Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Marguerite Long, the most important French female pianist of the 20th century, left her stamp on a whole epoch of musical life in Paris. The Pedagogical Writings of Marguerite Long presents English translations of the two contributions of Marguerite Long to the literature of piano pedagogy. These translations of her pedagogical works, Le Piano and La Petite Méthode de Piano, provide a window to the old French school of pianism as modernized by Long. Le Piano is a remarkable text offering piano playing techniques and pragmatic and philosophical musings and observations about life, musicians, careers, and more. La Petite Méthode de Piano is a personal manifesto about how to introduce kids to music. Both works are treasures revealing Long's deep commitment to teaching and they are still stunningly relevant. In addition, John Ellis analyzes each work and puts it in historical context. He places special emphasis on Long's illustrious international career, her teaching, her rivalry with Alfred Cortot, and the impact of sexism on her. Ellis addresses the eclipse of Long's reputation by that of Cortot and fills a gap in the knowledge of Long's place in the history of pedagogical heritage.

The Abdus Salam Memorial Meeting was held from the 19th to the 22nd of November, 1997 on the first anniversary of the death of Prof Abdus Salam, Nobel laureate and Founder-Director of the International Centre for Theoretical Physics. It was an opportunity for many of his colleagues and students to pay homage to him.

This invaluable volume, comprising the papers presented at the meeting, reflects the long-lasting passion of Prof Salam for the theory of the fundamental forces. Most of the contributions are concerned with recent developments in the theory of superstrings, including duality, D-branes and related topics.

The Salamfest was held to honor Prof Abdus Salam whose scientific contribution to the development and dissemination of physics has deeply influenced the course of scientific advancement. Colleagues, collaborators and former students met together to celebrate his scientific achievements, and discuss the highlights of recent advances in experiment and phenomenology in particle and condensed matter physics.The Contributors are: A Ali, G Altarelli, L Alvarez-Gaume, D Amati, J Bahcall, A Chamseddine, R Delbourgo, M Duff, J Ellis, J Feltesse, P Frampton, M Green, G 't Hooft, T Kibble, G Mack, Y Ne'eman, L O'Raifeartaigh, J Pati, R Peccei, S Randjbar-Daemi, Riazuddin & Fayyazuddin, D Schramm, H Schroeder, D Sciama, E Sezgin, Q Shafi, C Vafa, S Weinberg, P West, B Winstein, E Witten, C N Yang, A Zichichi and B Zumino.

This book is the compilation of papers presented at the International Symposium on In Vivo Body Composition Studies, held in Houston, Texas, November 10-12, 1992. The purpose of this conference was to report on the state-of-the-art techniques for in vivo body composition measurements and to present the most recent human data on normal body composition and changes during disease. This conference was the third in a series of meetings on body composition studies held in North America, and follows the successful meetings at Brookhaven National Laboratory in 1986, and the one in Toronto in 1989. A large number of excellent research papers were offered for consideration at this Conference which demonstrates the rapid growth of the field in the last three years. However, we had to limit the presentations to approximately 90 papers which provided a broad spectrum of the applications and recent interest in the subject. The proceedings of the Brookhaven meeting "In Vivo Body Composition Studies," is published by The Institute of Physical Sciences in Medicine, London. The proceedings of the Toronto meeting "In Vivo Body Composition Studies" was published by Plenum Press in its basic life science series. Both these meetings placed more emphasis on technical aspects while the current Houston meeting tried to emphasize more the emerging clinical applications of these techniques. The general sessions used at the Conference for presentations forms the basis of the order of appearance of the papers in this book.

Hermann von Helmholtz (1821-94) was a leading scientist who made important contributions to physiology, psychology, physics, philosophy and early neuroscience. Following his foundational work in ophthalmics during the 1850s, he became Professor of Physiology at Heidelberg and, in 1863, published On the Sensations of Tone. This investigation into the physical theory of music remains a central text for the study of physiological acoustics and aesthetics. In it, Helmholtz applies physics, anatomy and physiology. He explains how tones are built from a base tone with upper partial tones, and his later discussions on consonance and musical scales develop this theory and discuss how the ear perceives these tones. His work on consonance and dissonance was of particular interest to composers and musicologists well into the twentieth century. This English translation, published in 1875 from the third German edition, retains the original's straightforward language, making this classic work accessible to non-specialists.