The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT031030Titlepage in red and black. The last 2 leaves contain the index. A re-issue of the sheets of the Osborne and Shipton 1756 edition, with a different titlepage, and sigs. B and L-T re-printed. With an unnumbered leaf of text inserted between pp.92-93, 116-117 and 120-121.London: printed for J. Rivington, L. Davis and C. Reymers, R. Baldwin, W. Owen, H. Woodfall, W. Strahan, and B. Collins, 1767. 18],92, 2],93-116, 2],117-120, 2],121-748, 4]p., plates; 2

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT042439Engraved titlepage. The single leaf of letterpress contains the dedication. The plates are engraved by Fourdrinier from drawings by Isaac Ware. With 35 plates numbered, singles as 1 leaf, doubles as 2 leaves. Another issue in which the misnumbered plates of the preceding have been corrected. London]: Published by I: Ware, 1735. 2]p., plates; 2

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT120718Re-issue of the 1756 edition with a different titlepage, and sigs.B. and L-T reprinted. Titlepage printed in red and black. With an unnumbered leaf of text descriptive of the plates inserted between pp.92-93, 116-117 and 120-121. The final two leaves cLondon: printed for J. Rivington, L. Davis and C. Reymers, R. Baldwin and 4 others in London], 1768. 18],92, 2],93-116, 2]117-120, 2],121-748 4]p., plates; 2