Seven Rooms brings together highlights from Hotel, a magazine for new approaches to fiction, non-fiction & poetry which, since its inception in 2016, provided a space for experimental reflection on literature's status as art & cultural mediator. Co-published by Tenement Press and Prototype, this anthology captures, refracts, and reflects a vital moment in independent publishing in the UK, and is built on the shared values of openness, collaboration, and total creative freedom.

This is the fully-illustrated edition of LONDON IN FRAGMENTS. A new paperback edition is also available, published under the title A MUDLARK'S TREASURES: London in Fragments 'A beautiful book.' Daily Mail 'Exhilaratingly curious.' Evening Standard 'Gripping.' Spectator 'Brilliant.' Penelope Lively 'Indefatigably researched.' Country Life 'Beautifully illustrated.' Monocle Mudlarking, the act of searching the Thames foreshore for items of value, has a long tradition in England's capital. In the late 18th and 19th centuries, mudlarks were small boys grubbing a living from scrap. Today's mudlarks unearth relics of the past from the banks of the Thames which tell stories of Londoners throughout history. From Roman tiles to elegant Georgian pottery, presented here are modern-day mudlark Ted Sandling's most evocative finds, gorgeously photographed. Together they create a mosaic of everyday London life through the centuries, touching on the journeys, pleasures, vices, industries, adornments and comforts of a world city. This unique and stunning book celebrates the beauty of small things, and makes sense of the intangible connection that found objects give us to the individuals who lost them.

Few authors are so iconic that their name is an adjective – Ballard is one of them. Master of both literary and science fiction, his classic novels such as Empire of the Sun, Crash and Cocaine Nights show a world out of joint, a bewildering and strange place. Alongside the classic dystopias of The Drowned World and High Rise, his legacy shaped the future of literature. This collection gathers today’s greatest literary and science fiction authors to pay tribute to the creator of Balllardian worlds we live in today. Featuring: • Chris Beckett • Alexandra Benedict • Pat Cadigan • Adrian Cole • Ramsey Campbell • Paul Di Filippo • Christopher Fowler • Jeff Noon • David Gordon • James Grady • Preston Grassmann • Andrew Hook • Samantha Lee Howe • Rhys Hughes • Maxim Jakubowski • Hanna Jameson • Toby Litt • James Lovegrove • Nick Mamatas • Barry Malzberg • Michael Moorcock • Rick McGrath • Adrian McKinty • Geoff Nicholson • Christine Poulson • David Quantick • Adam Roberts • George Sandison • Will Self • Iain Sinclair • Lavie Tidhar A first of its kind anthology, collecting tales of humanity’s uncanny and uneasy clash with the future, and the distorted psychological spaces hidden in empires of concrete.

A New Statesman Book of the Year, 2021 'Follow Iain Sinclair into the cloud jungles of Peru and emerge questioning all that seemed so solid and immutable.' Barry Miles From the award-winning author of The Last London and Lights Out for the Territory, a journey in the footsteps of our ancestors. Iain Sinclair and his daughter travel through Peru, guided by - and in reaction to - an ill-fated colonial expedition led by his great-grandfather. The family history of a displaced Scottish highlander fades into the brutal reality of a major land grab. The historic thirst for gold and the establishment of sprawling coffee plantations leave terrible wounds on virgin territory. In Sinclair's haunting prose, no place escapes its past, and nor can we. 'The Gold Machine is a trip, a psychoactive expedition in compelling company.' TLS

'A remarkable book; surprisingly gripping and often very moving ... at once disorientating and illuminating.' - Robert Macfarlane

We shape ourselves, and are shaped in return, by the walls that contain us. Buildings affect how we sleep, work, socialise and even breathe. They can isolate and endanger us but they can also heal us. We project our hopes and fears onto buildings, while they absorb our histories.

In Living With Buildings, Iain Sinclair embarks on a series of expeditions - through London, Marseille, Mexico and the Outer Hebrides. A father and his daughter, who has a rare syndrome, visit the estate where they once lived. Developers clink champagne glasses as residents are 'decanted' from their homes. A box sculpted from whalebone, thought to contain healing properties, is returned to its origins with unexpected consequences. Part investigation, part travelogue, Living With Buildings brings the spaces we inhabit to life as never before.

Both a thrilling expose & a considered anthropological review, 'London's Underworld' is driven by the author's conflicting feelings of admiration for the rebellious spirit which frees these criminals from the laws of reserved Victorian society & also pity for the restless, violent attitudes which leave them stranded there, alone."

A splendid - and necessary - publication...a great resource Iain Sinclair Charles Booth's landmark survey of life in late-19th-century London, published for the first time in one volume. In the late nineteenth century, Charles Booth's landmark social and economic survey found that 35 percent of Londoners were living in abject poverty. Booth's team of social investigators interviewed Londoners from all walks of life, recording their comments, together with their own unrestrained remarks and statistical information, in 450 notebooks. Their findings formed the basis of Booth's colour-coded social mapping (from vicious and semi-criminal to wealthy) and his seventeen-volume survey Inquiry into the Life and Labour of the People of London, 1886-1903. Organized into six geographical sections, Charles Booth's London Poverty Maps presents the hand-colored preparatory and printed social mapping of London. Accompanying the maps are reproductions of pages from the original notebooks, containing anecdotes and observations too judgmental for Booth to include in his final published survey. An introduction by professor Mary S. Morgan clarifies the aims and methodology of Booth's survey and six themed essays contextualize the the survey's findings, accompanied by evocative period photographs. Providing insights into the minutia of everyday life viewed through the lens of inhabitants of every trade, class, creed, and nationality, Charles Booth's London Poverty Maps brings to life the diversity and dynamism of late nineteenth-century London.

In this book, which includes a new interview with Ballard who wrote the book on which the film was based, Sinclair explores the temporal loop which connects film and novel, and asks questions such as to what extent is "Crash "a premonition of some of the more remarkable media events of recent times. In the BFI MODERN CLASSICS series.

Text by Iain Sinclair, illustrations by Oona Grimes, printed tete-beche.

A New Statesman Book of the Year

London. A city apart. Inimitable. Or so it once seemed.

Spiralling from the outer limits of the Overground to the pinnacle of the Shard, Iain Sinclair encounters a metropolis stretched beyond recognition. The vestiges of secret tunnels, the ghosts of saints and lost poets lie buried by developments, the cycling revolution and Brexit. An electrifying final odyssey, The Last London is an unforgettable vision of the Big Smoke before it disappears into the air of memory.ory.

Reality versus fiction is at the heart of the current literary debate. We live in a world of docu-drama, the 'real life' story. Works of art, novels, films, are frequently bolstered by reference to the autobiography of the creator, or to underlying 'fact.' Where does that leave the imagination? And who gets to define the parameters of 'reality' and 'fiction' anyway? Five writers debate the limits of materialism and realism, in art and literature - and offer a passionate defence of the alchemical imagination in a fact-based world.

A New Statesman Book of the Year, 2021 ‘Follow Iain Sinclair into the cloud jungles of Peru and emerge questioning all that seemed so solid and immutable.’ Barry Miles From the award-winning author of The Last London and Lights Out for the Territory, a journey in the footsteps of our ancestors. Iain Sinclair and his daughter travel through Peru, guided by – and in reaction to – an ill-fated colonial expedition led by his great-grandfather. The family history of a displaced Scottish highlander fades into the brutal reality of a major land grab. The historic thirst for gold and the establishment of sprawling coffee plantations leave terrible wounds on virgin territory. In Sinclair’s haunting prose, no place escapes its past, and nor can we. ‘The Gold Machine is a trip, a psychoactive expedition in compelling company.’ TLS

Iain Sinclair, the celebrated author and psycho-geographer, walks back along the blue-grey roads and cliff-top paths of his childhood in south Wales, rediscovering the Gower peninsula. Provoked by the strange and enigmatic series of paintings Afal du Brogwyr (Black Apple of Gower) made by the artist Ceri Richards in the 1950s, Sinclair leaves behind the familiar "murky elsewheres" of his life in Hackney, London, carrying an envelope of photographs and old postcards, along with fragments of memory. He soon realises that a series of walks over the same ground - Port Enyon Point to Worm's Head have become significant waymarks in his life. His recollections of a meeting with the poet Vernon Watkins, the art of Richards and the poetry of Dylan Thomas lead him to his final quest, the Paviland Cave where in 1823 human remains 36,000 years old were discovered.

Iain Sinclair breaks for the border with 'American Smoke' his first full engagement with the memory-filled landscapes of the American beats and their fellow travellers, echoed as always in the mythologies of London, through which so many of them passed.

When a body is discovered in a bloodstained room in Brixton, the only clues are a wedding ring, a gold watch, a pocket edition of Boccaccio's Decameron, and a woman's name scrawled in blood on the wall. So begins the first investigation by Sherlock Holmes to be recorded by his new room-mate Dr Watson. Their search for the murderer uncovers a story of love and revenge which began years before in Salt Lake City.

London Orbital is Iain Sinclair's exceptional voyage of discovery into the unloved outskirts of the city 'My book of the year. Sentence for sentence, there is no more interesting writer at work in English' John Lanchester, Daily Telegraph Encircling London like a noose, the M25 is a road to nowhere, but when Iain Sinclair sets out to walk this asphalt loop - keeping within the 'acoustic footprints' - he is determined to find out where the journey will lead him. Stumbling upon converted asylums, industrial and retail parks, ring-fenced government institutions and lost villages, Sinclair discovers a Britain of the fringes, a landscape consumed by developers. London Orbital charts this extraordinary trek and round trip of the soul, revealing the country as you've never seen it before. 'A magnum opus, my book of the year. I urge you to read it. In fact, if you're a Londoner and haven't read it by the end of next year, I suggest you leave' Will Self, Evening Standard 'A journey into the heart of darkness and a fascinating snapshot of who we are, lit by Sinclair's vivid prose. I'm sure it will be read fifty years from now' J. G. Ballard, Observer

A Poetry Book Society Special Commendation The Independent 50 Best Summer Reads Welcome to a strange new world in which a poem can be written using only one vowel, processed through computer code, collaged from film trailers, compiled from Facebook status updates, hidden inside a Sudoku puzzle, and even painted on sheep to demonstrate Quantum Theory. Discover a multitude of new and unusual poetic forms - from tweet to time-splice, and from skinny villanelle to breakbeat sonnet - in this inspiring and inventive anthology. Adventures in Form features over ninety poems by forty-six contributors including Patience Agbabi, Christian Bok, Joe Dunthorne, Inua Ellams, Roddy Lumsden, Ian McMillan, Paul Muldoon, Ruth Padel and Hannah Silva. Edited and introduced by Tom Chivers.

Hackney, that Rose-Red Empire is Iain Sinclair's foray into one of London's most fascinating boroughs 'As detailed and as complex as a historical map, taking the reader hither and thither with no care as to which might be the most direct route'Observer Hackney, That Rose-Red Empire is Iain Sinclair's personal record of his north-east London home in which he has lived for forty years. It is a documentary fiction, seeking to capture the spirit of place, before Hackney succumbs to mendacious green papers, eco boasts, sponsored public art and the Olympic Park gnawing at its edges. It is a message in a bottle, chucked into the flood of the future. 'An explosion of literary fireworks'Peter Ackroyd, The Times 'Gloriously sprawling, wonderfully congested, one of the finest books about London in recent decades'Daily Telegraph 'Sinclair adopts the roles of pedestrian, pilgrim and poet, magnificently illuminating the borough's historical and spiritual life'The Times 'Remarkable, compelling, bristles with unexpected, frequently lurid life. On Sinclair's territory there's nobody to touch him . . . a gonzo Samuel Pepys'Sunday Times Iain Sinclair is the author of Downriver (winner of the James Tait Black Memorial Prize and the Encore Award); Landor's Tower; White Chappell, Scarlet Tracings; Lights Out for the Territory; Lud Heat; Rodinsky's Room (with Rachel Lichtenstein); Radon Daughters; London Orbital, Dining on Stones, Hackney, that Rose-Red Empire and Ghost Milk. He is also the editor of London: City of Disappearances.