Something has happened in Europe. Fearing the approach of to Britain, Terry and Hugh retreat from their home to the remote highlands of Scotland, prepared to live a simple existence together whilst the fighting resolves itself far away. Encouraged by Terry, Hugh begins a journal to note down the highs and lows of this return to nature, and to process their concerns of the oncoming danger. But as the sounds of guns by night grow louder, the grim prospect of encroaching war threatens to invade their cherish isolation and demolish any hope of future peace. Macpherson's only science fiction novel is a bleak and truly prescient novel of future war first published in 1936, just 3 years before the outbreak of conflict in Europe. A carefully drawn tale of survival in the wilderness and the value of our connection with others, Wild Harbour is both beautiful and heart-rending.

A year after John Bradstreet's raid of 1758-the first and largest British-American riverine raid mounted during the Seven Years' War (known in North America as the French and Indian War)-Benjamin Franklin hailed it as one of the great "American" victories of the war. Bradstreet heartily agreed, and soon enough, his own official account was adopted by Francis Parkman and other early historians. In this first comprehensive analysis of Bradstreet's raid, Ian Macpherson McCulloch uses never-before-seen materials and a new interpretive approach to dispel many of the myths that have grown up around the operation. The result is a closely observed, deeply researched revisionist microhistory-the first unvarnished, balanced account of a critical moment in early American military history. Examined within the context of campaign planning and the friction among commanders in the war's first three years, the raid looks markedly different than Bradstreet's heroic portrayal. The operation was carried out principally by American colonial soldiers, and McCulloch lets many of the provincial participants give voice to their own experiences. He consults little-known French documents that give Bradstreet's opponents' side of the story, as well as supporting material such as orders of battle, meteorological data, and overviews of captured ships. McCulloch also examines the riverine operational capability that Bradstreet put in place, a new water-borne style of combat that the British-American army would soon successfully deploy in the campaigns of Niagara (1759) and Montreal (1760). McCulloch's history is the most detailed, thoroughgoing view of Bradstreet's raid ever produced.

There is a growing scholarly interest in the historical development of what has been called a 'consumer society.' In this important collection of essays, historians from six different countries trace the history of the consumer cooperative movement in much of western Europe and North America from its inception to the present. The consumer cooperative, as the contributors show, bears directly on the role of socialist parties, the nascent feminist movement, and conceptions of the worker's role in a changing economy and society in the 19th and 20th centuries. The first book to explore consumer cooperation on a comparative, international level, Consumers Against Capitalism fills a significant gap in the literature of labor history. It also makes a significant contribution to the literature on consumerism and capitalist culture. It is essential reading for students and scholars of labor history, women's history, and social movements.

A post-postmodern crime novel set on the clean streets of Dublin's leafiest suburb, Sloot has at its heart an accidental detective who'd rather write his own Celtic-screwball-noir than solve the crime, and a narrator who loses the plot. Literally. Sound complicated? Not so. Thanks to a revolutionary structure, The Inquisitive Bullet, it's simplicity itself. Detours include proof that psychoanalysis is the oldest profession, validation of the dictum `For what is comedy but tragedy with loose trousers', and a brief aside on the possibility of an Irishman having multiple birth mothers. While the plot bullet speeds, inquisitively, towards its target - the final full stop.

Life is good for reformed standup Hayden McGlynn. He's living in rent-free luxury in London's Kentish Town. His soon-to-be new agent is the hottest in the business. The rights to his autobiographical screenplay, set in his native Dublin, have been snapped up. The future is money. The future is success. The future is Hayden McGlynn. But Hayden has a problem. Screen Hayden is none other than Wolfe Swift, The Greatest Actor Of This Or Any Other Age. And Wolfe Swift, as he prepares for the part, becomes Hayden McGlynn! Is the world ready for two Haydens? He also has a second problem. He's committed one murder and got away with it. He hasn't committed a second murder. What if he gets done for that? Which leads to problem number three. The screenplay is autobiographical. Has Hayden inadvertently grassed himself up? Hewbris, a post-postmodern crime anti-thriller in the same vein as cult classic Sloot, posits five levels of comedy, lands Hayden with six biological mothers, and proves the existence of God through a joke. Which came as a shock to the author.