Entering fashion history in 1993 with his notorious 'grunge' collection for Perry Ellis, Marc Jacobs would soon be hailed by American Vogue as 'the dauphin of grungy, understated cool'. He quickly rose to become one of the most influential designers of his generation, both at the helm of his own label and as creative director of Louis Vuitton from 1998 to 2014. Known for his collaborations with prominent artists, musicians and muses - from Stephen Sprouse to Sonic Youth, Debbie Harry, Sofia Coppola and Chloe Sevigny, Marc Jacobs 'changed what it means to be a fashion designer, just as once upon a time Andy Warhol changed what it meant to be an artist', according to fashion historian Valerie Steele. Opening with an essay on the designer's work, Marc Jacobs: Unseen unfolds chronologically, revisiting the designer's most iconic creations and revealing previously unseen behind-the-scenes moments of models, hairdressers, stylists, make-up artists and Marc Jacobs himself at their most creative. Robert Fairer's stunning and highenergy photographs capture the youth, glamour and spirit that defined Jacobs's shows.

"I have always been inspired by what was happening on the street - and anyway, I couldn't afford the high fashion price tags." - Caroline Baker "Featuring an array of - now - infamous covers and high fashion editorials crafted by Baker, readers are encouraged to bask in the success of her trail-blazing tale and indulge in the history of streetwear's rise to the helm of the fashion industry." - Wonderland "A fantastic delve into the story of fashion styling straight from the lips (and visual archive) of the lady who invented it all, Caroline Baker" - Navaz Batliwalla, disneyrollergirl Caroline Baker is the antidote to high fashion. As the legendary fashion editor of Nova magazine in the 1960s and '70s, her style was quite literally cutting-edge (she famously chopped up clothes to achieve her desired looks). She is credited with challenging the status quo of the industry and society at large, and introducing street fashion to the mass market. Stylist-of-choice for the most dynamic female designers on the scene - Katharine Hamnett and Vivienne Westwood - Caroline has continued her trajectory as a fashion provocateur. Her work has appeared on the pages of Vogue, Tatler and Cosmopolitan as well as The Face and i-D - and unsurprisingly, a new generation of style-setters is now looking to Baker's back catalogue for inspiration. This book offers an in-depth overview of Baker's work, expertly curated and considered by Iain R. Webb. It is divided into sections that highlight specific recurring themes and tropes - such as Punk Rock, DIY, Utility and Sportswear. These ideas have defined Baker's evolving sartorial vocabulary over six decades, and set a template for street fashion that endures to this day. Accompanied with personal commentary from Baker herself and specially written contributions by Vivienne Westwood and Katharine Hamnett, this is the definitive guide to Caroline Baker and her influence on fashion.

As testified by the monumental success of the recent Dior retrospective curated by the Musee des Arts Decoratifs in Paris, 'Christian Dior: Designer of Dreams', which attracted over 700,000 visitors over its extended run, John Galliano's creations for the house of Dior have entered fashion history and are widely recognized as some of the most breathtaking and imaginative collections ever created. John Galliano for Dior is the first publication entirely dedicated to showcasing these unforgettable designs, which have become collectors' items and form a key chapter of the history of the house of Dior - 'the greatest house in the world', as Galliano stated when he was first placed at its helm. 'I see myself as a guardian of [Christian Dior's] spirit, a keeper of his dreams,' he added. The book unfolds chronologically, revisiting the most iconic creations and revealing previously unseen behind-the-scenes moments that capture models, hairdressers, stylists, make-up artists and John Galliano himself at their most creative. Robert Fairer's stunning and high-energy photographs convey the drama, glamour and wild imagination that defined Galliano's Dior shows. A treasure trove of inspiration, they make this publication a must-have reference for fashion and photography lovers alike.

This is your invitation to the front row. Spanning over seven decades and 300 shows, this beautiful book tells the story of the high fashion catwalk. Through this inspirational collection of fashion show invites and tales from fashion week, curator and fashion writer Iain R Webb opens a window into the world's most exclusive fashion houses. Whether it's dreamy romance at Givenchy, cutting-edge modernity at Alexander McQueen, floral drama at Valentino, vintage-inspired fun at Kenzo or heartfelt emotion at Yves Saint Laurent's final haute couture show, the unique themes and styles that have graced the runway in the past 50 years are gloriously curated and described in The Fashion Show. From understated presentation to melodramatic performance, this stylish archive is your passport to the international fashion collections.

Editor's Choice - The Bookseller "...the latest addition to the genre is the most stylish yet, comprising images from 1950s Vogue....Even in monochrome the Vogue Colouring Book is a masterful creation, transporting you back to the billowing layers, long gloves and poised hats of the 1950s." Stella magazine. This, the first colouring book from British VOGUE, has been created by award-winning writer, fashion editor, curator and Royal College of Art Professor, Iain R Webb. Celebrating the centenary of British VOGUE, these hand-drawn artworks are inspired by iconic images from the magazine in the 1950s - an era of hats and matching gloves, haughty elegance and hourglass silhouettes (a period that continues to inspire contemporary designers including Miuccia Prada and Dolce & Gabbana). The book features a glamorous dream wardrobe of luxurious ballgowns and soigne cocktail dresses, smart suits and dramatic accessories by key designers including Christian Dior, Balenciaga, Givenchy and Chanel. The accompanying captions offer fashion and style tips (often highly amusing in hindsight) and are taken from the original pages of British VOGUE. The c90 artworks can be coloured in in the spirit of the original images that inspired them or embellished with whatever colours and patterns take the reader's fancy. The colouring book is the perfect present for all those who love vintage fashion and will be published in time for VOGUE's centenary celebrations in 2016, which begin with a major exhibition at the National Portrait Gallery.

Profile is a highly personal selection of Jan's work from the early '90's to 2018. Jan's defining images cross all kinds of fashion barriers. His respect for the models he works with is evident. His models are raw, sometimes slighty unconventional beauties, quite often with very little hair and make-up. Jan's images are pure, powerful and evocative, getting to the very soul of the subject. Whether its an androgynous looking girl with a cowboy hat, a model smoking a cigarette on a beach, a movie star or a picture of his wife or children, the pictures are captivating in their simplicity with a very clear style that belongs only to him. His approach to his craft remains unchanged over decades, his style clear, avant-gard and transcendent of trends. Featured are among others Cate Blanchett, Helena Christensen, Eva Herzigova, PJ Harvey, Drew Barrymore, Kirsten Owen, Kylie Minogue, Tatjana Patitz, Jessica Chastain, Christy Turlington, Tilda Swinton, Vanessa Paradis, Gisele Bundchen, Natalia Vodianova, Courtney Love, Doutzen Kroes, Laetitia Casta, Charlotte Gainsbourg, Jennifer Connelly, Milla Jovovich, Bella Haddid and Helen Mirren.

The narrative of the Foale and Tuffin story perfectly traces the decade from its groovy, optimistic beginnings, when the two embryonic fashion designers blithely set up shop in 1961, to its crash-and-burn finale, as Sixties sanguinity melted away into a hangover of Seventies cynicism, masked as it was with the distraction of fancy-dress escapism. Marion Foale and Sally Tuffin were two bolshy girls who just did it. After meeting at Walthamstow Art School in 1955 and then studying together at the Royal College of Art, they embarked on a trailblazing career in fashion. Quirky, youthful creativity, acute sensitivity to the latest moods and trends, expert craftsmanship, and a little Swinging Sixties good fortune placed them at the hub of the cultural explosion in London that defined the era. Their boutique off Carnaby Street was at the epicenter of the new fashion scene. Suddenly, David Bailey was photographing their outfits for Vogue, Cathy MacGowan was wearing them on Ready, Steady, Go , and the girls were jetting around America as part of the ground-breaking Youthquake tour. Through detailed interviews with Foale and Tuffin themselves, exclusive access to their personal archives, and contributions from an extraordinary array of figures from the fashion, art and cultural scenes of the 1960s, 70s and beyond, Iain R. Webb builds a fascinating picture of the time, throwing new light on how fashion and business underwent a period of unprecedented change. It was a period of cross-pollination in art, music and fashion, of entrepreneurial and cultural innovation. Contributors include Manolo Blahnik, Sir Terence Conran, Felicity Green, Barbara Hulanicki, Caterine Milinaire, Janet Street Porter, Mary Quant and Jean Shrimpton.