On its first appearance English Poetry of the Romantic Period was widely praised as on of the best introductions to the subject. This edition includes updated material in the light of recent work in Romanticism and Romantic poetry. The book discusses the concerns that linked the Romantic poets, from their responses to the political and social upheavals around them to their interest in the poet's visionary and prophetic role. It includes helpful and authoritative discussions of figures such as Blake, Clare, Coleridge, Crabbe, Keats, Scott, Shelley and Wordsworth.

This is a selection of 250 of the best-known hymns in the English language, including texts translated from Greek, Latin, and German. An introduction discusses the hymn as a historical and literary artifact and each hymn is printed with notes that set it in context, identify significant sources, and provide explanatory and critical material.

On its first appearance English Poetry of the Romantic Period was widely praised as on of the best introductions to the subject. This edition includes updated material in the light of recent work in Romanticism and Romantic poetry. The book discusses the concerns that linked the Romantic poets, from their responses to the political and social upheavals around them to their interest in the poet's visionary and prophetic role. It includes helpful and authoritative discussions of figures such as Blake, Clare, Coleridge, Crabbe, Keats, Scott, Shelley and Wordsworth.

Why do people sing hymns? Are hymns poetry? What makes a good hymn? The author discusses the nature of hymns and their particular appeal, examines the English hymn as a literary form, and systematically describes its development through four centuries, from the Reformation to the mid-twentieth century.

An Annotated Anthology of Hymns treats the hymn as a literary form deserving of respect. 250 hymns from the English-speaking world are printed, covering the range from the earliest years of the Christian church to the present day, with notes on the words and the tunes. The anthology takes the hymn seriously, in an an age in which hymn-singing is less common than it was. It should appeal to hymn-lovers, but also to those who want to find out more about hymns.

It was old Latimer who said, "When sometimes I sit alone, and have a settled assurance of the state of my soul, and know that God is my God-I can laugh at all troubles, and nothing can daunt me." Godliness puts a man in heaven before his time. Christian, aspire after piety; it is a lawful ambition. Look at the saints' characteristics here, and never leave off until you have got them stamped upon your own soul. This is the grand business which should swallow up your time and thoughts. Other speculations and quaint notions are nothing, compared to the priceless soul. They are like wafers which have fine words printed upon them, and are curious to the eye-but are thin, and yield little nourishment. But I will not keep you longer in the porch. Should I have enlarged upon any one characteristic of the godly man, it would have required a volume-but designing to go over many, I have contracted my sails, and given you only a brief summary of things. If this piece conduces to the good of souls, I shall have my desire. That the God of grace will effectually accomplish this shall be my prayer. Thomas Watson was an English preacher and author who obtained great fame preaching until the Restoration when he was ejected as the vicar of St. Stephen's Walbrook for noncomformity. Watson continued to exercise his ministry privately and upon the Declaration of Indulgence in 1672 he obtained a license to preach at the great hall in Crosby House.

"This, then, is how you should pray: Our Father in heaven." -Matthew 6:9 In this Scripture are two things observable: the introduction to the prayer-and the prayer itself. The introduction to the Lord's prayer is, "This, then, is how you should pray." Our Lord Jesus, in these words, gave to his disciples and to us a directory for prayer. The ten commandments are the rule of our life, and the sum of our faith-and the Lord's prayer is the pattern of our prayer. As God prescribed Moses a pattern of the tabernacle (Exod 25:9), so Christ has here prescribed us a pattern of prayer. "This, then, is how you should pray," etc. The meaning is, let this be the rule and model according to which you frame your prayers. We ought to examine our prayers by this rule.] Calvin. Not that we are tied to the exact words of the Lord's prayer. Christ says, "This, then, is how you should pray" that is, let all your petitions agree and harmonize with the things contained in the Lord's prayer; and well may we make all our prayers consonant and agreeable to this prayer. Tertullian calls this prayer, "a breviary and compendium of the gospel " It is like a heap of massive gold. Thomas Watson was an English preacher and author who obtained great fame preaching until the Restoration when he was ejected as the vicar of St. Stephen's Walbrook for noncomformity. Watson continued to exercise his ministry privately and upon the Declaration of Indulgence in 1672 he obtained a license to preach at the great hall in Crosby House.

The excess of impiety which has broken down the banks of common civility and modesty, at first led my thoughts to these ensuing subjects. The spirits of men are leavened with atheism-and their lives are stained with debauchery. I do not know what to call them but baptized heathens. I am sure the floods of sin are risen, even to a deluge. There is a generation among us of whom I may say, that they militate against religion. They are so exceedingly profane that they esteem the Bible to be a fable-and would jeer all holiness out of the world The "prince of the power of the air" now works in the children of disobedience Thomas Watson was an English preacher and author who obtained great fame preaching until the Restoration when he was ejected as the vicar of St. Stephen's Walbrook for noncomformity. Watson continued to exercise his ministry privately and upon the Declaration of Indulgence in 1672 he obtained a license to preach at the great hall in Crosby House.

This handbook provides a guide to English Romanticism for students of English literature. It contains factual information about the authors, major and minor, including dates of publication and other biographical information. It also sets the work of the individual authors in context by including sections on historical movements, such as the Industrial Revolution, the abolition of the slave trade and the French revolution. Jean Raimond is the author of "Robert Southey, L'Homme et Son Temps, Son Oeuvre, l'Oeuvre, le Role" and "Visages du Romantisme Anglais", and co-author of "Le Preromantisme Anglais" (avec Pierre Arnaud"). J.R. Watson is the author of "Wordsworth's Vital Soul", "English Poetry of the Romantic Period, 1789-1830" and "The Poetry of Gerard Manley Hopkins", and editor of "Everyman's Book of Victorian Verse".

This textbook/workbook takes an interactive approach to the study of color and design, highlighting the elemental importance for designers to understand how color is perceived, experienced, and manipulated in order to be used effectively in their designs. Workbook activities encourage the student to interact with the world around them by capturing images using their cell phones and other digital devices. Space is provided for students to mount assignments illustrating their understanding of the concepts. This highly visual text will explore and apply the principles of color and design and help stir the imagination of today's art and design students.

Each Macmillan Casebook concerns a classic of English literature or significant modern work. (Occasional volumes in the series will deal with closely related works.) Each casebook brings together the best of modern criticism, along with a generous selection of earlier reviews and comment, and any useful information that readers might need. The introduction discusses the critical reputation of the work from the time of its publication to the present day. Each volume aims to give its readers a heightened sense of the interest and vitality of the work under discussion, and of the value of a critical response.