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The metaverse seems to be on everybody's lips - and yet, very few
people can actually explain what it means or why it is important.
This book aims to fill the gap from an interdisciplinary
perspective informed by law and media and communications studies.
Going beyond the optimism emanating from technology companies and
venture capitalists, the authors critically evaluate the
antecedents and the building blocks of the metaverse, the design
and regulatory challenges that need to be solved, and commercial
opportunities that are yet to be fully realised. While the
metaverse is poised to open new possibilities and perspectives, it
will also be a dangerous place - one ripe with threats ranging from
disinformation to intellectual property theft to sexual harassment.
Hence, the book also offers a useful guide to the legal and
political governance issues ahead while also contextualising them
within the broader domain of governance and regulation of digital
technologies.
There is an inherent tension between popular and establishment
powers in political communities. With anti-establishment sentiment
on the rise across Western democracies, exploring the underpinnings
of this dualism and rethinking theories of political life within
states is of paramount importance. By combining the theories of
Carl Schmitt and Benedict Spinoza, this book develops a framework
of continuous reproduction, whereby the two powers simultaneously
hold one another in tension and supersede one another. In the same
vein, political communities are shown to be perpetually caught in a
cycle of creativity/contestation, derived primarily from Schmitt
(the tragic groundlessness of politics) and limitation (derived
primarily from Spinoza as a quasi-theological belief in the status
quo). Providing a novel theoretical framework explaining the
workings of democratic politics, this book also offers a
non-traditional reading of Spinoza and Schmitt. Whereas
traditionally both have been treated as almost polar opposites,
here they are held in creative tension, providing equally important
building blocks for the proposed theory. By furthering their
analysis, the author creates a new theory of political action.
This book analyses the changes to the regulation of everyday life
that have taken place as a result of datafication, the ever-growing
analytical, predictive, and structuring role of algorithms, and the
prominence of the platform economy. This new form of regulation -
algorithmic governance - ranges from nudging individuals towards
predefined outcomes to outright structuration of behaviour through
digital architecture. The author reveals the strength and
pervasiveness of algorithmic politics through a comparison with the
main traditional form of regulation: law. These changes are
subsequently demonstrated to reflect a broader shift away from
anthropocentric accounts of the world. In doing so, the book adopts
a posthumanist framework which focuses on deep embeddedness and
interactions between humans, the natural environment, technology,
and code.
This book combines political theory with media and communications
studies in order to formulate a theory of post-truth, concentrating
on the latter's preconditions, context, and functions in today's
societies. Contrary to the prevalent view of post-truth as
primarily manipulative, it is argued that post-truth is, instead, a
collusion in which audiences willingly engage with aspirational
narratives co-created with the communicators. Meanwhile, the
broader meta-framework for post-truth is provided by
mediatisation-increasing subjection of a variety of social spheres
to media logic and the primacy of media in everyday human
activities. Ultimately, post-truth is governed by collective
efforts to maximise the pleasure of encountering the world and
attempts to set hegemonic benchmarks for such pleasure.
There is an inherent tension between popular and establishment
powers in political communities. With anti-establishment sentiment
on the rise across Western democracies, exploring the underpinnings
of this dualism and rethinking theories of political life within
states is of paramount importance. By combining the theories of
Carl Schmitt and Benedict Spinoza, this book develops a framework
of continuous reproduction, whereby the two powers simultaneously
hold one another in tension and supersede one another. In the same
vein, political communities are shown to be perpetually caught in a
cycle of creativity/contestation, derived primarily from Schmitt
(the tragic groundlessness of politics) and limitation (derived
primarily from Spinoza as a quasi-theological belief in the status
quo). Providing a novel theoretical framework explaining the
workings of democratic politics, this book also offers a
non-traditional reading of Spinoza and Schmitt. Whereas
traditionally both have been treated as almost polar opposites,
here they are held in creative tension, providing equally important
building blocks for the proposed theory. By furthering their
analysis, the author creates a new theory of political action.
The world we live in is increasingly malleable and fluid,
especially in regards to being human - rendering the self into a
permanent beta version, co-constituted within agglomerations of
platforms, devices, physical infrastructures, entities pertaining
to physical and biological nature. This book proposes a
posthumanist research methodology for future research in this area,
providing a novel explanatory and methodological framework for
studying today's world. Malleable, Digital, and Posthuman studies
four areas: the economy, the human self, politics, and research
ethics and methodology. In the economic domain, Kalpokas focuses on
the emergence of the attention economy and the ensuing shift
towards personalisation and experience, shaping the (digital)
environment for optimised user interaction. Consequently, the
datafication and algorithmisation of the social world necessitates
an art and craft of the self, establishing a co-constitutive
interaction between the self and digital infrastructures. These
changes also strongly affect politics, primarily through datafied
management of the political and employment of predictive analytics
in preparing ground for political action, thereby rendering
collective identities and political leadership malleable and open
to relentless beta testing. With unique insights and an innovative
framework, this book is essential reading for researchers in the
areas of media and communication studies, politics and social
theory.
This book examines the use and potential impact of deepfakes, a
type of synthetic computer-generated media, primarily images and
videos, capable of both creating artificial representations of
non-existent individuals and showing actual individuals doing
things they did not do. As such, deepfakes pose an obvious threat
of manipulation and, unsurprisingly, have been the subject of a
great deal of alarmism in both the news media and academic
articles. Hence, this book sets out to critically evaluate
potential threats by analyzing human susceptibility to manipulation
and using that as a backdrop for a discussion of actual and likely
uses of deepfakes. In contrast to the usual threat narrative, this
book will put forward a multi-sided picture of deepfakes, exploring
their potential and that of adjacent technologies for creative use
in domains ranging from film and advertisement to painting. The
challenges posed by deepfakes are further evaluated with regard to
present or forthcoming legislation and other regulatory measures.
Finally, deepfakes are placed within a broader cultural and
philosophical context, focusing primarily on posthumanist thought.
Therefore, this book is a must-read for researchers, students, and
practitioners of political science and other disciplines,
interested in a better understanding of deepfakes.
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