When it comes to making great decisions, the way you think about things is usually a lot more influential than what you actually think.

If you ever hired a person who ‘looks the part’, dated someone who ‘gives you a good feeling’, voted for the party that ‘speaks the most sense’ or got into an investment that ‘cannot be missed’, only to realise you made a horrible mistake, you might have wondered how you ever talked yourself into it. Yet, even with the bruises you’ve earned, you’re currently likely to make exactly the same decision, the next time around.

The beliefs that guide your ideas and the instincts that drive your actions, are all informed by your unconscious biases (and literally every single one of us has them), which irrationally tell us one thing is good, and another is bad; one thing is absolutely true and another is utterly false; and make you act less smartly than you actually are. But the good news is you can learn to see them, to manage them and ultimately to overcome them.

In Don’t Believe Everything You Think, Colin J Browne, the author of How to Build a Happy Sandpit, shows you how biases work, why they matter, and how to reframe your thinking to make well-founded decisions about life and work, relationships and investing, and much else in between, to vastly improve your chances of success.

Find Hope, Joy, and Community as a Special Needs Mom For the special needs mom who yearns for community and support on what can be a lonely road, The Other Side of Special reminds you that you are not alone, your best is good enough, and even on the hard days, there are blessings to be had. As you pour your energy and resources into raising a special child, it's easy to struggle with feelings of isolation, competition, guilt, and overwhelm. Here's the encouragement and practical help to navigate the emotional reality of your situation. In The Other Side of Special, three mothers raising children with physical, medical, mental, and emotional special needs have joined forces and pooled their experience and expertise to provide such a resource. They take a deep dive into the most common emotions felt by special needs moms. They acknowledge the hard things as those who have been there. They celebrate the unique joys of being a special needs mom. And they offer encouragement for the journey, remaining realistic about the challenges special needs moms will continue to face.

This volume focuses on games to manage and facilitate rehabilitation. It emphasizes user practice, attitudes, and experience, and their changing place within developing rehabilitation frameworks. It looks at how users have adopted, integrated, and innovated with games to facilitate rehabilitation. Topics include game technology, game design and accessibility, web-based technologies vs pervasive and mobile technologies, social and collaborative aspects, and rehabilitative outcome. Games for rehabilitation are gaining interest from different communities such as medicine, psychology, and rehabilitation. A distinction can be made between games specifically made for rehabilitative purposes and games made for the general public but that are used in rehabilitation as well. Games have allowed the building of new/complementary forms for rehabilitation and offered new options to produce rehabilitative activities and experiences.

Pastimes is the first book in English on Chinese jinshi, or antiquarianism, the pinnacle of traditional connoisseurship of ancient artifacts and inscriptions. As a scholarly field, jinshi was inaugurated in the Northern Song (960-1127) and remained popular until the early twentieth century. Literally the study of inscriptions on bronze vessels and stone steles, jinshi combined calligraphy and painting, the collection of artifacts, and philological and historical research. For aficionados of Chinese art, the practices of jinshi offer a fascinating glimpse into the lives of traditional Chinese scholars and artists, who spent their days roaming the sometimes seamy world of the commercial art market before attending elegant antiquarian parties, where they composed poetic tributes to their ancient objects of obsession. And during times of political upheaval, such as the nineteenth century, the art and artifact studies of jinshi legitimatized reform and contributed to a dynamic and progressive field of learning.

Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume Three of this landmark series on African cinema spans the past century and is devoted to the documentation of decoloniality in cultural policy in both Africa and the Black diaspora worldwide. A compendium of formal resolutions, declarations, manifestos, and programmatic statements, it chronologically maps the long history and trajectories of cultural policy in Africa and the Black Atlantic. Beginning with the 1920 declaration of the Rights of the Negro Peoples of the World, which anticipates cinema as we know it today, and the formal oppositional assertions—aspirational and practical. The first part of this work references formal statements that pertain directly to cultural policy and cinematic formations in Africa, while the next part addresses the Black diaspora. Each entry is chronologically ordered to account for when the statement was created, followed by where and in what context it was enunciated.

Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume Two of this landmark series on African cinema is devoted to the decolonizing mediation of the Pan African Film & Television Festival of Ouagadougou (FESPACO), the most important, inclusive, and consequential cinematic convocation of its kind in the world. Since its creation in 1969, FESPACO's mission is, in principle, remarkably unchanged: to unapologetically recover, chronicle, affirm, and reconstitute the representation of the African continent and its global diasporas of people, thereby enunciating in the cinematic, all manner of Pan-African identity, experience, and the futurity of the Black World. This volume features historically significant and commissioned essays, commentaries, conversations, dossiers, and programmatic statements and manifestos that mark and elaborate the key moments in the evolution of FESPACO over the span of the past five decades.

This book contains poetry by the Author written over some forty years about aspects of life that touched his heart and mind. It is generally descriptive, meaningful to the average man and yet at times poignant. In this poetry, the author has captured people, events and things which evoke vivid pictures, feelings and moods. The common man can relate to the author's expression and his style is easily read and understood. The poems reflect life in its many forms and leave the reader able to interpret, experience and appreciate life as described in these poetic reflections by Judge Brown. We all pass through these experiences of life, but Judge Brown has the great quality of being able to memorialize and capture aspects of life in poetic words.

THEY FOUND EACH OTHER. NOW THEY MUST RESCUE WHAT THEY LEFT BEHIND. The highly-anticipated sequel to the queer genre-bending dystopian romance All That's Left in the World.

Against the backdrop of a ravaged world, Andrew and Jamie have settled in a new community, more in love than ever. Finally they've reached safety and have each taken on roles and responsibilities in this new life. But it's soon clear they want different things:

Jamie is ready to move on and take to the road, just the two of them.

Andrew wants to remain in the safety of numbers.

With a storm brewing up the coast they have no choice to head back into the wilderness where old enemies roam and they don't know who to trust. Can they find their way back to safety and each other?

From the opening scene of this novel you realize that from the moment you meet Buck looking out of his bedroom window in his pajamas in June of 1961, until the closing scenes in June of 1965 on the day after high school graduation, that Buck and his friends have taken you into life in the 1960's. This novel captures the conversations; the cars; the sex; the romance; the football games; the dances; the nude streaking; the voyeur peeking; the corporal punishment in school; the skinny-dipping; the drinking; the parties; the pranks; the necking; the beachside sand dunes; the car wrecks; the high school graduation; and the graduation party. The novel is about coming of age and the teenage rite of passage, with all its humor; gawkiness; pain; and complexity At times you will roll with side-splitting laughter; at times you will cry; at times you will cheer All the chronicles are intertwined with actual historical events of the time and the popular music of the period. Brown's Will the Laughter Stop? THE BABY BOOMER CHRONICLES will become a new kind of mantra for today's grandparents to tell other generations of Americans: That's the way it was. The Author writes with a flair for description, and creates a viable setting in a Long Island, New York, Catholic High School, the kind every American city and town has, just around the corner. These characters' voices could have been anyone's in high school days, when they struggled to set boundaries; to develop ethical standards; to question the existence of God; to ponder their future; and the very existence of their life and goals. Readers of this book will ride along on the adventures, not knowing what the next day will bring, but always asking, Who will star in the movie?

Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume One of this landmark series on African cinema draws together foundational scholarship on its history and evolution. Beginning with the ideological project of colonial film to legitimize the economic exploitation and cultural hegemony of the African continent during imperial rule to its counter-historical formation and theorization. It comprises essays by film scholars and filmmakers alike, among them Roy Armes, Med Hondo, Fèrid Boughedir, Haile Gerima, Oliver Barlet, Teshome Gabriel, and David Murphy, including three distinct dossiers: a timeline of key dates in the history of African cinema; a comprehensive chronicle and account of the contributions by African women in cinema; and a homage and overview of Ousmane Sembène, the "Father" of African cinema.

This volume focuses on the latest methods used to sequence, assemble, and analyze insect genomes. The collection of protocols in this book provides an introduction to the workflows and bioinformatics tools available for researchers. The chapters cover a range of useful topics such as determining genome size by flow cytometry; High Molecular Weight DNA extraction; improvements to a genome assembly provided by long-range sequencing approaches; assessments of orthology and single-copy genes at different phylogenetic levels; detecting regulatory regions with FAIRE, RAMPAGE, and computational analysis of cis-regulatory modules in insects; bioinformatics analysis of epigenetic modifications, high-throughput scanning of insect genomes (TEEseq) for the presence of endosymbionts, and leveraging genome sequence information to design RNAi strategies. Written in the highly successful Methods in Molecular Biology series format, chapters include introductions to their respective topics, lists of the necessary materials and reagents, step-by-step, readily reproducible laboratory protocols, and tips on troubleshooting and avoiding known pitfalls. Cutting-edge and thorough, Insect Genomics: Methods and Protocols is a valuable resource for graduate students, postdocs, and novice research scientists who are interested in learning more about this developing field.