Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Originally published in 1934, this book contains the second volume of Atkins' 'sketch' of the development of ancient literary criticism. Atkins concludes his history with a look at the styles of literary criticism prevalent after the rise of the Roman Empire, and includes the responses of figures such as Cicero, Tacitus and Lucian to changes in the literature of their day.

Originally published in 1951, this volume covers the transition period between the years of Renaissance influence and the dawn of 19th Century Romanticism. The book analyses the theories and judgments of various critics and their bearing on literary appreciation. The opening chapter concentrates on the account of French doctrines of the 17th Century which is essential as the necessary background of English critical activities for the best part of two centuries. Later chapters discuss the main lines of the development and the more significant critics.

Originally published in 1947, this volume reviews the critical achievement at the Renaissance. It discusses the ideas of literature then current in England, as revealed in contemporary theorizing and judgments. The period has sometimes been dismissed as lacking great critics, and the critical works themselves have been described as elementary and remote, but, as this work shows, viewed in the light of what came before and after, those texts will be found to be of considerable interest and possess intrinsic and historical value. This book charts the course of the movement and the main findings and their significance in critical history. There is an emphasis to show the part payed by the medieval tradition, with its inheritance of post-classical and patristic doctrine; the lead given by 15th Century Italian and other Humanists and the no less important attempts of independent native writers to work out new artistic and dramatic theory of their own.

Originally published in 1934, this book contains the first volume of Atkins' 'sketch' of the development of ancient literary criticism. Atkins begins his history with a look at the styles of literary criticism prevalent in ancient Greece, and includes the responses of figures such as Aristophanes, Plato and Callimachus to changes in the literature of their day. This work is aimed primarily at those with little to no classical background and will be of value to anyone with an interest in literary criticism.

In England literary consciousness had its beginning in the middle ages, and this book, originally published in 1943, describes and illustrates the first phases of the growth of a tradition of criticism. It does not confine itself to writers whose interest was in the vernacular, for there was a larger European movement of which English criticism was a part. It embodied much of the ancient teaching, but it shows recurring efforts to arrive at the nature and art of poetry; it provides a key to contemporary literature and is of great help in understanding what really happened at the 16th Century Renaissance.

In England literary consciousness had its beginning in the middle ages, and this book, originally published in 1943, describes and illustrates the first phases of the growth of a tradition of criticism. It does not confine itself to writers whose interest was in the vernacular, for there was a larger European movement of which English criticism was a part. It embodied much of the ancient teaching, but it shows recurring efforts to arrive at the nature and art of poetry; it provides a key to contemporary literature and is of great help in understanding what really happened at the 16th Century Renaissance.

Originally published in 1947, this volume reviews the critical achievement at the Renaissance. It discusses the ideas of literature then current in England, as revealed in contemporary theorizing and judgments. The period has sometimes been dismissed as lacking great critics, and the critical works themselves have been described as elementary and remote, but, as this work shows, viewed in the light of what came before and after, those texts will be found to be of considerable interest and possess intrinsic and historical value. This book charts the course of the movement and the main findings and their significance in critical history. There is an emphasis to show the part payed by the medieval tradition, with its inheritance of post-classical and patristic doctrine; the lead given by 15th Century Italian and other Humanists and the no less important attempts of independent native writers to work out new artistic and dramatic theory of their own.

Originally published in 1951, this volume covers the transition period between the years of Renaissance influence and the dawn of 19th Century Romanticism. The book analyses the theories and judgments of various critics and their bearing on literary appreciation. The opening chapter concentrates on the account of French doctrines of the 17th Century which is essential as the necessary background of English critical activities for the best part of two centuries. Later chapters discuss the main lines of the development and the more significant critics.

Originally published in 1934, this book contains the first volume of Atkins' 'sketch' of the development of ancient literary criticism. Atkins begins his history with a look at the styles of literary criticism prevalent in ancient Greece, and includes the responses of figures such as Aristophanes, Plato and Callimachus to changes in the literature of their day. This work is aimed primarily at those with little to no classical background and will be of value to anyone with an interest in literary criticism.

Originally published in 1934, this book contains the second volume of Atkins' 'sketch' of the development of ancient literary criticism. Atkins concludes his history with a look at the styles of literary criticism prevalent after the rise of the Roman Empire, and includes the responses of figures such as Cicero, Tacitus and Lucian to changes in the literature of their day.

First published in 1970. This series includes a selection of historically important nineteenth and early twentieth century narratives written about Africa by missionaries and other figures connected with the church. The introductions are designed to place the narratives in their appropriate historical contexts, offer fresh biographical studies of the authors, and provide a critique of modern scholarship. This is number 14 and looks at A.M.Mackay.

Originally published between 1934 and 1952 these volumes are classics in the field of literary criticism. Their author was a respected scholar whose ability to survey a vast field of literature and criticism and explain and un-tangle it to students was well-known. The volumes: Analyze styles of literary criticism prevalent in ancient Greece and after the rise of the Roman Empire Illustrates the first phases of the growth of a tradition of criticism Review the critical achievement at the Renaissance Discuss the theories and judgments of various critics and their bearing on literary appreciation between the Renaissance and the dawn of 19th Century Romanticism.

First published in 1970. This series includes a selection of historically important nineteenth and early twentieth century narratives written about Africa by missionaries and other figures connected with the church. The introductions are designed to place the narratives in their appropriate historical contexts, offer fresh biographical studies of the authors, and provide a critique of modern scholarship. This is number 14 and looks at A.M.Mackay.

In this handbook the opportunity has been taken firstly to present the waterbalance in the horny layer and the sweat secretion process with particular emphasis on their relationship to the pharmacodynamical aspects of the micro circulation and permeability of the skin. F. A. 1. THIELE was unable to witness the printing of his life-work concerning the water balance of skin, which he had compiled at the university in Nijmegen with J. W. H. MALI and G. 1. DE JONGH and D. A. REAY from Great Britain. Their contribution concentrates on evaluating the cooling function of the sweat glands with their heat-pipe system and on the physico-chemical effects of dermatological therapy and topically applied cosmetics. A certain amount of overlapping with Volume I/4A (E. SCHWARZ) could not be avoided, and yet the presentation by THIELE and co-workers considers different aspects. The pharmacodynamics of externally applied substances involved in microcirculation are related thematically also to percutaneous resorption. Function and morphology of pharmacodynamics in microcirculation are inseparable. Therefore the structural alterations of the blood vessels in reaction to foreign agents or as an adaptation to endogenous tissue hormone release have been examined electronmicroscopically by W. G. FORSSMANN and his team, and relay a distinct picture of the microcirculation in the area of skin reactiveness. The direct pharmacological aspects of the skin and the systemic effects on blood vessels and their permeability have been listed according to the latest research material."