet Matthew Arnold, and granddaughter of Dr. Thomas Arnold, the headmaster of Rugby School who was immortalized as a character in the novel Tom Brown's Schooldays. Lady Connie begins: Well, now we've done all we can, and all I mean to do, said Alice Hooper, with a pettish accent of fatigue. Everything's perfectly comfortable, and if she doesn't like it, we can't help it. I don't know why we make such a fuss. See other titles by this author available from Kessinger Publishing.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!