"Humor Me" is a literary cavalcade of contemporary American funnymen - and funnywomen - of the page. Selected by the renowned humorist Ian Frazier and featuring more than fifty pieces of the greatest comic writing of our time, the book includes such masters of the form as Roy Blount, Jr., Bruce Jay Friedman, Veronica Geng, Jack Handey, Garrison Keillor, Steve Martin, and Calvin Trillin, as well as work by newer comic stars like Andy Borowitz, Larry Doyle, Simon Rich, George Saunders, and David Sedaris. The pieces were published in the past thirty years in such popular magazines as "The New Yorker", "McSweeney's", "The Atlantic", "National Lampoon", and "Outside". But the book also includes a handful of older comic masterpieces that nobody in need of a laugh should ever be without, among them classics by Bret Harte, Elizabeth Bishop, Donald Barthelme, and Mark Twain.

The title essay of Coyote v. Acme, Ian Frazier's second collection of humorous essays, imagines the opening statement of an attorney representing cartoon character Wile E. Coyote in a product liability suit against the Acme Company, supplier of unpredictable rocket sleds and faulty spring-powered shoes. Other essays are about Bob Hope's golfing career, a commencement address given by a Satanist college president, a suburban short story attacked by the Germans, the problem of issues versus non-issues, and the theories of revolutionary stand-up comedy from Comrade Stalin. From first to last, this is Frazier at his hilarious best.

National Bestseller

With his unique blend of intrepidity, tongue-in-cheek humor, and wide-eyed wonder, Ian Frazier takes us on a journey of more than 25,000 miles up and down and across the vast and myth-inspiring Great Plains. A travelogue, a work of scholarship, and a western adventure, Great Plains takes us from the site of Sitting Bull’s cabin, to an abandoned house once terrorized by Bonnie and Clyde, to the scene of the murders chronicled in Truman Capote’s In Cold Blood. It is an expedition that reveals the heart of the American West.

A hilarious--and delightfully profane--novel about the daily frustrations of family life
Based on his widely read columns for "The New Yorker," Ian Frazier's uproarious first novel, "The Cursing Mommy's Book of Days," centers on a profoundly memorable character, sprung from an impressively fertile imagination. Structured as a daybook of sorts, the book follows the Cursing Mommy--beleaguered wife of Larry and mother of two young boys--as she offers tips on how to do various tasks around the home, only to end up on the ground, cursing, surrounded by broken glass. Her voice is somewhere between Phyllis Diller's and Sylvia Plath's: a hilariously desperate housewife with a taste for swearing and large glasses of red wine, who speaks to the frustrations of everyday life.
In "The Cursing Mommy's Book of Days," Frazier colors his fiction with grace and aplomb, as well as an extra helping of his trademark wicked wit. The Cursing Mommy's failures and weaknesses are our own--and Frazier gives them a loving, satirical spin that is uniquely his own.

Nobody Better, Better Than Nobody is a collection of five extended essays that appeared in The New Yorker from 1978 to 1986. In the tradition of A. J. Liebling and Joseph Mitchell, Frazier raises journalism to high literary art. His vivid stories showcase a strange and wonderful parade of American life, from portraits of Heloise, the syndicated household-hints columnist, and Jim Deren, the urban fly-fisher’s guru, to small-town residents in western Kansas preparing to celebrate a historic, mutual massacre, to which they invite the Cheyenne Indians’ descendants with the promise of free bowling.