JB Priestley's adaptation of Iris Murdoch's A Severed Head.4 women, 3 men

Charles Arrowby, leading light of England's theatrical set, retires from glittering London to an isolated home by the sea. He plans to write a memoir about his great love affair with Clement Makin, his mentor, both professionally and personally, and amuse himself with Lizzie, an actress he has strung along for many years. None of his plans work out, and his memoir evolves into a riveting chronicle of the strange events and unexpected visitors-some real, some spectral-that disrupt his world and shake his oversized ego to its very core.

"It is witty and wise and provocative... brilliantly good." --"Evening Standard"
"
The Black Prince" is both a remarkable thriller and a story about being in love.
Bradley Pearson, narrator and hero, is an elderly writer with a 'block'. Finding himself surrounded by predatory friends and relations -- his ex-wife, her delinquent brother, a younger, deplorably successful writer, Arnold Baffin, Baffin's restless wife and engaging daughter -- Bradley attempts to escape. His failure to do so and its aftermath lead to a violent climax and a most unexpected conclusion.

Edmund has escaped from his family into a lonely life. He returns home for his mother's funeral and finds himself involved in the same awful problems he left behind, together with some new ones. He also rediscovers the eternal family servant, the ever-changing "Italian girl".4 women, 3 men

A lay community of thoroughly mixed-up people is encamped outside Imber Abbey, home of an order of sequestered nuns. A new bell is being installed when suddenly the old bell, a legendary symbol of religion and magic, is rediscovered. And then things begin to change. Meanwhile the wise old Abbess watches and prays and exercises discreet authority. And everyone, or almost everyone, hopes to be saved, whatever that may mean. Originally published in 1958, this funny, sad, and moving novel is about religion, sex, and the fight between good and evil.

Iris Murdoch once observed: 'philosophy is often a matter of finding occasions on which to say the obvious'. What was obvious to Murdoch, and to all those who read her work, is that Good transcends everything - even God. Throughout her distinguished and prolific writing career, she explored questions of good and bad, myth and morality. The framework for Murdoch's questions - and her own conclusions - can be found in the Sovereignty of Good. The Boston Review hailed these essays as 'her most influential pieces of philosophy'.

Iris Murdoch was one of the great philosophers and novelists of the twentieth century and The Sovereignty of Good is her most important and enduring philosophical work. She argues that philosophy has focused, mistakenly, on what it is right to do rather than good to be and that only by restoring the notion of 'vision' to moral thinking can this distortion be corrected. This brilliant work shows why Iris Murdoch remains essential reading: a vivid and uncompromising style, a commitment to forceful argument, and a courage to go against the grain. With a foreword by Mary Midgley.

Bradley Pearson, an unsuccessful novelist in his late fifties, has finally left his dull office job as an Inspector of Taxes. Bradley hopes to retire to the country, but predatory friends and relations dash his hopes of a peaceful retirement. He is tormented by his melancholic sister, who has decided to come live with him; his ex-wife, who has infuriating hopes of redeeming the past; her delinquent brother, who wants money and emotional confrontations; and Bradley's friend and rival, Arnold Baffin, a younger, deplorably more successful author of commercial fiction. The ever-mounting action includes marital cross-purposes, seduction, suicide, abduction, romantic idylls, murder, and due process of law. Bradley tries to escape from it all but fails, leading to a violent climax and a coda that casts shifting perspectives on all that has preceded.

A novel about the frightfulness and ruthlessness of being in love
Martin Lynch-Gibson believes he can possess both a beautiful wife and a delightful lover. But when his wife, Antonia, suddenly leaves him for her psychoanalyst, Martin is plunged into an intensive emotional reeducation. He attempts to behave beautifully and sensibly. Then he meets a woman whose demonic splendor at first repels him and later arouses a consuming and monstrous passion. As his Medusa informs him, "this is nothing to do with happiness."
"A Severed Head" was adapted for a successful stage production in 1963 and was later made into a film starring Claire Bloom, Lee Remick, Richard Attenborough, and Ian Holm.

The sea: turbulent and leaden,transparent and opaque,magician and mother... When Cahrles Arrowby,over sixty,a demi god of the theatre- director,playwright and actor - retires from his glittering London world in order to `abjure magic and become a hermit',it is to the sea that he turns. He hopes at least to escape from `the woman' - but unexpectedly meets one whom he loved long ago. His buddhist cousin, James, also arrives. he is menaced by a monster from the deep. Charlesfinds his `solitude' peopled by the drama of his own fantasies and obsessions.

Best known as the author of twenty-six novels, Iris Murdoch has also made significant contributions to the fields of ethics and aesthetics. Collected here for the first time in one volume are her most influential literary and philosophical essays. Tracing Murdoch's journey to a modern Platonism, this volume includes incisive evaluations of the thought and writings of T. S. Eliot, Jean-Paul Sartre, Albert Camus, Simone de Beauvior, and Elias Canetti, as well as key texts on the continuing importance of the sublime, on the concept of love, and the role great literature can play in curing the ills of philosophy. Existentialists and Mystics not only illuminates the mysticism and intellectual underpinnings of Murdoch's novels, but confirms her major contributions to twentieth-century thought.

First published in 1961, The Severed Head is regarded is one of Iris Murdoch's most entertaining works. A dark and ferocious comic masterpiece, the novel traces the turbulent emotional journey of Martin Lynch-Gibbon, a smug, well-to-do London wine merchant and unfaithful husband, whose life is turned inside out when his wife leaves him for her psychoanalyst. In The Sea, the Sea the landscape shifts to the seclusion of an isolated house on the edge of England's North Sea, where Charles Arrowby, a big name in London's glittering theatrical world, has retired to write his memoirs. Arrowby's plans begin to unravel when he meets his first love and becomes haunted by the idea of rekindling his adolescent passion. The Severed Head and Booker prize-winner The Sea, the Sea are two of Iris Murdoch's most accomplished novels, displaying all her talent for combining profundity with playful creativity. Both tragic and comic, brooding and hilarious, they brilliantly reveal how much our lives are governed by the lies we tell ourselves as well as our all-consuming desire for love, significance and, ultimately, redemption.

Iris Murdoch once observed: 'philosophy is often a matter of finding occasions on which to say the obvious'. What was obvious to Murdoch, and to all those who read her work, is that Good transcends everything - even God. Throughout her distinguished and prolific writing career, she explored questions of good and bad, myth and morality. The framework for Murdoch's questions - and her own conclusions - can be found in the Sovereignty of Good. The Boston Review hailed these essays as 'her most influential pieces of philosophy'.

Bruno, dying, obsessed with spiders and preoccupied with death and reconciliation, lies at the center of an intricate spider's web of relationships and passions: Bruno's estranged and grieving son Miles; Danby, Bruno's widowed son-in-law, consoling himself with the Adelaide the maid, one of Murdoch's finest comic creations; creepy Nigel the nurse and his besotted twin Will, fighter of duels.

The flooding Thames bring s about the climax, and all are left changed by love and forgiveness before the old man's death.

This is real life, Jake,' she said. 'You'd better wake up.'

Jake is clever, lazy and scraping by in London as a hack translator. Jake loves Anna. Anna is an elusive and lovely singer. Anna loves Hugo. Hugo is a fireworks manufacturer turned movie producer and majestic philosopher. Hugo loves Sadie. Sadie is a glossy and dazzling film starlet. Of course, Sadie loves Jake. Then there's Marvellous Mister Mars, the famous hound, who might or might not be Jake's ticket up and out of this mess.

WITH AN INTRODUCTION BY CHARLOTTE MENDELSON

A scintillating novel of fate, accidents, and moral dilemmas
Set in the time of the Vietnam War, this story concerns the plight of a young American, happily installed in a perfect job in England, engaged to a wonderful girl, who is suddenly drafted to a war he disapproves of.
What is duty here, what is self-interest, what is cowardice? Austin Gibson Grey, the accidental man of the title, is accident-prone, also prone to bring disaster to his friend sand relations. He blames fate. But are we not all accidental, one of his victims asks. Fate and accidents make deep moral dilemmas for the characters in the long and complex tale.

Writer Jake Donaghue's adventures in London and Paris include falling in and out of love, kidnapping a canine film star, and trailing a onetime friend.

Pat Dumay is a Catholic and an Irish patriot. His relentlessly pious mother pursues her own private war with his stepfather, a man sunk in religious speculation and drink. Pat's English-bred Protestant cousin and rival, Andrew Chase-White, an officer in King Edward's Horse, puzzles out his complex emotions about Ireland and Frances, the girl he loves, against a background of the fear of death, while Frances's father, Christopher Bellman, scholar and cynic, finds love of Ireland a more passionate matter than he had bargained for. Weaving between these tensions and patterns moves Millie Kinnard: fast, feminist, and only just respectable. As rebellion looms nearer, tension mounts in the sombre rain-soaked Dublin streets; and if, in the end, death disperses most of the people, this is felt to be as inevitable as in a Sophoclean play.

Sartre's powerful political passions were united to a memorable literary gift, placing him foremost among the novelists, as well as the philosophers, of our time. This study analyses and evaluates the different strands of Sartre's rich and complex work. Combining the objectivity of the scholar with a profound interest in contemporary problems, Iris Murdoch discusses the tradition of philosophical, political and aesthetic thought that gives historical authenticity to Satre's achievement, while showing the ambiguities and dangers inherent in his position. SATRE begins with a critical analysis of Satre's novels and his ideas of freedom, consciousness and language, and ends with an appraisal of la literature engagee.

Reunited childhood friends confront their longings and failures in this "engaging" novel by a Man Booker Prize-winning author (The New York Times). As children growing up in the English countryside, Henry Marshalson and Cato Forbes were inseparable. But, as time went on, their lives took different paths. For Henry, whose older brother would inherit his father's estate, the United States called, with a professorship to teach art history, while Cato devoted himself to the Catholic priesthood and a mission in London. But when Henry's brother dies, leaving him sole heir to his family's vast estate, Henry and Cato find themselves connecting once more and reexamining the paths their lives have taken. As Henry struggles to come to terms with his personal passions and family obligations, and Cato fights against his religious doubts and darker urges, both men find themselves entwined in a deadly intrigue that could ruin not only their lives but also the lives of those they hold dear. A dizzying display of complex plotting, Henry and Cato was praised as "Murdoch's finest novel" by Joyce Carol Oates, a spectacular combination of thrilling action and moral philosophizing that will leave readers spellbound.

A family struggles for redemption after a funeral brings dark secrets to the surface in this novel from the Booker Prize-winning author of The Sea, The Sea. For the first time in years, Edmund Narraway has returned to his childhood home--for the funeral of his mother. The visit rekindles feelings of affection and nostalgia--but also triggers a resurgence of the tensions that caused him to leave in the first place. As Edmund once again becomes entangled in his family's web of corrosive secrets, his homecoming tips a precariously balanced dynamic into sudden chaos, in this compelling story of reunion and coming apart from Iris Murdoch, "one of the most significant novelists of her generation" (The Guardian).

Edward Lannion, the young master of Hatting Hall, is about to marry Marian Fox. At Penndean, a nearby house, preparations are under way for the wedding, overseen by the anxious Benet. Family and friends gather together for a celebratory dinner on the eve of the ceremony. The night is warm and clear, and after dinner the guests walk in the grounds and under the stars, full of happy anticipation. But then there is a sudden and extraordinary event, which changes everything. Iris Murdoch's novel is a marvellous and compelling human comedy. Edward and Marian, the couple at the centre of the story, are led by events to learn the truth about themselves; in the process, their friends, and lovers, are forced to make new choices, and see things as they are. And watching over all of them is Jackson, Benet's servant, a dark, mysterious and dangerous presence. It is Jackson who must intervene in the story to set the two young lovers onto the right path.

For years, Alfred Ludens has pursued mathematician and philosopher Marcus Vallar in the belief that he possesses a profound metaphysical formula, a missing link of great significance to mankind. Luden's friends are more sceptical. Jack Sheerwater, painter, thinks Marcus is crazy. Gildas herne, ex-preist, thinks he is evil. Patrick Fenman, poet, is dying because he thinks Marcus has cursed him. Marcus has disappeared and must be found. But is he a genius, a hero struggling at the bounds of human knowledge? Is he seeking God, or is he just another victim of the Holocaust, which casts its shadow upon him and upon Ludens, both of them Jewish? Can human thinking discover the foundations of human consciousness? Iris Murdoch's endlessly inventive imagination has touched a fundamental question of our time.

This is the story of the comic and yet relentless struggle for survival of Austin Gibson Grey, the accidental man. Austin is one of those people who needs to survive through the destruction of others. The others, in Austin's case, include his successful elder brother, Matthew, and the women who, one after the other, are so touchingly convinced that they can 'save' him. In this latter role we meet Austin's estranged wife, Dorina, a crazed angel, and Austin's far from angelic alcoholic landlady, Mitzi. Other women interest themselves too in Austin's fate, with hilarious and appalling results.

An Accidental Man is a novel of extraordinary scope and variety in which Iris Murdoch's astonishing fertility of mind and unerring narrative skill are most felicitously combined.