Brilliantly portrayed by a novelist with a talent for hyperbole and downright yarning unequaled since Mark Twain, (Saturday Review), this slave's-eye view of the Civil War exposes America's racial foibles of the past and present with uninhibited humor and panache.Mixing history, fantasy, political reality, and comedy, Ishmael Reed spins the tale of three runaway slaves and the master determined to catch them. His on-target parody of fugitive slave narratives and other literary forms includes a hero who boards a jet bound for Canada; Abraham Lincoln waltzing through slave quarters to the tune of Hello, Dolly; and a plantation mistress entranced by TV's Beecher Hour. Filled with insights into the political consciences (or lack thereof) of both blacks and whites, Flight to Canada confirms Reed's status as a great writer (James Baldwin).A demonized Uncle Tom's Cabin, a book that reinvents the particulars of slavery in America with comic rage. -- The New York Times Book ReviewWears the mantle of Baldwin and Ellison like a high-powered Flip Wilson in drag...a terrifically funny book. -- Baltimore Sun

This multidisciplinary volume includes an international roster of contributors who explore how mass hysteria has emerged among people across the globe as a consequence of the COVID-19 pandemic. The contributors provide international perspectives on the effects of this "corohysteria" in areas such as education, healthcare, religion, psychology, mathematics, economics, media, racism, politics, etc. They argue the hysteria, angst, fear, unrest, and difficulties associated with the pandemic are exploited to foster political and social agendas and have led to the undermining of national and global responses to the virus.

The negative impacts associated with conventional tourism has occasioned more sustainable forms of tourism including community-based tourism (CBT). Among the benefits of CBT are the improvement of rural economies, empowerment of the local community, and poverty alleviation. In as much as CBT has been promoted as being more beneficial to local communities, its implementation is not without challenges. In the wake of the COVID-19 pandemic, destination marketing organizations and managers of CBT projects have to adopt different marketing strategies including shifting to target new demographics in an effort to remain sustainable. Prospects and Challenges of Community-Based Tourism and Changing Demographics provides theoretical and empirical insights in the prospects and challenges associated with CBT, critically examining issues of structure, impact, management, marketing, support, changing demographics, challenges, sustainability, and implications for the future of CBT. It also highlights critical lessons and trends in CBT from both established and new CBT initiatives to inform the design, management, marketing, and sustainability of CBT projects. This book will be a useful addition to the literature on CBT with its coverage of topics such as conservation, cultural tourism, and sustainable rural livelihoods. This book provides an excellent resource for students, academicians, researchers, tourism and hospitality practitioners, managers, destination managers, stakeholders, tour operators, and policymakers.

The chronological compilation of Letters to the Editor presented in ESPYLACOPA covers twenty-five years of opinions from the author published by various newspapers across America and Europe. The observations within ESPYLACOPA reflect the progressively relevancy of Muslim insight into the development of political, social and spiritual trends in America. As Islam continues to be more relevant in America in the days and years to come, the message offered in this little book may serve as a welcomed gift of enlightenment to those readers who seek a fuller understanding of Islam and Muslims and choose to prepare for the beginning of the journey into an inheritable tomorrow. The viewpoints offered in ESPYLACOPA by a Muslim born and raised in Mississippi and who is a veteran of the U.S. Air Force are intended to promote social justice and spiritual enhancement and shine a light on the path into the future as the relationship between Islam and the Americas becomes more intertwined and amicable, inshallah (God willing).

The first-person account of a 26-year-old who fought in the war in Sierra Leone as a 12-year-old boy. ‘My new friends have begun to suspect that I haven't told them the full story of my life. “Why did you leave Sierra Leone?” “Because there is a war.” “You mean, you saw people running around with guns and shooting each other?” “Yes, all the time.” “Cool.” I smile a little. “You should tell us about it sometime.” “Yes, sometime.”’ This is how wars are fought now: by children, hopped-up on drugs and wielding AK-47s. There are more than fifty conflicts going on worldwide and it is estimated there are some 300,000 child soldiers fighting. Ishmael Beah used to be one of them. What is war like through the eyes of a child soldier? How does one become a killer? How does one stop? Child soldiers have been profiled by journalists, and novelists have struggled to imagine their lives. But until now, there has not been a first-person account from someone who came through this hell and survived. Ishmael Beah, now twenty-five years old, tells a riveting story: how at the age of twelve in Sierra Leone, he fled attacking rebels and wandered a land rendered unrecognizable by violence. By thirteen, he'd been picked up by the government army, and Beah, at heart a gentle boy, found he was capable of truly terrible acts. This is a rare and mesmerizing account, told with real literary force and heartbreaking honesty.

After a lifetime of being a church member, and leading the Church, as a Teacher, Ruling Elder, Lay Speaker, Lay Preacher, and a certified Lay Pastor, this is my understanding of the power of God's word. God's Word is the most powerful thing in the cosmic universe. By His Word He can create, sustain, or destroy. He created the universe, and created mankind in His own image. This is a synoptic of the use of His word, from the beginning to the present time and an account of those persons, who have accepted Jesus as their Lord and Savior, and became His disciples, and carried his message throughout the world.

Mystic Parallax is the first major monograph by rising interdisciplinary artist Awol Erizku. Working across photography, film, video, painting, and installation, his work references and re-imagines African American and African visual culture, from hip hop vernacular to Nefertiti, while nodding to traditions of spirituality and Surrealism. This comprehensive monograph spans Erizku's career, blending his studio practice with his work as an in-demand editorial photographer working regularly for the New Yorker, New York magazine, Time, and GQ, among others, and features his conceptual portraits of Black cultural icons, such as Solange, Amanda Gorman, and Michael B. Jordan. As Erizku recently told the New York Times, "It's important for me to create confident, powerful, downright regal images of Black people." Featuring essays by critically acclaimed author Ishmael Reed, curator Ashley James, and writer Doreen St. Felix, and interviews with the artist by Urs Fischer and Antwaun Sargent, Mystic Parallax is a luminous and arresting testament to the artist's tremendous power and originality.

'A great writer' James Baldwin 'Part vision, part satire, part farce ... a wholly original, unholy cross between the craft of fiction and witchcraft' The New York Times A plague is spreading across 1920s America, racing from New Orleans to New York. It's an epidemic of free expression, carried by black artists, and its symptoms are an uncontrollable urge to dance, sing, laugh and jive. The state will stop at nothing to suppress the outbreak, but, deep in the heart of Harlem, private eye and Vodum priest Papa LaBas has other ideas - and, possibly, the key to everything. A freewheeling, explosive blend of jazz, ragtime, ancient myth, magic and conspiracy thriller, this anarchic postmodern classic is a satire for our times.

The writings of six choreographers are assembled in this book and the leap they have taken to go from the medium of choreography into written text constitutes a form of translation. Some of the texts investigate the possibilities of written language as invention, others use it as a means to illustrate specific tenets or describe choreographic projects. All yield insight into the process of coaxing language from the body.