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This book articulates the first theoretical context for a 'cyborg
theatre, ' metaphorically integrating on-stage bodies with the
technologized, digitized, or mediatized, to re-imagine subjectivity
for a post-human age. It covers a variety of examples, to propose
new theoretical tools for understanding performance in our changing
world.
This book articulates the first theoretical context for a 'cyborg
theatre', metaphorically integrating on-stage bodies with the
technologized, digitized, or mediatized, to re-imagine subjectivity
for a post-human age. It covers a variety of examples, to propose
new theoretical tools for understanding performance in our changing
world.
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